Like no other novelist at work today, Herman Wouk has managed to capture the sweep of history in novels rich in character and alive with drama. In The Hope, which opens in 1948 and culminates in the miraculous triumph of 1967s Six-Day War, Wouk plunges the reader into the story of a nation struggling for its birth and then its survival. As the tale resumes in The Glory, Wouk portrays the young nation once again pushed to the brink of annihilationand sets the stage for todays ongoing struggle for peace. Taking us from the Sinai to the Jerusalem, from dust-choking battles to the Entebbe raid, from Camp David to the inner lives of such historical figures as Golda Meir, Moshe Dayan, and Anwar Sadat, these extraordinary novels have the authenticity and authority of Wouks finest fictionand together strike a resounding chord of hope for all humanity. The first trade paperback editions of The Winds of War and War and Remembrance, Wouks epic novels of World War II, were recently released by Back Bay Books. - from Amazon

Stories on being Jewish set in various parts of the world. In the title story, a sex-starved husband in New York is authorized by his rabbi to visit a prostitute. The story, "In this way we are wise", concerns the nonchalant attitude of the inhabitants of Jerusalem to terrorism while Reb Kringle is a Jew who works as Santa Claus in a department store.

Winner of the Prix de Rome and the National Jewish Book Award, these ten stories and the title novella, "Ellis Island," exhibit tremendous range and versatility of style and technique, yet are closely unified in their beauty and in their concern with enduring and universal questions.

"The tumultuous early years of the young Jewish state are brought to vivid life through the eyes of two German Jewish brothers. Arie survived the Holocaust in Europe. Peter, one year older, was sent to America before the war began. They find each other again in Israel, learning everyone else in their family has been murdered. Peter becomes a top Mossad agent, deeply involved in many of the key spy adventures of the era. Arie becomes a scheming businessman, among the richest men in Israel: one brother is building the state, the other protecting it. But they have fallen in love with the same woman, a Jewish refugee from Egypt. The brothers' jealousies and intrigues are mirrored by the young nation's very own struggles to survive"--

"Living in terror-torn Jerusalem, Elise Margulies constantly fears for the safety of her loved ones. Confined to bedrest during a difficult pregnancy, she happily awaits the return of her husband and little girl from a ballet recital, only to find that her worst fears have finally been realized. All seems lost until a phone call to her grandmother in America unexpectedly revives a decades-old oath, creating a force that transends time and place, to rescue her loved ones. Over the course of five terror- and hope-filled days, the ties that bind two generations forge a potent alliance against contemporary evil"--Cover page 4.

A witty, heartwarming, and heart-wrenching epistolary novel, soon to be a major motion picture starring James Caan, Rosanna Arquette, and Jonathan Rhys Meyers, about a dysfunctional family--led by a Jewish pig farmer in Israel--struggling to love and accept each other. As comic as it is deeply moving, Holy Lands chronicles several months in the lives of an estranged family of colorful eccentrics. Harry Rosenmerck is an aging Jewish cardiologist who has left his thriving medical practice in New York--to raise pigs in Israel. His ex-wife, Monique, ruminates about their once happy marriage even as she quietly battles an aggressive illness. Their son, David, an earnest and successful playwright, has vowed to reconnect with his father since coming out. Annabelle, their daughter, finds herself unmoored in Paris in the aftermath of a breakup. Harry eschews technology, so his family, spread out around the world, must communicate with him via snail mail. Even as they grapple with challenges, their correspondence sparkles with levity. They snipe at each other, volleying quips across the Atlantic, the Mediterranean, and Europe, and find joy in unexpected sources. Holy Lands captures the humor and poignancy of an adult family striving to remain connected across time, geography, and radically different perspectives on life.

