From the Publisher: What does it mean to be a Jew? How does one begin to answer so extensive a question? In this insightful and completely updated tome, esteemed rabbi and bestselling author Joseph Telushkin helps answer the question of what it means to be a Jew, in the largest sense. Widely recognized as one of the most respected and indispensable reference books on Jewish life, culture, tradition, and religion, Jewish Literacy covers every essential aspect of the Jewish people and Judaism. In 352 short and engaging chapters, Rabbi Telushkin discusses everything from the Jewish Bible and Talmud to Jewish notions of ethics to antisemitism and the Holocaust; from the history of Jews around the world to Zionism and the politics of a Jewish state; from the significance of religious traditions and holidays to how they are practiced in daily life. Whether you want to know more about Judaism in general or have specific questions you'd like answered, Jewish Literacy is sure to contain the information you need

Lola upsets her best friends by playing Halloween tricks on them but with help from her family, she may still be able to enjoy her favorite holiday.

"Pulitzer Prize-winner Donald Margulies weaves together nostalgia, music, and merriment in this new season classic. A holiday show for people of all ages and all faiths, Coney Island Christmas introduces us to Shirley Abramowitz, a young Jewish girl who (much to her immigrant parents' consternation) is cast as Jesus in the school's Christmas pageant. As Shirley, now much older, recounts the memorable story to her great-granddaughter, the play captures a timeless and universal tale of what it means to be an American during the holidays."--Page 4 of cover

In the fall of 1965 the Israeli newspaper Haaretz sent a young journalist named Elie Wiesel to the Soviet Union to report on the lives of Jews trapped behind the Iron Curtain. “I would approach Jews who had never been placed in the Soviet show window by Soviet authorities,” wrote Wiesel. “They alone, in their anonymity, could describe the conditions under which they live; they alone could tell whether the reports I had heard were true or false—and whether their children and their grandchildren, despite everything, still wish to remain Jews. From them I would learn what we must do to help . . . or if they want our help at all.” What he discovered astonished him: Jewish men and women, young and old, in Moscow, Kiev, Leningrad, Vilna, Minsk, and Tbilisi, completely cut off from the outside world, overcoming their fear of the ever-present KGB to ask Wiesel about the lives of Jews in America, in Western Europe, and, most of all, in Israel. They have scant knowledge of Jewish history or current events; they celebrate Jewish holidays at considerable risk and with only the vaguest ideas of what these days commemorate. “Most of them come [to synagogue] not to pray,” Wiesel writes, “but out of a desire to identify with the Jewish people—about whom they know next to nothing.” Wiesel promises to bring the stories of these people to the outside world. And in the home of one dissident, he is given a gift—a Russian-language translation of Night, published illegally by the underground. “‘My God,’ I thought, ‘this man risked arrest and prison just to make my writing available to people here!’ I embraced him with tears in my eyes.”

From the streets of modern Israel to the barrooms of Brooklyn to a suburban New England synagogue, the characters in these 10 stories search for love and acceptance in a world scarred by loss and loneliness. In "The Madonna of Temple Beth Elohim," an Iraq war veteran sees a vision of the Virgin Mary on the eve of the Jewish high holidays. In "My Darling Sweetheart Baby," a working-class drunk waits on his stoop for his disability check and the courage to proclaim his love to a local prostitute. And in the title story "There Is No Other," a rage-filled Jewish boy, tormented by his African lineage, arrives at a school Purim party dressed as the prophet Mohammed. Magical, erotic, spiritually penetrating and terrifyingly realistic, these provocative tales continue the storytelling tradition of Bernard Malamud, Philip Roth, and Nathan Englander.

Memory is about choice. We can choose to remember the past in ways that provoke pain and stir our anger, or we can remember in ways that help us create the kind of world in which we most want to live. Nowhere is this choice more important than in connection to the Holocaust. And never has it been more important than now, because we are the first generation that will live without the presence of those who can tell us in their own words what they saw with their own eyes. These seventy-one firsthand stories from survivors of the Holocaust teach us to choose to remember for life, for their words are not about hatred and death but about ethics, decency, and love. Although the stories are arranged to accompany the weekly Torah readings and many of the Jewish holidays, they are just as meaningful when read on their own, in any sequence. The themes--journey, identity, resistance, community, refuge, and righteousness, to name but a few--are universal. And the lessons--about how to live more fully the life we are given--shine through.