From one of the preeminent literary voices in Israel comes a darkly funny collection of surrealist stories exploring the increasingly complex relationship between humans and technology. Set in our world, alternate realities, distant futures, and the immortal realm, the stories in Autocorrect traverse the wide range of human experience. With wit and creativity, Keret blends the absurd and the profound, juxtaposing life's smallest details with weighty existential questions. A man names an asteroid after his wife only to find that it's on a collision course with Earth in "For the Woman Who Has Everything." In "Squirrels," a widower's husband reincarnates as a rodent, and "Eating Olives at the End of the World" considers proper social etiquette in the face of destruction. Keret's collection speaks to the uncertainty and fragility of our time, expertly capturing its misunderstandings and miscommunications. His stories probe society's uncomfortable truths, searching for meaning in our ever-changing world.

"Selected by Cynthia Ozick from a dozen books written across more than fifty years, the essays and short stories gathered here constitute a summing-up of her remarkable literary career. In such classic essays as 'Who Owns Anne Frank?,' 'What Helen Keller Saw,' 'Dostoevsky's Unabomber,' and 'Transcending the Kafkaesque,' Ozick examines some of the world's most illustrious writers and their work, tackles compelling contemporary literary and moral issues, and looks into the wellsprings of her own lifelong engagement with literature. In her short stories, including 'A Hebrew Sibyl,' 'What Happened to the Baby?,' 'Dictation,' 'The Biographer's Hat,' and 'The Conversion of the Jews,' Ozick demonstrates again and again her stylistic brilliance and the originality of her distinctive interweaving of the strands of history and myth." -

The present collection marks an attempt to bring together outstanding examples of the Short Story as it has been practiced by writers of almost every race, from the earliest days of civilization down to the present century. Its purpose is not to show, by a series of texts chosen on academic grounds, how the form developed, but to bring together the best examples of every form by which men have endeavoured to entertain and instruct their fellows. No art is more spontaneous than that of the short story, also it is certain that stories of some sort were told as soon as man became articulate. The period covered in the present collection embraces nearly five thousand years, but there can be no reasonable doubt that the Egyptian tales that open the volume, the first of their kind known to us, are the finished products of an art that was practised thousands of years before these were written. And since the beginning of civilization as we know it, there has been no break in the tradition of tale-telling: the demand for stories is as strong and insatiable in man today as it was before he discovered how to make stone weapons. The editors of this collection have approached their task of selection with open minds: they have not allowed themselves to be influenced by any theory of what a short story should be, except that which requires that it be interesting of its kind. So, without confining themselves to any theory of classification, the editors have chosen a wide variety of stories designed to appeal to the general reader and perhaps to the student as well, in the belief that what has delighted the Indians and Chinese from time immemorial, the ancient Egyptians, the Jewish shepherds and warriors of Biblical times, the Greeks of Homer`s days and the Romans of Caesar`s, will appeal with equal force to the inhabitants of the civilized world of today. These stories were written not for critics and historians, editors of anthologies and specialists, but for all mankind. They have tried to bear in mind that the Short Story is a tale which 'holdeth children from play and old men from the chimney corner.'

This extraordinary collection is the first to present the unprecedented range of American Jewish fiction today, from the acclaimed immigrant and post-immigrant masters such as Singer, Bellow, Roth, Ozick, Malamud, and Paley to the new voices of post-acculturation like those of Mark Helprin, Lynne Sharon Schwartz, Daphne Merkin, Allegra Goodman, and Adam Schwartz. Writing Our Way Home limns the dramatic transformation of Jewish life in the past three decades. Its stories arise from such developments as the emergence of feminism, the impact of Israel, the broken silence about the Holocaust, the return to - as well as flight from - tradition, and the birth of an egalitarian religious creativity alongside the further advance of assimilation. It also exhibits the writers' growing knowledge of modern and biblical Hebrew, the wellspring of a new Jewish literature. In bringing our consciousness of American Jewish fiction up to date, the editors emphasize the "open literary community" that has come into being. As Ted Solotaroff characterizes it, "the religious and the secular, the experimental and the traditional, the realistic and the surreal cohabit, and even sometimes nuzzle, more or less peaceably." At the same time, the editors find some developments particularly promising, such as the rekindled literary strategies of Judaism employed by writers "culturally confident" enough, as Nessa Rapoport points out, to turn nostalgic stereotypes into archetypes. Rich and provocative in themselves, these twenty-four stories announce that the Jewish imagination in late-twentieth-century America is flourishing in unforeseen and dazzling ways as its authors continue to extend a remarkably adaptive literary tradition across an array of contemporary contexts.

It is the story of Jozsef Sondor, a tough, irreverently witty Jewish boy growing up in World War II Hungary. Jozsef carries the reader into the whirl of everyday life in war-torn Budapest, from the eve of the Holocaust in Hungary to the Russian liberation in 1945. Through his eyes, we witness history, or, as he sees it, the adult world gone mad. What is this "Jewish problem", he asks. And what can God be thinking of? Jozsef soon finds that his questions have no simple answers, but they do lead him on a journey to understanding the war, politics, religion, and, in the end, the complexity of human nature.

A collection of stories finds its main characters in unlikely places and situations, from an affluent Jewish American who returns to Germany to a homosexual restauranteur who gets the chance to cook another meal for his first lover

A new collection of stories by Scotiabank Giller Prize finalist Gary Barwin that puts the fab in fabulist. Scandal at the Alphorn Factory: New and Selected Short Fiction, 1984-2024 couples brand new and uncollected stories with selections of the most playful and ambitious of Barwin's previous collections, including Cruelty to Fabulous Animals , Big Red Baby , Doctor Weep and Other Strange Teeth , and I, Dr. Greenblatt, Orthodontist, 251-1457 . Barwin's prose kicks against short fiction's more traditional forms: these are pieces that flirt with poetry and playwriting. Whole stories--and worlds--are packed into single compact paragraphs. There are narrators and fleas and lists and imperatives and Hitler's moustache and radiant happiness. Known as a "whiz-bang storyteller" who can deliver magical, dream-like sequences and truisms about the human condition in the same paragraph, Barwin's trademark brilliance, wit, and originality are on display in this can't-miss collection of short fiction.

Most readers north of the Rio Grande are not aware that waves of immigrants have created an ethnically diverse culture in Latin America, a mosaic of particular visions and voices that includes a cohesive Jewish community with roots in Eastern Europe and as far back as pre-Columbian Spain. In this unique anthology, Ilan Stavans - who is at home both in Jewish and Latino cultures - introduces us to engaging writers, the histories of the different communities in which they emerged, their literary tradition and cultural predicament.

These vibrant short stories are about the lives of Jewish families in New York in the mid-twentieth century. But, in Kaplan's vision, everyday life, with its complexity, disorder, and comic subtleties can never obscure a deeper reality. Her sharp-eyed, quirky children and adults are haunted by history, both individual and collective. About this book, Cynthia Ozick said, "Johanna Kaplan's first book of stories blissfully renews character as fiction's chief adventure. Other People's Lives is the source of every intelligent joy, and restores to reading its old flavor of visits busy with crisis, comedy, wisdom, dreaming, irony, redemption." Other People's Lives won the Jewish Book Award, and the Ernest Hemingway-PEN Prize in 1976.