Fleeing the chaos of World War I and the terror of the Soviet Revolution, practical, sensible Pearl Kahn and her lovestruck, impulsive younger sibling Frieda sail for America to join their sister in New York. But discriminatory new immigration laws bar their entry, and the young women are turned back at Ellis Island. With few options, Pearl and Frieda head for Havana, Cuba, convinced they will find a way to overcome this setback. At first, life in big-city Prohibition-era Havana is overwhelming, like nothing Pearl and Frieda have ever experienced--or could have ever imagined in the rural shtetl where they grew up. As the sisters begin to adjust, their plans for going to America together become complicated. Frieda falls for the not-so-dreamy man of her dreams while Pearl's life opens up unexpectedly, offering her a taste of freedom and heady romance, and an opportunity to build a future on her own terms. Though to do so, she must confront her past and the shame she has long carried. A heartbreaking, epic family story, Hotel Cuba explores the profound courage of two women displaced from their home who strive to create a new future in an enticing and dangerous world far different from anything they have ever known.

From the streets of modern Israel to the barrooms of Brooklyn to a suburban New England synagogue, the characters in these 10 stories search for love and acceptance in a world scarred by loss and loneliness. In "The Madonna of Temple Beth Elohim," an Iraq war veteran sees a vision of the Virgin Mary on the eve of the Jewish high holidays. In "My Darling Sweetheart Baby," a working-class drunk waits on his stoop for his disability check and the courage to proclaim his love to a local prostitute. And in the title story "There Is No Other," a rage-filled Jewish boy, tormented by his African lineage, arrives at a school Purim party dressed as the prophet Mohammed. Magical, erotic, spiritually penetrating and terrifyingly realistic, these provocative tales continue the storytelling tradition of Bernard Malamud, Philip Roth, and Nathan Englander.

THE HARVEST is the great, definitive novel of the creation of the Jewish state and the triumphant efforts of the Jewish people to survive and become a nation. In 1972, the Los Angeles Times called Meyer Levin "the most significant American Jewish writer of his time." Norman Mailer referred to him as "one of the best American writers working in the realistic tradition." In addition, Ernest Hemingway called Levin's book CITIZENS "a fine American novel -- one of the best I ever read." Is it any wonder then that the work of Meyer Levin is considered to be among the finest and most important of any twentieth century writer? In the historical novels THE SETTLERS (1972) and THE HARVEST (1978), Levin wove an epic tale of pioneering life in the early Palestine settlements. The works were the culmination of decades of research, and reviewers hailed the duo as the author's masterwork, a Jewish WAR AND PEACE.

The award-winning novelist recounts his miraculous survival of the Holocaust, from a forced march across the Ukraine to a labor camp at the age of seven, his escape from the camp, his life in hiding in the Ukranian forests, his negotiation of several displaced persons' camps, his 1946 arrival in Palestine and his struggle to build a new life on the fragments of his past.

Investigating the murder of a woman found in the Baka neighborhood of Jerusalem, Chief Superintendent Michael Ohayon finds the case complicated by tensions between local Jewish and Arab residents.

In Israel, militant settlers establish a secessionist kingdom on the West Bank. They are led by Jerry Goldberg, a onetime Bronx social worker who becomes king. When the Israeli army moves in, the militants gather in the necropolis under Hebron to stage a second Masada. A tragicomedy by the author of Mara.

"In the summer of 2000, Israel teeters between total war and total peace. Similarly on edge, Helen Michaelson, a respectable suburban housewife from Michigan, has brought her ailing husband and rebellious college-age son, Jeremy, to Jerusalem. She hopes the journey will inspire Jeremy to reconnect with his faith and find meaning in his life ... or at least get rid of his nose ring. It's not that Helen is concerned about Jeremy's sexual orientation (after all, her other son is gay as well). It's merely the matter of the overdose ('Just like Liza!' Jeremy had said), the green hair, and what looks like a safety pin stuck through his face. After therapy, unconditional love, and tough love ... why not try Israel? Yet in seductive and dangerous surroundings, with the rumbling of violence and change in the air, in a part of the world where 'there are no modern times, ' mother and son become new, old, and surprising versions of themselves. Funny, erotic, searingly insightful, and profoundly moving, Faith for Beginners is a stunning debut novel from a vibrant new voice in fiction."--Jacket.

