From one of the preeminent literary voices in Israel comes a darkly funny collection of surrealist stories exploring the increasingly complex relationship between humans and technology. Set in our world, alternate realities, distant futures, and the immortal realm, the stories in Autocorrect traverse the wide range of human experience. With wit and creativity, Keret blends the absurd and the profound, juxtaposing life's smallest details with weighty existential questions. A man names an asteroid after his wife only to find that it's on a collision course with Earth in "For the Woman Who Has Everything." In "Squirrels," a widower's husband reincarnates as a rodent, and "Eating Olives at the End of the World" considers proper social etiquette in the face of destruction. Keret's collection speaks to the uncertainty and fragility of our time, expertly capturing its misunderstandings and miscommunications. His stories probe society's uncomfortable truths, searching for meaning in our ever-changing world.

A new collection of stories by Scotiabank Giller Prize finalist Gary Barwin that puts the fab in fabulist. Scandal at the Alphorn Factory: New and Selected Short Fiction, 1984-2024 couples brand new and uncollected stories with selections of the most playful and ambitious of Barwin's previous collections, including Cruelty to Fabulous Animals , Big Red Baby , Doctor Weep and Other Strange Teeth , and I, Dr. Greenblatt, Orthodontist, 251-1457 . Barwin's prose kicks against short fiction's more traditional forms: these are pieces that flirt with poetry and playwriting. Whole stories--and worlds--are packed into single compact paragraphs. There are narrators and fleas and lists and imperatives and Hitler's moustache and radiant happiness. Known as a "whiz-bang storyteller" who can deliver magical, dream-like sequences and truisms about the human condition in the same paragraph, Barwin's trademark brilliance, wit, and originality are on display in this can't-miss collection of short fiction.