#1 NEW YORK TIMES BESTSELLER • From bestselling author Danielle Steel comes a powerful, sweeping historical novel about a courageous woman in World War II Germany. Sophia Alexander, the beautiful daughter of a famous surgeon in Berlin, has had to grow up faster than most young women. When her mother falls ill, Sophia must take charge of her younger sister, Theresa, and look after her father and the household, while also volunteering at his hospital after school. Meanwhile, Hitler’s rise to power and the violence in her very own town have Sophia concerned, but only her mother is willing to share her fears openly. After tragedy strikes and her mother dies, Sophia becomes increasingly involved in the resistance, attending meetings of dissidents and helping however she can. Circumstances become increasingly dangerous and personal when Sophia assists her sister’s daring escape from Germany, as Theresa flees with her young husband and his family. Her father also begins to resist the regime, secretly healing those hiding from persecution, only to have his hospital burned to the ground. When he is arrested and sent to a concentration camp, Sophia is truly on her own, but more determined than ever to help. While working as a nurse with the convent nuns, the Sisters of Mercy, Sophia continues her harrowing efforts to transport Jewish children to safety and finds herself under surveillance. As the political tensions rise and the brutal oppression continues, Sophia is undeterred, risking it all, even her own freedom, as she rises to the challenge of helping those in need—no matter the cost. In Only the Brave , Danielle Steel vividly captures the devastating effects of war alongside beautiful moments of compassion and courage.

O, The Oprah Magazine, Time Magazine, Financial Times, Esquire, Bustle, Lit Hub, Electric Literature, Library Journal, Brooklyn Based, Avenue BEST BOOK OF THE YEAR New York Times Editors' Choice "Superb. . . . Krauss's depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss's stories capture characters at moments in their lives when they're hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers." --Molly Antopol, New York Times Book Review "From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction." --Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women's coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss's stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

The memoir of a woman who leaves her faith and her marriage and sets out to navigate the terrifying, liberating terrain of a newly mapless world Born and raised in a tight-knit Orthodox Jewish family, Tova Mirvis committed herself to observing the rules and rituals prescribed by this way of life. After all, to observe was to be accepted and to be accepted was to be loved. She married a man from within the fold and quickly began a family. But over the years, her doubts became noisier than her faith, and at age forty she could no longer breathe in what had become a suffocating existence. Even though it would mean the loss of her friends, her community, and possibly even her family, Tova decides to leave her husband and her faith. After years of trying to silence the voice inside her that said she did not agree, did not fit in, did not believe, she strikes out on her own to discover what she does believe and who she really is. This will mean forging a new way of life not just for herself, but for her children, who are struggling with what the divorce and her new status as "not Orthodox" mean for them. This is a memoir about what it means to decide to heed your inner compass at long last. To free the part of yourself that has been suppressed, even if it means walking away from the only life you've ever known. Honest and courageous, Tova takes us through her first year outside her marriage and community as she learns to silence her fears and seek adventure on her own path to happiness.

Read Visible City . Tova Mirvis s graceful yet vigorous New York novel is about the half-inadvertent window-peeping that city life enables, and where it can lead. New York Magazine After chaotic days of wrangling and soothing her young children, Nina spends her evenings spying on the quiet, contented older couple across the street. But one night, through her same window, she spies a young couple in the throes of passion. Who are these people, and what happened to her symbol of domestic happiness? Soon, Nina crosses paths with both couples on the streets of her Upper West Side neighborhood and, as anonymity gives way to different forms of intimacy, all begin to confront their own desires and disappointments. Shrewdly and artfully, Mirvis explores the boundaries between our own lives and the lives of others. From its lavish ghost subway stations to its hidden stained-glass windows, Visible City conjures a New York City teeming with buried treasures. An utterly perfect, deeply moving evocation of contemporary Manhattan [that] reminded me of Paula Fox and Laurie Colwin, and also those master chroniclers of the privileged classes, Wharton and Fitzgerald . . . Brilliant. Joanna Smith Rakoff, Salon.com Mirvis s meticulously choreographed novel surprises and moves us. New York Times Book Review TOVA MIRVIS is the author of The Outside World and The Ladies Auxiliary , a national bestseller. Her essays have appeared in various anthologies and newspapers, and her fiction has been broadcast on NPR. She is a recipient of a Massachusetts Cultural Council Fiction Fellowship and lives in Newton, Massachusetts, with her three children. Author photograph (c) Nina Subin"

