Examines the effect of the Holocaust on traditional attempts to explain the Jewish people's sufferings while retaining the concept of covenant with God. also examines its influence on the self-image of American Jewry. Analyzes the works of Elie Wiesel, Isaac Bashevis Singer, Saul Bellow, and Cynthia Ozick, among others, and suggests that awareness of a covenantal concept of Judaism is a criterion for authentic Holocaust literature. Adopts the definition of the Holocaust as a unique event - the plan to exterminate an entire nation, and describes various approaches to theological problems raised by the Holocaust.

Tzippy Goldman's mother has been planning her wedding since before she was born. Her four younger sisters want her to marry the fairy tale Jewish prince of their mother's stories. But Tzippy, approaching spinsterhood at the age of twenty-two, has other ideas. She is hungry for experience and longs to escape the suffocating expectations of religious stricture and romantic obligation. But when she falls in love with Bryan Miller she surprises everyone. Bryan comes from a different kind of family. Like Orthodox Jews anywhere in the world, they spend Saturdays in synagogue, and the rest of the week like suburbanites everywhere. But to Bryan, this middle road looks more and more like hypocrisy. He longs for conviction, for the relief of absolutes. To his parents' bewilderment, Bryan decides to embrace a very different kind of lifestyle, swapping his beloved Yankees cap for something else entirely. In the courtship and marriage of Bryan and Tzippy, Tova Mirvis illuminates an insular world, where ancient and modern collide in a warm and hilarious novel about two very different families brought together by the marriage of their children.

Discusses Jewish identity in America as reflected in the culture of immigrants and descendants of immigrants. Self-hatred or, at least, ambivalence about oneself in the face of native American values is one theme. Ch. 5 (pp. 98-125), "To Make 'a Jew': Projecting Antisemitism in Post-War America", analyzes two novels - Arthur Miller's "Focus" and Saul Bellow's "The Victim" - that explore the psychosocial dimensions of postwar antisemitism. They raise the question whether possibilities of Jewish-Gentile relations might lead to personal and social renovation. In "Focus", a crypto-fascist antisemite who has internalized racist stereotypes finally identifies symbolically as a Jew. In "The Victim", both Jew and Gentile partially overcome their mutual stereotyping. The main Jewish protagonist also overcomes some negative aspects of his self-image.