Not long ago, everyone knew that Judaism came before Christianity. More recently, scholars have begun to recognize that the historical picture is quite a bit more complicated than that. In the Jewish world of the first century, many sects competed for the name of the true Israel and the true interpreter of the Torah—the Talmud itself speaks of seventy—and the form of Judaism that was to be the seedbed of what eventually became the Christian Church was but one of these many sects. Scholars have come to realize that we can and need to speak of a twin birth of Christianity and Judaism, not a genealogy in which one is parent to the other. In this book, the author develops a revised understanding of the interactions between nascent Christianity and nascent Judaism in late antiquity, interpreting the two "new" religions as intensely and complexly intertwined throughout this period. Although the "officials" of the eventual winners in both communities—the Rabbis in Judaism and the orthodox leaders in Christianity—sought to deny it, until the end of late antiquity many people remained both Christians and Jews. This resulted, among other things, in much shared religious innovation that affected the respective orthodoxies as well. Dying for God aims to establish this model as a realistic one through close and comparative readings of contemporary Christian texts and Talmudic narratives that thematize the connections and differences between Christians and Jews as these emerged around the issue of martyrdom. The author argues that, in the end, the developing discourse of martyrology involved the circulation and exchange of cultural and religious innovations between the two communities as they moved toward sharper self-definition.

In Augustine and the Jews, Fredriksen draws us into the life, times, and thought of Augustine of Hippo (396–430). Focusing on the period of astounding creativity that led to his new understanding of Paul and to his great classic, The Confessions, she shows how Augustine’s struggle to read the Bible led him to a new theological vision, one that countered the anti-Judaism not only of his Manichaean opponents but also of his own church. The Christian Empire, Augustine held, was right to ban paganism and to coerce heretics. But the source of ancient Jewish scripture and current Jewish practice, he argued, was the very same as that of the New Testament and of the church—namely, God himself. Accordingly, he urged, Jews were to be left alone. Conceived as a vividly original way to defend Christian ideas about Jesus and about the Old Testament, Augustine’s theological innovation survived the collapse of the Western Roman Empire, and it ultimately served to protect Jewish lives against the brutality of medieval crusades. Augustine and the Jews sheds new light on the origins of Christian anti-Semitism and, through Augustine, opens a path toward better understanding between two of the world’s great religions.

The crusades are often seen as epitomising a period when hostility between Christian West and the Muslim Near East reached an all time high. As this edited volume reveals, however, the era was one which saw both conflict and cohabitation. Tackling such questions as whether medicinal and architectural innovations came to Europe as a direct result of the Crusades, and why and how peace treaties and intermarriages were formed between the different cultures, this distinguished group of contributors reveal how the Holy Wars led on the one hand to a reinforcement of the beliefs and identities of each side, but on the other to a growing level of cultural exchange and interaction. This volume breaks new ground in not only exploring the conflict between the Christian and the Muslim worlds, but also the impact of this conflict on the cultural evolution of European and Near Eastern thought and practices. Utilising the latest scholarship and original studies of the sources, this survey sheds new light on the cultural realities of East-West relations and marks a new departure for studies of the crusades. Contributors include John France, Yehoshua Frenkel, Chris Wright, Natasha Hodgson, A.V. Murray, Sini Kangas, Léan Ní Chléirigh, Susan Edgington, Jürgen Krüger, Yvonne Friedman and Bernard Hamilton.