Now a TNT series starring Sean Bean, from the producers of"24"and"Homeland" Robert Littell is today widely considered one of the true grand masters of American spy fiction, hailed for his profound grasp of the ambiguous world of international espionage, grippingly displayed in his thirteen novels. His most recent international bestseller, The Company, was praised as being "popular fiction at its finest" by the Washington Post Book World and as "one of the best spy novels ever written" by the Chicago Tribune. Now delving into one agent's labyrinth of memories and past identities "legends," in CIA parlance Legends again displays Littell's unparalleled prowess as a seductive storyteller exploring the clandestine but always very human world of secret agents."

"Sammler, a New Yorker in his seventies, a refugee from Nazism, a thinker of complex thoughts, a touchstone around whom a heterogeneous group revolves, is not simply the protagonist but the prime mover of a many-sided novel held together by the centripetal force of his presence. The counterpoint of personalities, subplots, and incidents constitutes a tragi-comic commentary on twentieth-century urban life but it is Sammler's considered reflections on that life that dominate a novel which, most movingly, asks basic questions about how we live and what we live for at this chaotic point in history. Portions of the novel first appeared in the Atlantic."--Booklist Review.

After agreeing to an arranged marriage to a man in Israel, Batsheva Ha-Levi discovers this change in her life will force her into a personal struggle to reconcile the demands of her faith with the need to live in the modern world.

"A successful commercial artist with a New York ad agency, he is the father of two sons from a first marriage who despise him and a daughter from a second marriage who adores him, He is the beloved brother of a good man whose physical well-being comes to arouse his bitter envy, and he is the lonely ex-husband of three very different women with whom he's made a mess of marriage. In the end he is a man who has become what he does not want to be." From the bookjacket.

Mickey Sabbath (modeled after American Jewish painter R.B. Kitaj[2]) is an unproductive, out-of-work, former puppeteer with a strong affinity for prostitutes, adultery, and the casual sexual encounter. Sabbath takes great pleasure in his status as the prototypical "dirty old man." He takes an equal pleasure in manipulating the people around him, primarily women—in a sense, they play the same role as his puppets. The loss of a decades-long wingman—the equally depraved Drenka—precipitates a crisis in a life he has long considered an utter failure. Sabbath wonders whether he should simply take his own life, thereby heeding the advice of the ghost of his departed mother, a frequent visitor who urges suicide as the fitting end for his failed life.

Struggling to recover from Carrie the waitress's rejection and his daughter's marriage to a Jewish man, lawyer Albert Schmidt hopes for renewal when both Carrie and his daughter become pregnant and when he falls for a beautiful French widow.

In the aftermath of October 7, Ferdinand Draxler walks the streets of London in despair. Everything has changed - the sights, the sound, the spirit. He too is not who he was. Is he at the crossroads of history or is it just a bend in the cul-de-sac of his own gloomy nature? The son of a Holocaust survivor who accuses him of cowardice and the father of a daughter who sees him as complicit in genocide, Draxler fixates on bad news. He shouts at the television. He carries his own tin of paint to cover up graffiti. The staffroom at the primary school of which he is headmaster has become a battlefield of inflamed opinion he does nothing to quiet. His wife, Charmian, is a beacon of calm, but even she isn't sure she can save Ferdie from himself. 'Don't worry about me,' he tells her. 'I don't have what it takes to go mad.' -- Source other than Library of Congress.

Deborah Green is a woman of passionate contradictions--a rabbi who craves goodness and surety while wrestling with her own desires and with the sorrow and pain she sees around her. Her life changes when she visits the hospital room of Henry Friedman, an older man who has attempted suicide. His parents were murdered in the Holocaust when he was a child, and all his life he's struggled with difficult questions: Can happiness really come after such loss, or does the very wish profane the dead? Can religious promises ever bring peace? Deborah's encounter with Henry and his family draws her into a world of tragedy, frailty, love, and, finally, hope. The New Yorker called Rosen's first novel "An impressive debut--a highly original addition to the distinguished line of Jewish-American romances." He has fulfilled the promise of his first fiction in this contemporary story of classic scope, whose characters hunger for love, grapple with faith and doubt, and seek to bind themselves to something sacred in the midst of modern chaos.

Epstein first introduced Leib Goldkorn in "The Steinway Quintet". In this volume, Goldkorn - Holocaust survivor, flautist, and pianist - is back in an expanded account of the original novella along with two other long tales that continue his richly comic spiral of misadventures that are at once comedies of manners and serious accounts of culture colliding with casual violence.

At Harvard in the early 1950s, three mismatched freshmen are thrown together as roommates--Sam, an aristocratic Yankee; Archie, an affable Army brat; and Henry, a Polish refugee--in the story of their college years and their unique friendship.

