"Israeli writer Shaham explores the beams and pilings of a special mode of Zionist life--that of the kibbutz--and, especially in the first and third novellas here, lays out the psychologies of some of the pioneers with almost case-file (if undramatic) precision. In "S/S Cairo City," a delegate to a 1939 Geneva Zionist convention writes a series of letters to a lover, another delegate, who has left (disastrously) to return to Poland. As Hitler throws shadows which many of the Zionists are not yet ready to accept, they are nevertheless grateful to jam aboard a Palestine-bound Egyptian ship out of Marseilles; on the ship, Shaham probes the skepticisms of men-ideologues being turned into plain victims by what they're fleeing. ("Kuperberg spoke about the congress. He was not at all impressed with certain speeches that I found deeply moving. He said Zionism tends to be like manna. It gives the Western Jew a taste of Yiddishkeit, while to the Eastern Jew it holds forth a promise of Europe.") The last novella--"The Salt of the Earth"--is about an old kibbutznik's first trip to America--and seems like an ironic variation on the opening story; New York literally kills, the old man, hostile to every vision of social life for which he's striven back at home (and knows he's losing there, too). And the central, title novella is where Shaham shows his hand at deeper narrative: a bookish young kibbutz woman becomes erotic guardian over her married neighbor's clandestine love life--as the situation of universal daily sharing builds up such an edifice of public virtue that private weakness becomes downfall, destruction. Like Amos Oz, whose subject matter is similar, Shaham is delicate, historical, unillusioned, undogmatic; Oz's poetry is lacking here, but Shaham may have the edge in social perspicacity."-- Kirkus

Set in the early 1900s, Viennese Romance tells the story of Michael Rost, an eighteen-year-old Jewish youth who travels to Vienna, hungry for experience. There, he forms passing relationships with everyone who crosses his path - prostitutes, revolutionaries, paupers, army officers, and rich men alike. With a foreword that explains how this lost novel came to light, Viennese Romance is a seminal work that explores the conflicts faced by many Jewish intellectuals in early-twentieth-century Europe. A compelling portrait of a decadent society, it also lays bare the obsessive-destructive nature of love.

The award-winning novelist recounts his miraculous survival of the Holocaust, from a forced march across the Ukraine to a labor camp at the age of seven, his escape from the camp, his life in hiding in the Ukranian forests, his negotiation of several displaced persons' camps, his 1946 arrival in Palestine and his struggle to build a new life on the fragments of his past.

"This vast, rich family saga is set in the crowded courtyards of Jewish Baghdad before World War I. Sami Michael portrays a family exploding with power struggles and intrigue, seductions and betrayals, witches and hunchbacks, ghouls and spirits of flesh and blood. At the centre is Victoria, a woman of character who stands head and shoulders above the courtyard's tumult and dissipation. Victoria is the daughter of the head of the tribe, enslaved to the needs of her family as are all the women of the courtyard. She has been on love with her cousin Rafael since childhood and her story, told from the distance of an old-age home in Israel, is the story of their lifelong relationship, fraught with lies and humiliation, hope and heartache, and stubborn, enduring love." -- Inside front jacket flap

To the Land of the Cattails evokes the uncanny atmosphere of Europe on the brink of the Holocaust with the same dreamlike realism that made The Age of Wonders a modern classic. In the summer of 1938, a Jewish woman living in Austria, suddenly gripped by a longing for her native land, departs with her adolescent son for the interior of Eastern Europe. As she proceeds, the landscape turns increasingly ominous and her son progressively more loutish. Just short of their goal, the young man falls into a drunken stupor. When he finally rouses himself and rushes to join his mother he is told she has been shipped off on a mysterious train to an unspecified destination. To the Land of Cattails is a haunting parable of the human spirit and an unforgettable account of the destiny of modern European Jewry.

And the Rat Laughed is a unique book. Unlike other Holocaust-related books that focus on the historical horrific events, this novel deals with the act of remembering them. It resembles a relay race in which the characters transfer memory from one another, while travelling on the axis of time. The book begins in the last day of 1999, when a survivor Grandmother in Tel Aviv shares her tragic life story as a hidden child in a pit, with only a rat for company with her granddaughter. The day after – 2000 already – the granddaughter tells the legend of "Girl and Rat" to her teacher and in 2009 those who heard it through her classmates establish an internet website with poems. From now on this memory is spread all over the world and becomes a myth. In 2099 a future anthropologist discovers it and tries to uncover its mysterious roots. In her research, she reveals the first man who created this myth in the past. Father Stanislaw, a Catholic priest, saved that little Jewish girl (who later became the Grandmother in Tel Aviv) and returned her after the war to her Jewish people. In his personal journal he documented everything, to make sure the world will never forget. The chain of remembearers, therefore, moves from the present to the future and back to the past. The novel is written in 5 genres: story, legend, poems, science fiction and diary, creating a cycle of 150 years. And the Rat Laughed got acclaim for its use of unconventional and original literary devices and became a ground breaker for exploring the act of memory itself. How do we tell our painful story? Does it change while we recall it? How will our next recipient recall it in his own individual way? Is Art the only corridor to transfer emotional memory?

Coming of age during the 1982 Arab-Israeli conflict, fatherless sisters Huda and Mary, Christian Arabs living in the Jewish city of Haifa, find their lives impacted by their new neighbor Alex, a trumpet-playing Russian Jew

It is set in the summer of 1931, when twenty-year-old Nora Krieger returns to her small-town home in Lithuania from university in Berlin ready to present her new, mature self. Instead, her time at home becomes a period of unrequited love, difficult memories and introspection. Hopeful that her long wallks and intellectual banter with Albert Arin will lead to romance. Nora must abandon the notion when she discovers Arin's affair with his daughter's friend. Determined to come to terms with her relationship with her father, who was driven to madness after being tortured in the First World War, Nora must confront her own fear of losing her sanity. Young, educated and Jewish, she must accept the limits imposed on her by a class-conscious, increasingly anti-Semitic society.

