From the best-selling author of Moonlight on the Avenue of Faith , a stirring, lyrical tale that offers American readers unique insight into the inner workings of Iranian society. In the decade before the Islamic Revolution, Iran is a country on the brink of explosion. Twelve-year-old Yaas is born into an already divided family: Her father is the son of wealthy Iranian Jews who are integrated into the country’s upper-class, mostly Muslim elite; her mother was raised in the slums of South Tehran, one street away from the old Jewish ghetto. Yaas spends her childhood navigating the many layers of Iranian society. Her task, already difficult because of the disparity in her parents’ worldview, becomes all the more critical when her father falls in love with a beautiful woman from a noble Muslim family. As her parents’ marriage begins to crumble and the country moves ever closer to revolution, Yaas is plagued by a mysterious and terrifying illness. But despite her ailment, when she learns that her father is about to abandon her and her mother—to immigrate to America with his mistress—Yaas is determined to save herself and her family. At once a cultural exploration of an as-yet-unfamiliar society and a psychological study of the effects of loss, Caspian Rain takes the reader inside the tragic and fascinating world of a brave young girl struggling against impossible odds. From the Hardcover edition.

A collection of poetry pieces.

A collection of articles and editorials prompted by contemporary events, written between 1928-55, during the time that Klein served as editor of "The Judaean", "The Canadian Zionist", and the "Canadian Jewish Chronicle". Not included are items on literature, which deserve to be published in a separate volume. In the articles published here, Klein addresses such topics as antisemitism in interwar Canada; the rise of Nazism and Nazi policies in Germany; isolationism and "pacifism" in North America, which had anti-Jewish overtones; the Holocaust and the inaction of the world powers; Zionism and anti-Zionism; and postwar Stalinist anti-Jewish policies.

Much of A.M. Klein's finest prose is to be found in the mass of uncompleted work that he abandoned at the time of his breakdown, and that became accessible only when his papers were deposited in the National Archives. Notebooks offers a generous selection of this work, revealing previously unsuspected facets of Klein's character and artistry. The fiction, criticism, and memoirs collected here focus on Klein's exploration of the role of the artist. The works illuminate crucial periods of his career, especially the early 1940s, when he was transforming himself into a modernist, and the early 1950s, when he was struggling to overcome the misgivings about his art that were to lead to his final breakdown. The semi-autobiographical text which Klein referred to as 'Raw Material' and the unfinished novel of prison life entitled 'Stranger and Afraid' cast a new light on Klein's often frustrating relationship with the Montreal Jewish community. In 'Marginalia' he discusses poetic form and technique and makes observations on the nature of poetry, thereby providing insights into his own concerns as a writer. In 'The Golem,' a profoundly ambiguous treatment of the act of creation, a self-portrait emerges of a storyteller who has lost faith in the power and value of his story. The volume includes a critical introduction, that places the material in the context of Klein's other works, as well as textual and explanatory notes.

In You and Me, Belonging , Aaron Kreuter explores our contemporary world with insight, originality, and empathy. The stories in this debut collection are brimming with characters striving to fit in, to find their place in the world, to belong. A Jewish waitress has an affair with a Palestinian chef. A one-percenter self-destructs when he becomes obsessed with mastering the guitar. A university student stoned in Amsterdam hallucinates about Anne Frank on Birthright Israel. In the closing novella, a vanful of young women follows a fictional jam band across America, steeping in counterculture, music, and the ups and downs of the road. The collection is satiric and emotional, angry and hopeful, passionate and surprising. Like a wedding speech gone off the rails, like the best improvised music, You and Me, Belonging takes readers to some unexpected places.