If you like the fiction of Henry James, the psychology of his brother William, and have a taste for Gothic mysteries you will enjoy The Dark Sister . The novel is a curious mixture of the Victorian repressiveness about sex, intricate stories within stories, and Jewish humor. With a new afterword

After a trip home to Moravia reveals that his father is not a businessman but actually a great composer, unsuccessful musician Leib Goldkorn returns to New York to launch a production of his father's opera "Rubezahl" to disastrous results.

"The Book of Blam ... is a modern-day retelling of the book of Job. The war is over. Miroslav Blam walks along the former Jew Street, and he remembers. He remembers Aaron Grün, the hunchbacked watchmaker; and Eduard Fiker, a lamp merchant; and Jakob Mentele, a stove fitter; and Arthur Spitzer, a grocer, who played amateur soccer and had non-Jewish friends; and Sándor Vértes, a lawyer who was a Communist. All dead. As are his younger sister and his best friend, a Serb, both of whom joined the resistance movement; and his mother and father in the infamous Novi Sad raid in January 1942--when the Hungarian Arrow Cross executed 1,400 Jews and Serbs on the banks of the Danube and tossed them into the river. Blam lives. The war he survived will never be over for him."--www.amazon.ca

"A devastating novel about the attrocities of WWII, and the unspeakable things people did to survive, by one of Yugoslavia's great literary voices. Lamian is a survivor, but a survivor of a very special kind. He was a Kapo, a prisoner who served as a camp guard in order to save himself. But has Lamian saved himself? The war over, he resumes life in the Bosnian town of Banja Luka, works in a land-surveying office, rents a room, eats as many hot potatoes as he likes, not even bothering to salt them--the quantity is what matters. If only he could stop looking over his shoulder, and flinching on the street in the fear that some stranger will step forward, smack his face, and say in a loud voice, "Here's one!" If only he could stop worrying about Helena Lifka, who turned out to be Yugoslav too, and Jewish too, one of the women he made come naked into the toolshed where he hid the gold, and sit on his lap in exchange for bread and butter and a little warm milk. She could turn up any day, an old woman now, and point an accusing finger. In this masterful novel, Aleksandar Tišma shows step by step how fear can turn an ordinary human being into a monster"--

In this powerfully affecting novel—by the author of The Pawnbroker—Joe Berman, an immigrant at eighteen, fifty-nine now, and a hard-working Connecticut plumber, faces the loss of his deeply loved wife. The months that follow, months of wrath and rebellion during which he fights his way to a new idea of life, death, and God, are part of Berman's human season. But so are the years behind him, vividly evoked as the narrative travels back into the past.

Amidst the lights and glamour of the New York theater district during the 1950s, two Holocaust survivors confront each other in order to reckon with a common past - one that hides an awful secret. Jud Kramer, a successful stage director, is in the midst of mounting his most painful and personal play while trying to enjoy the happiness he has found with his beautiful actress wife and baby daughter. Into his life comes Carl Walkowitz, a brooding, charismatic drifter who displays the scars of his concentration camp past in his wounded leg and half-closed eye. It is the relationship of these two men, one who lives in the past and the other trying to grasp hold of the present, that drives the story of Who Shall Live, Who Shall Die to its terrifying conclusion. Step by step, inexorably, Walkowitz strips Jud of everything dear to him, until finally, standing on an empty stage, the two men, with a woman between them, come face to face in a life-and-death struggle only one of them can survive.

"Moods by Yoel Hoffmann--"Isreal's celebrated avant-garde genius" (The Forward)--supplies the magic missing link between the infinitesimal and the infinite. Part novel and part memoir, Yoel Hoffmann's Moods is flooded with feelings--about his family, losses, loves, the soul's hidden powers, old phone books, and life in the Galilee, with its every scent, breeze, notable dog, and odd neighbor. Carrying these shards is a general tenderness accentuated by a new dimension brought along with "that great big pill of Prozac." Literature's so pathetic. We peddle fabric with a sun painted on it and no one even looks up... Beautifully translated by Peter Cole, Moods is fiction for lovers of poetry and poetry for lovers of fiction--a small marvel of a book and, with its pockets of joy, a curiously cheerful book by an author who once called himself "a praying mantis inclined to melancholy" --

A Jew who survived the Holocaust obsessively rides the trains of postwar Europe in search of a Nazi concentration camp guard. The guard murdered his parents and he intends to kill him.

Deena Metzger brings us a novel of mysterious and deep insight. Twelve years in the writing, this novel is written in the voice of a woman astronomer. It is a profound self-examination and mediation on the nature of the darkness we have called down into this century and a lyrical vision of the possibilities of light that are opening to each of us now.