Stories about the inhabitants of the village of Chelm.

The Periodic Table is largely a memoir of the years before and after Primo Levi's transportation from his native Italy to Auschwitz as an anti-Facist partisan and a Jew. It recounts the story of the Piedmontese Jewish community from which Levi came, of his years as a student and young chemist at the inception of World War II, and of his investigations into the nature of the material world.

'A Scrap of Time' is a haunting collection of stories about life in Poland during World War II. These shattering stories describe the lives of ordinary people as they are compelled to do the unimaginable.

Collection of forty-seven stories selected by the Nobel Prize winning author from among the writings he authored from 1957-1981.

In A Jewish Mother from Berlin, Martha Jadassohn's seemingly conventional life plunges into chaos after a brutal attack on her only child. As Martha assumes the self-imposed mission of combing Berlin for the man who raped five-year-old Ursa, she encounters Berlin's staid and seamy sides - a world peopled with working-class weekend gardeners, middle-class cultural snobs, transvestites, a former Spanish dancer turned hostess with a secret, and a Jewish lawyer who clings rigidly to the rule of law. During her harrowing quest, Martha becomes obsessed with a handsome, shallow "Aryan" type in a relationship that intensifies her solitude and alienation. Kolmar peels away the layers of Martha's outward restraint to bare the soul of a woman slowly shattered by a callous society in which Jews are outcasts and women preyed upon. Another heroine on a quest for love and self-expression propels the lyrical novella Susanna, a finely wrought psychological portrait of an outsider. The ethereally beautiful Susanna sets out on a tragic search for her lost lover, only to find herself floundering in a world where everyone's perceptions clash with her own.

For the 150th anniversary of the birth of the "Jewish Mark Twain,"a new translation of his most famous works Tevye the Dairyman and Motl the Cantor's Son are the most celebrated characters in all of Jewish fiction. Tevye is the lovable, Bible-quoting father of seven daughters, a modern Job whose wisdom, humor, and resilience inspired the lead character in Fiddler on the Roof . And Motl is the spirited and mischievous nine-year-old boy who accompanies his family on a journey from their Russian shtetl to New York, and whose comical, poignant, and clear-eyed observations capture with remarkable insight the struggles and hopes and triumphs of Jewish immigrants to America at the turn of the twentieth century. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Text: English (translation) Original Language: Yiddish

'Everyone makes mistakes, even God.' In the original Odessa Stories collection published in 1931, Babel describes the life of the fictional Jewish mob boss Benya Krik - one of the great anti-heroes of Russian literature - and his gang in the ghetto of Moldavanka, around the time of the October Revolution. Praised by Maxim Gorky and considered one of the great masterpieces of twentieth-century Russian literature, this is the first ever stand-alone collection of all Babel's narratives set in the city, and includes the original stories as well as later tales.

In this collection of fictional writings, the Golem of Jewish folklore is both hero and villain. The Golem, a creature made of clay and brought to life by Rabbi Leyb of Prague in the sixteenth century, has provided an enticing subject for fiction writers since the legend began. In some works, Rabbi Leyb gives birth to the Golem to help the Jews with the overbearing burden of their work. In others, the Golem is the protector of the Jews, keeping watch during the nights before Passover to make sure that a Gentile does not plant evidence for a blood libel in a Jewish home. But the powerful Golem can also lose control and have to be destroyed. Joachim Neugroschel has brought together some of the best work featuring the Golem, including H. Leivick's masterful blank verse play; Yudl Rosenberg's "pamphlet" full of Golem tales; and stories by S. Bastomski, Dovid Frishman, and Y. L. Peretz, which he translates fluidly from the Yiddish.

"This is the first anthology of translated multilingual Jewish fiction in 25 years: a collection of 18 splendid stories, each translated into English from a different language: Albanian, Croatian, Czech, Danish, French, German, Greek, Hebrew, Hungarian, Italian, Ladino, Polish, Portuguese, Romanian, Russian, Spanish, Turkish, and Yiddish. These compelling, humorous, and moving stories, written by eminent authors that include Shmuel Yosef Agnon, Isaac Babel, and Lili Berger, reflect both the diversities and the commonalities within Jewish culture, and will make you laugh, cry, and think. This beautiful book is easily accessible and enjoyable not only for Jewish readers, but for story-lovers of all backgrounds"--

The five short novellas which comprise this anthology were written between 1890 and World War I. All share a common setting-the Eastern European Jewish town or shtetl, and all deal in different ways with a single topic-the Jewish confrontation with modernity. The authors of these novellas are among the greatest masters of Yiddish prose. In their work, today's reader will discover a literary tradition of considerable scope, energy, and variety and will come face to face with an exceptionally memorable cast of characters and with a human community now irrevocably lost.In her general introduction, Professor Wisse traces the development of modern Yiddish literature in the late 19th and early 20th centuries and describes the many shifts that took place between the Yiddish writers and the world about which they wrote. She also furnishes a brief introduction for each novella, giving the historical and biographical background and offering a critical interpretation of the work.