Product Description Set in the magnificent culture of the Middle East more than four thousand years ago, Lilah is a rich and emotionally resonant story of faith, love, and courage. Living in exile, Lilah is in love with Antinoes, a Persian warrior. They have known each other since they were children, and Antinoes dearly wants to make Lilah his wife. Yet Lilah does not feel she can marry without the blessing of her brother, Ezra. She and Ezra are close, and Lilah knows her brother well—he does not want his sister to have a husband outside their faith. Ezra is a scholar of the laws of Moses, and Lilah believes it is her brother’s destiny to lead the Jewish people back to the Promised Land. While Antinoes pressures her to accept his proposal, Lilah realizes that before she can consider her own happiness, it is her duty to help her brother accomplish the seemingly impossible task that is before him. Putting herself in grave danger, and with the help of Antinoes, Lilah wins Ezra an audience with Artaxerxes II, the King of Kings, who grants permission to lead the exiles on their journey back to the Promised Land. After a hazardous trip across the desert, Lilah, Ezra, and the thousands who join them arrive in Jerusalem. But the hardship of rebuilding the Temple takes its toll, and the religious enthusiasm of some turns to extremism. Ezra, listening to the zealots, orders all non-Jewish wives and their children banished from Jerusalem. Lilah, whose love for Antinoes has never wavered, is horrified by this command. She knows she must now choose between her brother and her conscience, which tells her that the time has come to defy him. Lilah is a timeless story of one woman’s stand against intolerance; it will linger in the reader’s mind long after the last page has been turned. From Publishers Weekly In his final installment of the Canaan Trilogy ( Sarah; Zipporah), Halter ambitiously tackles portions of the complicated biblical book of Ezra, which centers on the rebuilding of the Jerusalem temple and calls Israel to ethnic and religious purity. In the Persian town of Susa, the beautiful Lilah dreams of marrying her Persian lover and childhood sweetheart, Antinoes. However, her beloved brother Ezra, who has immersed himself in studying the laws of God, refuses to approve of their union since Antinoes is not a Jew. As the story unfolds, with scenes full of rich detail, Lilah becomes the unlikely instrument of gaining royal approval for the Jewish people to return to Jerusalem and rebuild the holy city. However, once there, Ezra orders all non-Jewish wives and children driven away in what is surely one of the most heart-wrenching episodes directly from scripture. A horrified Lilah repudiates her brother and leaves with them. As the cast-off women wander unprotected outside the city, rape, murder and mayhem ensue. (It's confusing that Lilah narrates one violent scene, but readers are unsure how she survives it.) As in Sarah and Zipporah, there is plenty of highly charged sexuality and some imaginative storytelling. Unfortunately, as with its predecessors, the story trails off, and the ending is unsatisfactory. (June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From AudioFile Ellen Reilly brings the story of Lilah, sister of Ezra, the biblical prophet, to life. Perhaps not many are familiar with the story of Ezra, which takes place more than four thousand years ago during a sad time in Israel's history. Lilah is torn between her love for her brother, Ezra, and her love for a Persian warrior. She must choose, and her choice will bring far-reaching consequences. All the emotion and turmoil in the story are made real by the talented Ellen Reilly. One can easily feel the heartache, passion, and drama of this book. Fascinating and well worth a listen. N.L. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine About the Author Mar

For fans of All-of-a-Kind Family , here is the true story of how Sarah Brenner, a poor girl from New York City’s Lower East Side, became Sydney Taylor: dancer, actress, and successful children’s book author. Sarah Brenner might have come from an all-of-a-kind family (five sisters who all dressed alike), but she was always one of a kind. Growing up in a Jewish immigrant family on New York’s impoverished Lower East Side, Sarah loved visiting the library, celebrating holidays with her family, and taking free dance classes at the Henry Street Settlement. But she was always aware of things that weren’t fair—whether it was that women couldn’t vote, or how girls were treated in her school, or that her parents had had to leave Europe because they were Jewish. When she grew up, Sarah changed her name to Sydney and became an actress and a dancer, but she never forgot the importance of fighting unfairness, whether it was anti-Semitism at her job or the low wages of workers. And when her daughter complained that it wasn’t fair that there were no books about Jewish children like her, Sydney put pen to paper and wrote a one-of-a-kind children’s book. From well-known Jewish children’s author Richard Michelson, this is the story of how Sarah became Sydney and how she showed children the joy of seeing their culture reflected on the page.

The murder of a third of Europe's Jews by the Nazis is unquestionably the worst catastrophe in the history of contemporary Judaism and a formative event in the history of Zionism and the State of Israel. Understandably, therefore, the Shoah, written about, analyzed, and given various political interpretations, has shaped public discourse in the history of the State of Israel. The key element of Shoah in the Israeli context is victimhood and as such it has become a source of shame, shrouded in silence and subordinated to the dominant discourse which, resulting from the construction of a "new Hebrew" active subjectivity, taught the postwar generation of Israelis to reject diaspora Jewry and its alleged passivity in the face of catastrophe. This book is the culmination of years of preoccupation with the meaning of the Shoah for the author, an Israeli woman with a "split subjectivity: - that of a daughter of a family of Shoah survivors, and that of a daughter of the first Israeli-born generation; the culmination of her need to break the silence about the Shoah in a society which constructed itself as the Israeli antithesis to diaspora Jewry, and to excavate a "truth" from underneath the mountain of Zionist nation-building myths. These myths, the author argues, not only had deep implication for the formation of her generation but also a profound impact on the Israeli-Palestinian conflict. Moreover, they are shot through with images of the "masculine" Israeli, constrasted with those of the weak, passive, non-virile Jewish "Other" of the diaspora. This book offers the first gendered analysis of Israeli society and the Shoah. The author employs personal narratives of nine Israeli daughters of Shoah survivors, writers and film makers, and a feminist re-reading of official and unofficial Israeli and Zionist discourses to explore the ways in which the