The Periodic Table is largely a memoir of the years before and after Primo Levi's transportation from his native Italy to Auschwitz as an anti-Facist partisan and a Jew. It recounts the story of the Piedmontese Jewish community from which Levi came, of his years as a student and young chemist at the inception of World War II, and of his investigations into the nature of the material world.

"Sammler, a New Yorker in his seventies, a refugee from Nazism, a thinker of complex thoughts, a touchstone around whom a heterogeneous group revolves, is not simply the protagonist but the prime mover of a many-sided novel held together by the centripetal force of his presence. The counterpoint of personalities, subplots, and incidents constitutes a tragi-comic commentary on twentieth-century urban life but it is Sammler's considered reflections on that life that dominate a novel which, most movingly, asks basic questions about how we live and what we live for at this chaotic point in history. Portions of the novel first appeared in the Atlantic."--Booklist Review.

Distinguished psychotherapist and survivor Elhanan Rosenbaum is losing his memory to an incurable disease. Never having spoken of the war years before, he resolves to tell his son about his past—the heroic parts as well as the parts that fill him with shame—before it is too late. Elhanan's story compels his son to go to the Romanian village where the crime that continues to haunt his father was committed. There he encounters the improbable wisdom of a gravedigger who leads him to the grave of his grandfather and to the truths that bind one generation to another.

A romantic triangle involving survivors of the Holocaust, set in New York City in the 50s. It was serialized in the Yiddish newspaper, Forward, under the title Lost Souls.

"Living in terror-torn Jerusalem, Elise Margulies constantly fears for the safety of her loved ones. Confined to bedrest during a difficult pregnancy, she happily awaits the return of her husband and little girl from a ballet recital, only to find that her worst fears have finally been realized. All seems lost until a phone call to her grandmother in America unexpectedly revives a decades-old oath, creating a force that transends time and place, to rescue her loved ones. Over the course of five terror- and hope-filled days, the ties that bind two generations forge a potent alliance against contemporary evil"--Cover page 4.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY Compared by critics to Kafka, Joyce, and Musil, H. G. Adler is becoming recognized as one of the towering figures of twentieth-century fiction. Nobel Prize winner Elias Canetti wrote that “Adler has restored hope to modern literature,” and the first two novels rediscovered after his death, Panorama and The Journey, were acclaimed as “modernist masterpieces” by The New Yorker . Now his magnum opus, The Wall, the final installment of Adler’s Shoah trilogy and his crowning achievement as a novelist, is available for the first time in English. Drawing upon Adler’s own experiences in the Holocaust and his postwar life, The Wall , like the other works in the trilogy, nonetheless avoids detailed historical specifics. The novel tells the story of Arthur Landau, survivor of a wartime atrocity, a man struggling with his nightmares and his memories of the past as he strives to forge a new life for himself. Haunted by the death of his wife, Franziska, he returns to the city of his youth and receives confirmation of his parents’ fates, then crosses the border and leaves his homeland for good. Embarking on a life of exile, he continues searching for his place within the world. He attempts to publish his study of the victims of the war, yet he is treated with curiosity, competitiveness, and contempt by fellow intellectuals who escaped the conflict unscathed. Afflicted with survivor’s guilt, Arthur tries to leave behind the horrors of the past and find a foothold in the present. Ultimately, it is the love of his second wife, Johanna, and his two children that allows him to reaffirm his humanity while remembering all he’s left behind. The Wall is a magnificent epic of survival and redemption, powerfully told through stream of consciousness and suffused with daydream, fantasy, memory, nightmare, and pure imagination. More than a portrait of a Holocaust survivor’s journey, it is a universal novel about recovering from the traumas of the past and finding a way to live again. Praise for The Wall “[A] majestic novel . . . Adler’s prose is tidal, surge after narrative surge rushing forward and then enigmatically receding, the moment displaced by memory, and memory by introspective soliloquy.” —Cynthia Ozick, The New York Times Book Review “A towering meditation on the self and spirit . . . The writing is sonorous and so entirely devastating that the reader is compelled to pore over every word.” — Publishers Weekly (starred review) “Masterful and utterly unique.” —The Jerusalem Post “Haunting and utterly heart-wrenching . . . a literary masterpiece.” —Historical Novels Review “An epic novel . . . an unforgettable portrait.” —The Jewish Week “[A] pensive portrait of a man struggling to find a place in the world after enduring transformative calamity . . . an eloquent record of suffering—and perhaps of redemption as well.” — Kirkus Reviews Praise for H. G. Adler’s novels The Journey and Panorama, translated by Peter Filkins “Modernist masterpieces worthy of comparison to those of Kafka or Musil.” — The New Yorker “Haunting . . . as remarkable for its literary experimentation as for its historical testimony.” —San Francisco Chronicle , on Panorama

Deborah Green is a woman of passionate contradictions--a rabbi who craves goodness and surety while wrestling with her own desires and with the sorrow and pain she sees around her. Her life changes when she visits the hospital room of Henry Friedman, an older man who has attempted suicide. His parents were murdered in the Holocaust when he was a child, and all his life he's struggled with difficult questions: Can happiness really come after such loss, or does the very wish profane the dead? Can religious promises ever bring peace? Deborah's encounter with Henry and his family draws her into a world of tragedy, frailty, love, and, finally, hope. The New Yorker called Rosen's first novel "An impressive debut--a highly original addition to the distinguished line of Jewish-American romances." He has fulfilled the promise of his first fiction in this contemporary story of classic scope, whose characters hunger for love, grapple with faith and doubt, and seek to bind themselves to something sacred in the midst of modern chaos.

