The second novel from GG finalist and international award winner Kenneth Bonert, who brought Jewish Johannesburg to explosive life in his 2013 debut, The Lion Seeker . As the 1980s draw to a close, apartheid is in its death throes and South Africa is a maelstrom of political violence. Young Martin Helger has problems of his own. Out of place at an elite private school, he is the son of a rough-handed scrap dealer and lives in the shadow of his enigmatic brother, a neighbourhood legend. When an irresistible young American boards at the Helger home, a transfixed Martin soon finds himself wrenched out of the isolated bubble of his white privilege and thrust into the raw heart of South Africa's racial struggle. At the same time, secrets from the past begin to emerge and old sins long-buried return in terrifying new ways, tearing at the Helgers, a second-generation Jewish family, even as the larger forces of history and politics tear apart the country. Migration, terrorism, revolution, identity and memory--these are just some of the bold themes brilliantly and honestly explored in this powerful novel. At once a riveting literary thriller, a moving coming-of-age tale, and an unforgettable journey through a fascinating world , The Mandela Plot entertains and terrifies in equal measure, and resonates profoundly in light of current affairs.

Now available as a New Directions paperbook, Love and Terror, William Herrick's second novel with ND, both reflects and anticipates today's headlines. Terrorist kidnappings, hijackings, and dramatic rescues all form a part of the plot, but Herrick's interest lies less in tension-filled heroics than in the human cost of flawed idealism. Through the notebook of the principal terrorist, Viktor X, the complex characters of Viktor and Gabriele, for whom love and terrorism are intertwined and inseparable, are revealed. And in a series of interviews with a nameless reporter, the lives of three disillusioned revolutionaries--"the old ones," now hostages to a new brand of revolution--gradually and movingly unfold. In his earlier Shadows and Wolves (New Directions, 1980), Herrick showed us the possibility of human solutions that transcend politics. In Love and Terror he shows us why any ideology, inflexibly adhered to, makes such solutions necessary.

It is 1947, and in the British Mandate of Palestine the political pressure is rising. Jewish immigrants are arriving from Europe in their thousands, smuggled ashore past the armed patrols. The Wertman family, like the Jewish community, is divided: Avram is a member of the Irgun, a terrorist group fighting to end occuption; his daughter Hannah works for the Haganah, peacefully campaigning for a Jewish state. David Millar and Will Griffiths are two English sergeants, reluctant conscripts, who transfer to Intelligence. Half-Catholic, half-Jewish, David has mixed feelings about his work, more so when he becomes close to Hannah. Will, meanwhile, is finding trouble at the Jerusalem jazz bar where he plays his saxophone...