Hollow City surveys San Francisco's transformation - skyrocketing residential and commercial rents that are driving out artists, activists, nonprofit organizations and the poor; the homogenization of the city's architecture, industries and population; the decay of its public life; and the erasure of its sites of civic memory. California's Bay Area is home to nearly a third of the venture capital and internet businesses in the United States, generating a boom economy and a massive influx of well-paid workers that has transformed the face of San Francisco. Once the great anomaly among American cities, San Francisco is today only the most dramatically affected among the many urban centers experiencing cultural impoverishment as a result of new forms and distributions of wealth. A collaboration between writer-hiostorian Rebecca Solnit and photographer Susan Schwartzenberg, Hollow City surveys San Francisco's transformation - skyrocketing residential and commercial rents that are driving out artists, activists, nonprofit organizations and the poor; the homogenization of the city's architecture, industries and population; the decay of its public life; and the erasure of its sites of civic memory. Written as a tour of the city's distinctive characters and locales, Solnit's text grounds the current evictions in earlier histories of urban renewal and the economic geography of artists, from Haussmann's impact on the Paris of Baudelaire, to the relationship between the Beats and San Francisco's African-American community during 'negro removal' of the 1950s. She investigates the ways wealth is now clear-cutting the cultural richness of American urban life, erasing space for idealism, dissent, memory and vulnerable populations. Schwartzenberg's photo-essays document the profusion of construction and demolition projects in the city, the imperial spaces of dot-com businesses, the proliferation of retail chains, and the rapid disappearance of areas in which artists can live and create. They feature works by more than a dozen San Francisco artists.

Since its publication in 1976, Tom Paine and Revolutionary America hasbeen recognized as a classic study of the career of the foremost politicalpamphleteer of the Age of Revolution, and a model of how to integrate thepolitical, intellectual, and social history of the struggle for Americanindependence.Foner skillfully brings together an account of Paine's remarkable career witha careful examination of the social worlds within which he operated, in GreatBritain, France, and especially the United States. He explores Paine's politicaland social ideas and the way he popularized them by pioneering a new form ofpolitical writing, using simple, direct language and addressing himself to areading public far broader than previous writers had commanded. He shows whichof Paine's views remained essentially fixed throughout his career, whiledirecting attention to the ways his stance on social questions evolved under thepressure of events. This enduring work makes clear the tremendous impact Paine'swriting exerted on the American Revolution, and suggests why he failed to have asimilar impact during his career in revolutionary France. And it offers newinsights into the nature and internal tensions of the republican outlook thathelped to shape the Revolution.In a new preface, Foner discusses the origins of this book and the influencesof the 1960s and 1970s on its writing. He also looks at how Paine has beenadopted by scholars and politicians of many stripes, and has even been calledthe patron saint of the Internet.