"The Bradford-Shmulkin family is falling apart. A very modern blend of Russian, Jewish, Korean, and New England WASP, they love one another deeply but the pressures of life in an unstable America are fraying their bonds. There's Daddy, a struggling, cash-thirsty editor whose Russian heritage gives him a surprising new currency in the upside-down world of twenty-first-century geopolitics; his wife, Anne Mom, a progressive, underfunded blue blood from Boston who's barely holding the household together; their son, Dylan, whose blond hair and Mayflower lineage provide him pride of place in the newly forming American political order; and, above all, the young Vera, half-Jewish, half-Korean, and wholly original. Observant, sensitive, and always writing down new vocabulary words, Vera wants only three things in life: to make a friend at school; Daddy and Anne Mom to stay together; and to meet her birth mother, Mom Mom, who will at last tell Vera the secret of who she really is and how to ensure love's survival in this great, mad, imploding world"--

A middle-aged Jewish man who fantasizes about being a cowboy goes on an eccentric quest across Europe after the 1941 Nazi invasion of Lithuania in this wild and witty yet heartrending novel from the bestselling author of Yiddish for Pirates , shortlisted for the Scotiabank Giller Prize. Motl is middle-aged, poor, nerdy, Jewish and in desperate need of a shave. Since having his balls shot cleanly off as a youth in WWI, he's lived a quiet life at home in Vilnius with his shrewd and shrewish mom, Gitl, losing himself in the masculine fantasy world of cowboy novels by writers like Karl May--novels equally loved by Hitler, whose troops have just invaded Lithuania and are out to exterminate people like Motl. In his dreams, Motl is a fast-talking, rugged, expert gunslinger capable of dealing with the Nazi threat. But only in his dreams. As friends and neighbours are killed around them, Motl and Gitl escape from Vilnius, saving their own skins. But they immediately risk everything to try rescue relatives they hope are still alive. With death all around him, Motl decides that a Jew's best revenge is not only to live, but to procreate. In order to achieve this, though, he must relocate those most crucial pieces of his anatomy lost to him in a glacier in the Swiss Alps in the previous war. It's an absurd yet life-affirming mission, made even more urgent when he's separated from his mother, and isn't sure whether she's alive or dead. Joining forces, and eventually hearts, with Esther, a Jewish woman whose family has been killed, Motl ventures across Europe, a kaleidoscope of narrow escapes and close encounters with everyone from Himmler, to circus performers, double agents, quislings, fake "Indians" and real ones. Motl at last figures out that he has more connection to the Indigenous characters in western novels than the cowboys. An imaginative and deeply felt exploration of genocide, persecution, colonialism and masculinity--saturated in Gary Barwin's sharp wit and perfect pun-play-- Nothing the Same, Everything Haunted: The Ballad of Motl the Cowboy is a one-of-a-kind novel of sheer genius.

"If you, Jakob Bronsky, meet such a girl, she will wonder: Who is Jakob Bronsky? ... What does Bronsky know about the 'American way of life'? Does Jakob Bronsky know that only success counts and nothing else? Is he a guy who ruthlessly gets his way but still believes in God Almighty? Does he know that our world is an idyllic one? ... Is he familiar with the ideals of our forefathers who arrived on the first boat, the Mayflower, and what does he think of Coca-Cola Culture?" For more information, please see: http: //doi.org/10.4444/10.4

Literary, lyrical, and cuttingly satiric, Mother India is a brilliantly original novel about Jews who go to India to find transformation and eternal release from the sufferings of life. Narrated in luminous prose by Meena, a Jewish American lesbian who has claimed India as her home, the novel is vividly populated by the darkly comic universe of three generations of women along with other family members, as well as by the Indians whose world they seek to penetrate. There is Meena’s religiously observant mother, Ma, whose desire to remove herself from the wheel of life plays out in a Faulknerian funeral procession and cremation on the banks of the holy river Ganges; Meena’s daughter, Maya, a misunderstood child coming of age in an emotionally treacherous household; her ex-wife, Geeta, a privileged and hedonistic Indian woman who enters their world with devastating consequences; Meena's twin brother, Shmelke, a charismatic rabbi turned guru and international fugitive; and the Indian servant, Manika, whose loyalty to the family both sustains and shackles them. Identifying with the humanity of its characters, the reader is drawn into a vast, tragicomic, and fascinating epic, Homeric in scope, drama, discovery, and surprise. Universal yet intimate, brutal yet tender, satiric yet sympathetic, Mother India evokes reactions—intellectual, emotional, visceral—that are complex, even contradictory, containing the might and bite that our current cultural hubris and self-involvement deserve. In Mother India, Reich offers us her most poignant and astonishing novel to date.