Of all the characters in modern Jewish fiction, the most beloved is Tevye, the compassionate, irrepressible, Bible-quoting dairyman from Anatevka, who has been immortalized in the writings of Sholem Aleichem and in acclaimed and award-winning theatrical and film adaptations. And no Yiddish writer was more beloved than Tevye’s creator, Sholem Rabinovich (1859–1916), the “Jewish Mark Twain,” who wrote under the pen name of Sholem Aleichem. Beautifully translated by Hillel Halkin, here is Sholem Aleichem’s heartwarming and poignant account of Tevye and his daughters, together with the “Railroad Stories,” twenty-one tales that examine human nature and modernity as they are perceived by men and women riding the trains from shtetl to shtetl.

A witty, heartwarming, and heart-wrenching epistolary novel, soon to be a major motion picture starring James Caan, Rosanna Arquette, and Jonathan Rhys Meyers, about a dysfunctional family--led by a Jewish pig farmer in Israel--struggling to love and accept each other. As comic as it is deeply moving, Holy Lands chronicles several months in the lives of an estranged family of colorful eccentrics. Harry Rosenmerck is an aging Jewish cardiologist who has left his thriving medical practice in New York--to raise pigs in Israel. His ex-wife, Monique, ruminates about their once happy marriage even as she quietly battles an aggressive illness. Their son, David, an earnest and successful playwright, has vowed to reconnect with his father since coming out. Annabelle, their daughter, finds herself unmoored in Paris in the aftermath of a breakup. Harry eschews technology, so his family, spread out around the world, must communicate with him via snail mail. Even as they grapple with challenges, their correspondence sparkles with levity. They snipe at each other, volleying quips across the Atlantic, the Mediterranean, and Europe, and find joy in unexpected sources. Holy Lands captures the humor and poignancy of an adult family striving to remain connected across time, geography, and radically different perspectives on life.

Contents: The snow - Ducky's death - Nina of Ashkelon - (etc).

A collection of Yiddish stories that give a keen sense of Jewish culture, history, humor and feeling.

'Brisk, smart, witty, elliptical ... Recalls the directors of the New Wave ... Bracing and brilliant' Independent When Patrick Modiano was awarded the 2014 Nobel Prize for Literature he was praised for using the 'art of memory' to bring to life the Occupation of Paris during the Second World War. Born in 1945, Modiano's brilliant, angry writings burst onto the Parisian literary scene and caused a storm. His first, ferociously satirical novel, La Place de l'Étoile , was remarkable in seriously questioning both Nazi collaboration in France and the myths of the Gaullist era. The Night Watch tells the story of a man caught between his work for the French Gestapo and for a Resistance cell. Ring Roads recounts a son's search for his Jewish father, who disappeared ten years previously. These brilliant, almost hallucinatory, evocations of the Occupation attempt to exorcise the past by exploring the morally ambiguous worlds of collaboration and resistance.

Awarded the Nobel Prize in Literature in 1966, S. Y. Agnon is considered the towering genius of modern Hebrew literature for his hard-edged modernism and soft-hued imagery. With this new collection of stories, the English-speaking audience has, at long last, access to the rich and brilliantly multifaceted fictional world of one of the great writers of this century. These stories span the lifetime of a quintessential wandering Jew - born in Buczacz, Poland, living in Germany, and finally settling in Jerusalem - and they bring to life the full gamut of the modern Jewish experience in fiction. This broad selection of Agnon's fiction introduces the full sweep of the writer's panoramic vision as chronicler of the lost world of Eastern European Jewry and the emerging society of modern Israel. Here are stories that portray the richly textured culture of traditional Jewish life in Poland, as well as changes in the life of the community over time. Several stories reflect on the Jewish infatuation with German and Western culture in the interwar period: "On the Road," for example, narrates an eerie encounter on the eve of a holy day between an itinerant Jew and a ghostly company of martyred Jews from the Crusades. The early years of Jewish settlement in the land of Israel are recalled in "Hill of Sand," which is also a revealing portrait of the artist as a young man; "A Book That Was Lost" is a powerful metaphor for the writer's own journey from Buczacz to Jerusalem.

"Israeli writer Shaham explores the beams and pilings of a special mode of Zionist life--that of the kibbutz--and, especially in the first and third novellas here, lays out the psychologies of some of the pioneers with almost case-file (if undramatic) precision. In "S/S Cairo City," a delegate to a 1939 Geneva Zionist convention writes a series of letters to a lover, another delegate, who has left (disastrously) to return to Poland. As Hitler throws shadows which many of the Zionists are not yet ready to accept, they are nevertheless grateful to jam aboard a Palestine-bound Egyptian ship out of Marseilles; on the ship, Shaham probes the skepticisms of men-ideologues being turned into plain victims by what they're fleeing. ("Kuperberg spoke about the congress. He was not at all impressed with certain speeches that I found deeply moving. He said Zionism tends to be like manna. It gives the Western Jew a taste of Yiddishkeit, while to the Eastern Jew it holds forth a promise of Europe.") The last novella--"The Salt of the Earth"--is about an old kibbutznik's first trip to America--and seems like an ironic variation on the opening story; New York literally kills, the old man, hostile to every vision of social life for which he's striven back at home (and knows he's losing there, too). And the central, title novella is where Shaham shows his hand at deeper narrative: a bookish young kibbutz woman becomes erotic guardian over her married neighbor's clandestine love life--as the situation of universal daily sharing builds up such an edifice of public virtue that private weakness becomes downfall, destruction. Like Amos Oz, whose subject matter is similar, Shaham is delicate, historical, unillusioned, undogmatic; Oz's poetry is lacking here, but Shaham may have the edge in social perspicacity."-- Kirkus