A Jew who survived the Holocaust obsessively rides the trains of postwar Europe in search of a Nazi concentration camp guard. The guard murdered his parents and he intends to kill him.

The rise and fall of the Jews is compressed into the enigmatic character of Ebenezer Schneerson, who has somehow become the final repository of all Jewish culture following the ravages of World War II.

Story of a Viennese Jewish businessman whose faith is restored after being snowbound in a faith-centered rural village. He returns to Vienna with a renewed sense of faith and tolerance on the eve of World War II where an anti-Semitic atmosphere pervades.

S.Y. Agnon's first book-length, breakthrough work, originally published in Hebrew in 1912 and now available in English for the first time in a fully annotated edition. This novella depicts an impossible moral dilemma faced by the tragic hero Menasheh Chaim, in mid-19th century Buczacz (in today's western Ukraine). In the framework of a traditional Jewish folktale of old world Eastern European Jewry, Agnon delivers a profoundly modern piece of literature, which benefits from the tension between plot and genre.

Abraham Mapu (1808-1867) was one of the first, & finest, of the novelists to write in Hebrew. Heavily influenced by a wide range of sources, the Bible, the Romantic Novelists, & renewed pride in ancient Jewish history, his works recall the finest works of writers such as Flaubert & other great romantic novelists.

A collection of interrelated short stories centering on the author's Egyptian family and ancestors exiled from Castile.

In this book, Dvir Abramovich brings together a batch of timeless classical Hebrew novels, short stories, and poems, and furnishes readers with commentaries and critical readings of each landmark work. The selection of seminal texts include masterpieces from Yehuda Amichai, Haim Gouri, Amos Oz, Dvorah Baron, Shaul Tchernichovsky, Chaim Nachman Bialik, Hanoch Bartov, Shulamit Hareven, and Aharon Megged. Each interpretative essay includes a bio-graphical overview of the author whose opus is explored. This collection will prove exceptionally useful for teachers who wish to introduce their students to the treasures of contemporary Israeli fiction and are searching for reflective analyses and searching insights. Guaranteed to ignite discussion and debate, this informative and entertaining volume, written in an accessible and lively style, will appeal to a general and academic audience and will tempt readers to read or re-read these great works.

Esther, seventeen years old, wild and rebellious, is sent from Israel to Cameroon to stay with her hardheaded uncle Sicourelle, who is charged with straightening her out. But Esther resists her uncle's plans for her future-which include marriage to a cousin-and in the privileged indolence of postcolonial Africa, she looks to the past instead. Using sepia portraits and scraps of letters, Esther pieces together the history of her family, a once-grand Egyptian-Jewish clan, and its displacement from Cairo in the 1950s to Israel, West Africa, and New York. As the worn photographs yield their secrets, Esther uncovers a rich tale of wives and ex-wives; revolving mistresses and crushing marriages; intrigues and disappointments; poignant contrats between the living past and the dead present. In sensuous, inventive prose, Matalon penetrates the mysteries of cultural exile and family life to produce a first novel that is mature, authentic, and deeply moving.

Text: English, Hebrew (translation)

Zvi Arbel is an Israeli historian whose field is Jewish history. His chosen topic of research is the Petliura massacres of Ukrainian Jews in 1918-1920. Arbel's work is read by the poet Shmuel Foiglman, a Holocaust survivor who sends Arbel a volume of his own poetry in Yiddish. The relationship that develops between the two men is one of ambivalence and fascination; the reserved Israeli historian is alternatively affectionate and resentful towards the enthusiastic but tormented poet. Despite his ambivalence, Arbel is manipulated into helping Foiglman. He embarks on an effort to get Foiglman's poetry translated into Hebrew, and as Foiglman begins to monopolize more and more of his time and resources, Arbel ignores all the warning signs of the effect this is having on his marriage; his wife Nora cannot be dissuaded from her feelings of revulsion towards Foiglman. As the poet unintentionally drives a wedge between them, Arbel and Nora's long and contented marriage goes sour, and in Megged's blend of past and present, lust and nostalgia - tragedy becomes the only way out.

"'A tale of two Avrahams' follows the lives of two men: one modern day, the other who lived 400 years ago. Both heroes are fleeing from the threat of death: the first from renegade Jewish fanatics; the other from the Catholic Inquisition. The Israeli Avraham makes his way to Greece and Italy, with foes at his heels. In Crete. he discovers the tale of another Avraham, this one Italian and from the Renaissance, who is also fleeing from deadly enemies"--Back cover.

When Flora Elhayani is twelve years old, God appears to her through the television and suddenly, after being mute for two months, she can speak again. Flora changes her name to Ori, and acquires a new, fantastical vantage point of her life in the desert town of Netivot. Trying to decipher what the revelation holds for her, Ori comes across a rare series of young adult novels about a strange wonderland whose heroine plays special part in Ori's own coming of age. Twenty years later, we meet Ori again. She now lives in Tel Aviv, where she is married to a successful man and the mother of a little girl. She has become a writer for young adults, focusing her work on various Wonderland themes. Life is good until a second revelation, very different from the first, rattles the very foundations of her life and puts all in doubt. Sunburnt Faces examines the nature of revelation in a world in which the fantastical takes place only in situations of error and misunderstanding. But will the social and political nature of this world allow Ori to find the certainty without which she cannot live?