""A uniquely nuanced and engaging perspective on the oddness of Hollywood...Superhero goes inside baseball in all the best ways: unbiased, at times ridiculous, and wonderfully, uncomfortably accurate. It begs to be read because it is so damned good." -Amanda Seyfried A-list actor Peter Compton and producing partner Marci Levy exist in the rarefied air of Hollywood's elite. Their status as a married power couple is unmatched, their presence in any room transformative and god-like. But as their private jet lands in Atlanta to begin production on a tentpole superhero movie, even their privileged position will come under threat by the massive pressures of such an undertaking. Compton, a self-educated recovering addict, sees the role of Sparta comics superhero Major Machina as the opportunity to transcend his already stratospheric platform. As director Joel Slavkin, Oscar-winning DP Javier Benavidez, and a crew of hundreds arrive in Atlanta to begin shooting, it doesn't take long for the production to be embroiled in the tension and egos that drive the film. But when video of Peter's disastrous on-set behavior goes viral, Peter and Marci's partnership will be challenged as it never has before. As the stakes grow ever higher, it may just take a superhero to save them. With his signature wit and razor sharp dialog, Tim Blake Nelson invites the reader to walk alongside him as he enters the closely-guarded world of industrial strength cinema"--

In Israel, militant settlers establish a secessionist kingdom on the West Bank. They are led by Jerry Goldberg, a onetime Bronx social worker who becomes king. When the Israeli army moves in, the militants gather in the necropolis under Hebron to stage a second Masada. A tragicomedy by the author of Mara.

The dawning of the nineteenth century found the Jews of Eastern Europe torn between the forces of progress and reaction as they took their first tentative steps toward the modern world. In a war of words and of books, Haskaia-the Jewish Enlightenment-did battle with the religious revival movement known as Hasidism. Perl, an ardent advocate of Enlightenment, unleashed the opening salvo with the publication in 1819 of Revealer of Secrets . The novel tried to pass itself off as a hasidic holy book when it was, in fact, a broadside against Hasidism-a parody of its teachings and of the language of its holy books. The outraged hasidim responded by buying up and burning as many copies as they could. Dov Taylor's careful translation and commentary make this classic of Hebrew literature available and accessible to the contemporary English-speaking reader while preserving the integrity and bite of Perl's original. With Hasidism presently enjoying a remarkable rebirth, the issues in Revealer of Secrets are all the more relevant to those seeking to balance reason and faith. As the first Hebrew novel, the work will also be of great interest to students of modern Hebrew literature and modern Jewish history.

"One Hundred Philistine Foreskins centers on the life of Temima Ba'alatOv, known also as Ima Temima, or Mother Temima, a charismatic woman rabbi of extraordinary spiritual power and learning, and an utterly original interpreter of the Hebrew Bible. Temima is revered as a guru with prophetic, even messianic powers-- one who dares to raise her woman's 'naked' voice even in the face of extreme hostility by the traditional establishment. Moving between two worlds-- Temima as a child in Brooklyn and Temima as an adult in Jerusalem-- the story reveals the forces that shaped her, including the early loss of her mother; her spiritual and intellectual awakening; her complex relationship with her father, a ritual slaughterer; her forced marriage; her 'ascent' to Israel; and her intense romantic involvements with charismatic men who launch her toward her destiny as a renowned woman leader in Israel"--

The Flutter of an Eyelid, originally published in 1933, is a vicious, and often quite funny, satire of Southern California's bohemian community in the 1920s by Jewish-American novelist Myron Brinig (1896-1991). Illustrated by Lynd Ward (1905-1985). Some of the novel's characters are loosely based on prominent residents of the Los Angeles neighborhood of Echo Park, an early center of film-making on the West Coast. These include the rare book dealer Jake Zeitlin (1902-1987), whose shop became a gathering place for local writers and artists, and who introduced Brinig to his circle of friends; and the charismatic evangelist and media celebrity Aimee Semple McPherson (1890-1944). Zeitlin, who was caricatured as a self-loathing Jewish antique dealer in the novel, considered the book an "insulting betrayal" and, after seeing an early set of galleys, threatened to sue. He succeeded in having some of its more offensive anti-Semitic passages removed prior to its publication. Jewish himself, Brinig was no anti-Semite; he and Zeitlin simply did not get along. One source reports that shortly after the book was released, it was pulled from stores because of further legal threats from McPherson and some of the other individuals who were too "thinly disguised" in the novel.