Nice Jewish Girls: A Lesbian Anthology, Revised and Updated Edition (2023) "A brave and pioneering anthology." - Ms. Magazine "Nice Jewish Girls is a ....celebration of survival, by and about Jewish lesbians....who speak to the part of us that rejoices in people reclaiming their identities....that shouts in anger at injustice." - Gay Community News To read this germinal collection of essays, poetry, fiction, testimony, and analysis, is to be introduced to identities that have historically been hidden and often reviled. Intimate, honest, and brash, this is a lovely, unflinching glimpse of who we were, and a map toward who we may become. Newly restored with high resolution photos, this edition preserves a set of voices to be treasured--discovered and rediscovered by Nice Jewish Girls and the women they love. - Jeannelle M. Ferreira, author of The Fire and the Place in the Forest Evelyn (“Evi”) Torton Beck, scholar/teacher/activist, is Professor Emerita of the Harriet Tubman Department of Women’s, Gender, and Sexuality Studies at the University of Maryland and is associated with the Fielding Graduate University. Her wide-ranging research includes analyses of antisemitism and homophobia, Jewish women's contributions to literature and art; feminist perspectives on the life and work of Franz Kafka and Frida Kahlo, and in recent years, Sacred Circle Dance as a healing practice.

Over 150 tales from the Talmud, the Zohar, Jewish folktales, and Hasidic lore.

It is the story of Jozsef Sondor, a tough, irreverently witty Jewish boy growing up in World War II Hungary. Jozsef carries the reader into the whirl of everyday life in war-torn Budapest, from the eve of the Holocaust in Hungary to the Russian liberation in 1945. Through his eyes, we witness history, or, as he sees it, the adult world gone mad. What is this "Jewish problem", he asks. And what can God be thinking of? Jozsef soon finds that his questions have no simple answers, but they do lead him on a journey to understanding the war, politics, religion, and, in the end, the complexity of human nature.

A genre-defying account of confinement and its literary echoes through history. As the pandemic sweeps through Paris in March 2020, the writer HC faces a choice: stay in Paris or flee to the countryside? The weight of historical responses bears down on her--those of her ancestors and Jewish writers during moments of persecution. Still uncertain, she flees to the country at the last moment, with her cats and her daughter, with her diaries and notebooks. What will she do here? Write? What will she write about? Can she write about the experience of being confined? She will write about her cats; every day she will observe their lives and take notes about how they cope with being housebound, and later, in the spring, with the outdoors. Thucydides, Defoe, Camus, Kafka--she will compare her experiences with those of others who have been confined by malady or persecution. She will write of her mother, who fled impending disaster on many occasions and always kept a suitcase ready. She too will endure. The important thing is to have a good death, surrounded by those she loves, not locked down in a hospital.

In this lively and intellectually engaging book, Galit Hasan-Rokem shows that religion is shaped not only in the halls of theological disputation and institutions of divine study, but also in ordinary events of everyday life. Common aspects of human relations offer a major source for the symbols of religious texts and rituals of late antique Judaism as well as its partner in narrative dialogues, early Christianity, Hasan-Rokem argues. Focusing on the "neighborhood" of the Galilee that is the birthplace of many major religious and cultural developments, this book brings to life the riddles, parables, and folktales passed down in Rabbinic stories from the first half of the first millennium of the Common Era.

Israel's Mission to Oliver Cromwell is a historical account of the Jewish emissary Menasseh ben Israel's efforts to secure the readmission of Jews to England in the 17th century. The book recounts Menasseh's journey from Amsterdam to London in 1655, where he met with Cromwell and other prominent figures to argue for the rights of Jews to live and worship in England. The book provides insight into the political and religious climate of the time, as well as the challenges faced by Jewish communities throughout Europe. It also explores Menasseh's personal journey as a prominent Jewish leader and scholar, and his efforts to promote Jewish learning and culture. This book is a valuable resource for anyone interested in Jewish history, the history of England, or the intersection of religion and politics in the 17th century.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

In this illuminating philosophical book, Jabes, who died in 1991 and lived in France after being forced to leave Egypt with other native-born Jews during the Suez War, ruminates on the link between being Jewish and being mislabeled as a foreigner. It is also an indictment of bigotry. Jabes writes, "the basic racist is the man who refuses himself as he is. . . . The antisemite can never forgive the Jews for being capable of self-realization . . . . " Elsewhere he observes in verse on his own experience of exile: "I left a land not mine / for another, not mine either. / I took refuge in a word of ink with the book for space, / word from nowhere, obscure word of the desert. " His seamless style brings to mind both religious and French existential writings, although some musings reach heights too abstract to follow: "We must from now on grant citizen's rights to the foreigner's new name: the foreign I . / Foreign Me, foreign You designated by the I. " Here, too, Jabes ( The Book of Questions ) evokes powerful images of the desert to underscore a mood of isolation and comments wisely about aging and power. --