"Palo Alto's weather is temperate, its people are educated and enterprising, its corporations are spiritually and materially ambitious and demonstrably world-changing. Palo Alto is also a haunted toxic waste dump built on stolen Indian burial grounds, and an integral part of the capitalist world system. In Palo Alto, the first comprehensive, global history of Silicon Valley, Malcolm Harris examines how and why Northern California evolved in the particular, consequential way it did, tracing the ideologies, technologies, and policies that have been engineered there over the course of 150 years of Anglo settler colonialism, from IQ tests to the "tragedy of the commons," racial genetics, and "broken windows" theory. The Internet and computers, too. It's a story about how a small American suburb became a powerful engine for economic growth and war, and how it came to lead the world into a surprisingly disastrous 21st century. Palo Alto is an urgent and visionary history of the way we live now, one that ends with a clear-eyed, radical proposition for how we might begin to change course"--Provided by publisher.

Hollow City surveys San Francisco's transformation - skyrocketing residential and commercial rents that are driving out artists, activists, nonprofit organizations and the poor; the homogenization of the city's architecture, industries and population; the decay of its public life; and the erasure of its sites of civic memory. California's Bay Area is home to nearly a third of the venture capital and internet businesses in the United States, generating a boom economy and a massive influx of well-paid workers that has transformed the face of San Francisco. Once the great anomaly among American cities, San Francisco is today only the most dramatically affected among the many urban centers experiencing cultural impoverishment as a result of new forms and distributions of wealth. A collaboration between writer-hiostorian Rebecca Solnit and photographer Susan Schwartzenberg, Hollow City surveys San Francisco's transformation - skyrocketing residential and commercial rents that are driving out artists, activists, nonprofit organizations and the poor; the homogenization of the city's architecture, industries and population; the decay of its public life; and the erasure of its sites of civic memory. Written as a tour of the city's distinctive characters and locales, Solnit's text grounds the current evictions in earlier histories of urban renewal and the economic geography of artists, from Haussmann's impact on the Paris of Baudelaire, to the relationship between the Beats and San Francisco's African-American community during 'negro removal' of the 1950s. She investigates the ways wealth is now clear-cutting the cultural richness of American urban life, erasing space for idealism, dissent, memory and vulnerable populations. Schwartzenberg's photo-essays document the profusion of construction and demolition projects in the city, the imperial spaces of dot-com businesses, the proliferation of retail chains, and the rapid disappearance of areas in which artists can live and create. They feature works by more than a dozen San Francisco artists.

"Over the last twenty years, art has become more accessible than ever before. A painter can post their latest creation on Instagram and wait as the likes pile up; a budding filmmaker can shoot a clip on their iPhone, then upload it to YouTube for thousands to view. The digital landscape has fundamentally altered what it means to be creative, as well as how consumers interact with artistic production both economically and curatorially. William Deresiewicz, a leading critic of contemporary culture in America, argues that we are in the midst of an epochal transformation within art. Whereas the nineteenth century considered artists to be craftsmen and the twentieth century treated them as professionals, artists today are uniquely dependent upon themselves. The internet, along with decreases in art funding and the growing prevalence of gig economies, has forced artists to become responsible for every aspect of their work, from conception to promotion, from sales to legacy. In The Death of the Artist, Deresiewicz profiles those struggling to make a living through the arts, from the twenty-something college novelist with a multi-hyphenated job title to the midlife painter who must utilize social media to stay relevant. Deresiewicz shows what the birth of the "creative entrepreneur" signifies about our evolving society at large and what might be done to keep artists thriving, because we need them"--

Since its publication in 1976, Tom Paine and Revolutionary America hasbeen recognized as a classic study of the career of the foremost politicalpamphleteer of the Age of Revolution, and a model of how to integrate thepolitical, intellectual, and social history of the struggle for Americanindependence.Foner skillfully brings together an account of Paine's remarkable career witha careful examination of the social worlds within which he operated, in GreatBritain, France, and especially the United States. He explores Paine's politicaland social ideas and the way he popularized them by pioneering a new form ofpolitical writing, using simple, direct language and addressing himself to areading public far broader than previous writers had commanded. He shows whichof Paine's views remained essentially fixed throughout his career, whiledirecting attention to the ways his stance on social questions evolved under thepressure of events. This enduring work makes clear the tremendous impact Paine'swriting exerted on the American Revolution, and suggests why he failed to have asimilar impact during his career in revolutionary France. And it offers newinsights into the nature and internal tensions of the republican outlook thathelped to shape the Revolution.In a new preface, Foner discusses the origins of this book and the influencesof the 1960s and 1970s on its writing. He also looks at how Paine has beenadopted by scholars and politicians of many stripes, and has even been calledthe patron saint of the Internet.

The story many have told can lead one to believe in the existence of a united Jewish people: rich, powerful, placed under centralized command and responsible for establishing a worldwide power strategy through money. Such a belief would merge with the fantasies that have spread across every century from Trajan to Constantine, from Matthew to Luther, from Marlow to Voltaire, from the Protocol of the Elders of Zion to Mein Kampf, to all that which is propagated today via the anonymity of the Internet. This is the story ripe to be challenged and retold. Herein lies the history of the relationship between the Jewish people, money and the world at large. The author is well aware of the subversive nature of this subject. It is a topic that has unleashed so many controversies and brought about so many massacres as to have become a veritable taboo, a topic that must not be evoked under any circumstance for fear of provoking some age-old catastrophe. Today, no one dares write on this topic, as if centuries of study have served no purpose other than to fuel book burning. It remains nevertheless in the best interest of modern mankind to understand how those who discovered monotheism also founded the ethics of capitalism, how some became its primary brokers and leading bankers, while others its most unrelenting enemy. In this book the author tackles the facts and the lies of the history of the relationship between the Jewish people, money and the world at large. "It seems essential that our world, and Jewish people themselves, face a part of their history that they may not care for but of which they have every reason to be proud." REVIEWS "The Economic History of the Jewish People by Jacques Attali is set to be as controversial as it is well documented and thoroughly researched by one of the foremost financial authorities of Europe, the Head of the Commission to Promote Economic Growth in France. Attali has written numerous books and knows this subject thoroughly. He has tackled it from the standpoint of history, myth, and dirty stories, proving some and dispelling others with facts. He has traced the economic experiences, leadership, and fall of the Jewish people from 2,000 years BC until present upheavals of economy worldwide. The book is fascinating for anyone interested in history, finance, or the Jewish people. It is an eye-opener in some instances and shows the influence, admitted or behind-the-scenes, which the Jewish people have had on the entire history of our world through the ages and how they have been rewarded or persecuted along the way for their use of any kind of tender (legal or illegal) around the world for 4,000 years. Really interesting and so very well written." Bonnie Neely, Amazon Top 1000 Reviewer, 2010/05/24

"Wasserstein moves from the historical to the human dramas behind the headlines. He asks, and answers, the important questions that every financial watcher - and investor - needs to know. Are companies overpaying for their corporate acquisitions? What's the impact of the rise in Internet stock prices and the boom in IPOs? And, in assessing the big picture, Wasserstein makes a persuasive argument that the explosion of corporate alliances will have an effect as dramatic as the industrial revolution."--Jacket.