Epstein first introduced Leib Goldkorn in "The Steinway Quintet". In this volume, Goldkorn - Holocaust survivor, flautist, and pianist - is back in an expanded account of the original novella along with two other long tales that continue his richly comic spiral of misadventures that are at once comedies of manners and serious accounts of culture colliding with casual violence.

The award-winning novelist recounts his miraculous survival of the Holocaust, from a forced march across the Ukraine to a labor camp at the age of seven, his escape from the camp, his life in hiding in the Ukranian forests, his negotiation of several displaced persons' camps, his 1946 arrival in Palestine and his struggle to build a new life on the fragments of his past.

Book by Grynberg, Henryk

"Ariel, lives with [her father] on Edgar Allan Poe Street in Manhattan, longing for the grandparents she never knew and the mother she never had. An amteur kabbalist and suddenly a klezmer violin virtuoso, Ariel sets out to rescue her father from his demons and denial by summoning the people who she thinks hold the key to Oliver's [her father] emotional black hole-his dead parents, Rose and Lothar."--Jacket.

Presented in a series of conversations between grandmother Minnie Bloch and her companions, Alan Cheuse, National Public Radio commentator on All Things Considered, unfolds a layered family portrait of three generations of the Bloch family, whose members are collapsing under everyday burdens and brutal betrayals. Her son Manny is a renowned, almost legendary rabbi. Respected by his congregants and surrounded by family, no one suspects that he yearns for a life of greater personal glory, but when an oracular bird delivers what Manny believes to be a message from his deceased father, he abandons his congregation in pursuit of a life in business and his entire life spirals out of control. As Manny's fortunes rise in the corporate realm, he falls deeper into an affair with a congregant, a Holocaust survivor, his wife sinks deeper into alcoholism and depression and his daughter, traumatized by a sexual scandal at college, makes Manny the target of a plot to shatter his newly found empire. The devoted family matriarch, Minnie, observes and recounts the tragic downfall of her family, unable to save them from themselves.

After a trip home to Moravia reveals that his father is not a businessman but actually a great composer, unsuccessful musician Leib Goldkorn returns to New York to launch a production of his father's opera "Rubezahl" to disastrous results.

Amidst the lights and glamour of the New York theater district during the 1950s, two Holocaust survivors confront each other in order to reckon with a common past - one that hides an awful secret. Jud Kramer, a successful stage director, is in the midst of mounting his most painful and personal play while trying to enjoy the happiness he has found with his beautiful actress wife and baby daughter. Into his life comes Carl Walkowitz, a brooding, charismatic drifter who displays the scars of his concentration camp past in his wounded leg and half-closed eye. It is the relationship of these two men, one who lives in the past and the other trying to grasp hold of the present, that drives the story of Who Shall Live, Who Shall Die to its terrifying conclusion. Step by step, inexorably, Walkowitz strips Jud of everything dear to him, until finally, standing on an empty stage, the two men, with a woman between them, come face to face in a life-and-death struggle only one of them can survive.

"German, Jew, Muslim, Gay offers an astonishing perspective on the history of modern Germany through the vantage point of a man with multiple identities who devoted his life to religious utopias, fought for homosexual rights, wrote gay fiction, converted from Judaism to Islam (one of the few of any faith to do so), and considered himself part of a spiritual elite that held the key to Germany's salvation. Born in Posen in 1880, the son of a Jewish industrialist, Hugo Marcus converted to Islam and chose the name Hamid; he became the most important convert in Germany while retaining his membership in the Jewish community. He was renamed Israel by the Nazis and sent to the Sachsenhausen concentration camp in 1938, where he was in the unique position of Muslim witness to the Holocaust. The imam of his mosque gained his release and he escaped to Switzerland, where he wrote gay fiction under the pen name Hans Alienus. He died in Basel in 1966. The book challenges deeply ingrained perceptions of Muslim-Jewish relations during World War II and illuminates their interconnected histories in modern Europe. It also tells the unknown story of Marcus' orientalized Islam that, in echoing Goethe's, revitalized an essential strand of Germany's spiritual heritage"--

A Jew who survived the Holocaust obsessively rides the trains of postwar Europe in search of a Nazi concentration camp guard. The guard murdered his parents and he intends to kill him.

The rise and fall of the Jews is compressed into the enigmatic character of Ebenezer Schneerson, who has somehow become the final repository of all Jewish culture following the ravages of World War II.

Deena Metzger brings us a novel of mysterious and deep insight. Twelve years in the writing, this novel is written in the voice of a woman astronomer. It is a profound self-examination and mediation on the nature of the darkness we have called down into this century and a lyrical vision of the possibilities of light that are opening to each of us now.

"The book of Anna is written in the voice of Anna Asher, a fictional Czech-German Jew who spent her adolescence in a concentration camp and now lives in 1950s Prague answering phones for the secret police. This genre-defying book of prose diary entries and autobiographical poems offers intimate glimpses of Anna's present--her writing process, relationships with neighbors, obsessive sexual behavior, chain-smoking, and idiosyncratic exploration of Jewish tradition--while the poems recount her unsparing efforts to reckon with horror, survival, and their aftermath. Written in the midst of Joy Ladin's gender transition, this book asks provocative questions about the meaning of trauma, gender, suffering and empathy that speak to our current historical moment in haunting and indelible ways"--