In Journeys & Arrivals prize-winning author Lev Raphael explores for the first time in non-fiction the gay and Jewish identities that have dominated his highly acclaimed fiction for many years. Journeys & Arrivals reveals in a collection of autobiographical and critical essays the influence these often conflicting identities of being gay and Jewish have had in his life and his writing.

And the Rat Laughed is a unique book. Unlike other Holocaust-related books that focus on the historical horrific events, this novel deals with the act of remembering them. It resembles a relay race in which the characters transfer memory from one another, while travelling on the axis of time. The book begins in the last day of 1999, when a survivor Grandmother in Tel Aviv shares her tragic life story as a hidden child in a pit, with only a rat for company with her granddaughter. The day after – 2000 already – the granddaughter tells the legend of "Girl and Rat" to her teacher and in 2009 those who heard it through her classmates establish an internet website with poems. From now on this memory is spread all over the world and becomes a myth. In 2099 a future anthropologist discovers it and tries to uncover its mysterious roots. In her research, she reveals the first man who created this myth in the past. Father Stanislaw, a Catholic priest, saved that little Jewish girl (who later became the Grandmother in Tel Aviv) and returned her after the war to her Jewish people. In his personal journal he documented everything, to make sure the world will never forget. The chain of remembearers, therefore, moves from the present to the future and back to the past. The novel is written in 5 genres: story, legend, poems, science fiction and diary, creating a cycle of 150 years. And the Rat Laughed got acclaim for its use of unconventional and original literary devices and became a ground breaker for exploring the act of memory itself. How do we tell our painful story? Does it change while we recall it? How will our next recipient recall it in his own individual way? Is Art the only corridor to transfer emotional memory?

In the surprising world that Sami Michael reveals, Shula, an Ashkenazic Jew, is the center of a web of brilliantly drawn characters: Israeli Arabs, Palestinian refugees, "black Jews," and "white Jews." Swirling in and out of Shula's story are poignantly drawn minor players - an Arab/Israeli couple, their ever-more-militant son, a seductive Arab poet, and political outsiders in a fragile society at war. Sami Michael was born in Baghdad in 1926, fled to Iran during WWII, and eventually made his way to Israel. His first novel, Equal and More Equal was published to critical acclaim. Refuge was his second major work, written originally in Hebrew but, he adds, "with the emotional baggage of the Third World."

Partition--the idea of separating Jews and Arabs along ethnic or national lines--is a legacy at least as old as the Zionist-Palestinian conflict. Challenging the widespread "separatist imagination" behind partition, Gil Hochberg demonstrates the ways in which works of contemporary Jewish and Arab literature reject simple notions of separatism and instead display complex configurations of identity that emphasize the presence of alterity within the self--the Jew within the Arab, and the Arab within the Jew. In Spite of Partition examines Hebrew, Arabic, and French works that are largely unknown to English readers to reveal how, far from being independent, the signifiers "Jew" and "Arab" are inseparable.In a series of original close readings, Hochberg analyzes fascinating examples of such inseparability. In the Palestinian writer Anton Shammas's Hebrew novel Arabesques, the Israeli and Palestinian protagonists are a "schizophrenic pair" who "have not yet decided who is the ventriloquist of whom." And in the Moroccan Jewish writer Albert Swissa's Hebrew novel Aqud, the Moroccan-Israeli main character's identity is uneasily located between the "Moroccan Muslim boy he could have been" and the "Jewish Israeli boy he has become." Other examples draw attention to the intricate linguistic proximity of Hebrew and Arabic, the historical link between the traumatic memories of the Jewish Holocaust and the Palestinian Nakbah, and the libidinal ties that bind Jews and Arabs despite, or even because of, their current animosity.

The rise and fall of the Jews is compressed into the enigmatic character of Ebenezer Schneerson, who has somehow become the final repository of all Jewish culture following the ravages of World War II.

A collection of interrelated short stories centering on the author's Egyptian family and ancestors exiled from Castile.