Mazel means luck in Yiddish, and luck is the guiding force in this magical and mesmerizing novel that spans three generations. Sasha Saunders is the daughter of a Polish rabbi who abandons the shtetl and wins renown as a Yiddish actress in Warsaw and New York. Her daughter Chloe becomes a professor of classics at Columbia. Chloe's daughter Phoebe grows up to become a mathematician who is drawn to traditional Judaism and the sort of domestic life her mother and grandmother rejected.

Enjoying lives of privilege and promise while planning a wedding, Abigail and her Harvard law student daughter, Kayla, are shattered by a devastating tragedy that prompts Kayla to run away and join a desert commune.

Constantly trying to fend off attempts by her daughter to move her into assisted living, Esther Lustig, an elderly Jewish woman, finds herself lost in a world which has disappeared along with many who had inhabited it.

A novel about a mysterious mail-order bride in the wake of World War II, whose sudden decision ripples through time to deeply impact the daughter she never knew.

First published in 1997, Inventing Memory is about four generations of remarkable women from a Jewish-American family-their triumphs, tragedies, scandals, and love affairs-as related by Sara Solomon, the youngest of these women. While trying to chronicle their history, the story becomes essentially hers, as she comes to understand the nature of memory, the way all of us both invent and assimilate our ancestors. In learning about the women in her family, Sara discovers how to create her own future.

Approaching the end of her eventful life, Elisabeth Rother has decided to write her memoirs, brushing aside her and her Jewish husband's narrow escape from the Nazis and their difficult arrival in New Jersey in order to concentrate her story on the wayward behavior of her impossible daughter, Renate, and granddaughter, Irene.

"The Walled City is an extremely powerful novel, written in a deceptively simple, descriptive style. It is alive with the sights, sounds and smells of India... Beneath the exquisite details, David tells a brutally honest story of Indian Jews under siege in a society unlike any other where Jews have made a home."-- From back cover

The tale of Lillth Zeremba, a young woman rebelling against her intellectually complex, feminist Jewish mother.

"A luxuriously comic novel in which three awesome women of different generations raise Armageddon tempests in otherwise mild and humble familial teapots. Oldest of the volcanic trio is Malka--born in Russia and never popular ("no one would rise up to call her blessed") in New York, where she's discovered dead by her despised daughter Helen only after a half-hour of the usual one-sided conversation. And, alas, years later in California, Helen finds the spirit of Malka "Here she was back again"--in her own first-born, Marilyn: the grandmother's interior lava pit of fierce frustrations, her intelligence, scorn, and madness, "had been handed down intact and unmistakable." After all, Marilyn is horn screaming, swings the whip over her two sisters--good-natured Phyllis and meek Natalie and says she hates Helen (and means it); she's the kind of child who wouldn't clap for Tinker Bell. Marilyn is instead Daddy Lenny's girl--and with the keen aim of a stalking cheetah, she claims his total adoration. She even marries gentle CPA Ira merely because Daddy likes him, but later she shrugs off hubby and kids, pursuing her own law career. All this infuriates mama Helen, and after Lenny dies of cancer (a torment that nearly kills Marilyn too), full-scale war breaks out. Helen brings off a mating of Ira and dear, unprepossessing Natalie just when recuperating Marilyn is thinking of reacquiring him: Marilyn retaliates by ripping to pieces every one of Helen's plants. A cease-fire follows, true, yet at the close there are tiny inklings of revived sniper activity. . . Kohan's dialogue crackles; there are some marvelous originals (including a shrewd, Yiddish-accented Greek chorus in Lenny's mother); and there's a breadth of scale which admits both irony and hilarity, as giant passions are forced to play on a stage of Muppets Kohan (Save Me a Seat, 1979) is gaining in control and stature."--Kirkus