A scathing and prescient look at television newsÂ-now updated for the new tech-savvy generation Television news : genuine information or entertainment fodder? Fifteen years ago, Neil Postman, a pioneer in media education and author of the bestselling Amusing Ourselves to Death, and Steve Powers, an award-winning broadcast journalist, concluded that anyone who relies exclusively on their television for accurate world news is making a big mistake. A cash cow laden with money from advertisers, so-called news shows glut viewers with celebrity coverage at the cost of things they really should know. Today, this message is still appallingly true but the problems have multipliedÂ- along with the power of the Internet and the abundance of cable channels. A must-read for anyone concerned with the way media is manipulating our worldview, this newly revised edition addresses the evolving technology and devolving quality of AmericaÂ's television news programming.

The classic collection of criticism about television and American culture from the late, multi-award-winning legend. From 1968 through 1972, Harlan Ellison penned a series of weekly columns, sharing his uncompromising thoughts about contemporary television programming for the Los Angeles Free Press , a.k.a. "The Freep," a countercultural, underground newspaper. Sitcoms and variety shows, westerns and cop dramas, newscasts and commercials, Ellison left no pixilated stone unturned, expounding on the insipidness, hypocrisy, and malaise found in the glowing images projected into the faces of American audiences. The Glass Teat: Essays of Opinion on the Subject of Television collects fifty-two of Ellison's columns--including his 2011 introduction "Welcome to the Gulag," his unapologetic commentary about how cellphones and the internet have extended television's reach, eroding intelligence and freedom and creating a legion of bloodshot eyed zombies unable to communicate beyond their screens or think for themselves. Provocative and prescient, irreverent and insightful, Ellison's critical analyses of the glowing box that became the center of American life are even more relevant in the twenty-first century. Also available: The Other Glass Teat: Further Essays of Opinion on the Subject of Television

As the title Jar Jar Binks Must Die indicates, Daniel M. Kimmel is not only a film critic with strong opinions, he's also a fan. In this collection of essays, he covers movies from Metropolis (1927), answering the absurd claim that the restoration of this silent classic negated its status as a science fiction film, to how Star Trek, Avatar, Moon, and District 9 may have made 2009 a "miracle year" for the genre. Along the way he looks at neglected works like Things to Come (1936), explains why remakes aren't always bad, and how seeing E.T. in an empty screening room changed his mind about Steven Spielberg. Whether to rediscover old favorites or add new titles to your Netflix queue, this is a must-have for lovers of SF movies. Author Bio Daniel M. Kimmel is a past president of the Boston Society of Film Critics. When it was discovered he is also a science fiction fan he started getting invitations to participate at a number of SF conventions, which he continues to do. He reviewed for the Worcester Telegram and Gazette and now writes for Northshoremovies.net. He is a correspondent for Variety, the "Movie Maven" for the Jewish Advocate and teaches film--including a course on SF and horror--at Suffolk University. His essays on classic science films have appeared in several publications including Clarkesworld, Space and Time, and the Internet Review of Science Fiction. He is the author of a history of FOX TV, The Fourth Network (2004) which received the Cable Center Book Award. His other books include a history of DreamWorks, The Dream Team (2006) and I'll Have What She's Having: Behind the Scenes of the Great Romantic Comedies (2008). He is also the author of three novels: Shh! It's a Secret: a novel about Aliens, Hollywood, and the Bartender's Guide (2013) Time On My Hands: My Misadventures In Time Travel (2017), and Father of the Bride of Frankenstein (2019).

Trenchant, occasionally splenetic, and always brutally funny, Romanian-born Codrescu confronts the convulsions of our post-ideological world at a time when "the advent of cyberspace and the caffeinating of America has occurred simultaneously." With these newest essays from 1994 and 1995 - some that are straight off the NPR airwaves and some that have served as magazine pieces or speeches - Codrescu takes us on a roller-coaster tour through our own dramatically changing country. Making stops along the way to observe the shifting American landscape, our incisive guide confronts, among other curiosities: the ever-increasing illusion of democracy; the Internet and sex in the cyber age; the rise and rerise of the religious Right; the grotesquerie born out of the cooling shards of post-Communism; the transformation of the American palate; the ascendance of vampirism; and the new millennial contagion. Andrei Codrescu has been keeping his audience abreast of the absurdities of American culture for over ten years, and his trademark irony, buoyant paranoia, and mystical cynicism are once again in ample evidence in this collection. Along for the ride are all of his familiar characters, including puppets, fascists, airplanes, and Greyhound buses, but now his menagerie has expanded to include one electronically adjusted dog, Miss America, and an alligator god.