Stories about the inhabitants of the village of Chelm.

Descent , a novella published in 1920, is set against the background of Jewish life in Russia and Ukraine during the turbulent period leading up to the October Revolution of 1917, a period characterized by the rise of secularism, the rejection of old traditions, the alienation of intellectuals, and the attempt of different generations to find a place for themselves inside and out of the shtetl. The novella centers on the mystery of the suicide of a young pharmacist in Rakitne, a provincial town. Did his death have anything to do with the two women who loved him? Was it the result of despair or an act of protest? And if protest, against what? His old friend seeks answers but finds none. The prose is immaculately crafted, the narrative indirect, and the mood poignant, dark, and disquieting.

"In this new English translation, Nomburg's stories explore modern Jewish life in the growing cosmopolitan city of Warsaw: young intellectuals in pursuit of truth and beauty; working class fathers tempted by schemes for easy money; and teenagers caught between desire and tradition. By turns comic, satiric, and earnest, Nomberg's stories take the pulse of Warsaw's Jewish socity at the dawn of the 20th century." (page [4] of cover)

The Yeshiva: Masters and Disciples is the second and concluding volume of Chaim Grade's masterwork. Continuing the moving story of Tsemakh Atlas, head of the Yeshiva, Grade re-creates the rich world of his native city Vilna in pre-World War II Lithuania. The now-vanished Eastern European Jewish community was inhabited by the pious and the heretical, the righteous and the sinful, the wise and the foolish. Religion was as crucial to living, and as much a part of Grade's people, as their daily bread. How they reacted to it - and, through it, to one another - formed the core of day-to-day life. Each problem, each experience was felt through the teachings of Tsemakh Atlas. Chaim Grade has brought his striking characters to full life, revealing them in all their glory and pain. The Yeshiva is a brilliant work that mourns, and finally locks into memory, a culture sadly lost in reality but eternal in spirit.

While 'A Traveler Disguised: A Study in the Rise of Modern Yiddish Fiction in the Nineteenth Century' focused on the rhetoric of the speaking voice or the persona in these classics, the nine essays gathered here concentrate on the artistic reconstruction of the "world" conveyed by that persona. As much as the earlier volume put to rest the conventional understanding of "Mendele the Book-Peddler" as a mere representative of the author, Sh. Y. Abramovitsh, this book invalidates the common views of the literary shtetl as a mere mimetic reflection of the historical Jewish shtetl of Eastern Europe and examines its structure as an autonomous aesthetic construct. These essays dwell particularly on the fictional modalities displayed in some of Sholem Aleichem's major works. They also offer innovative insights into the works of both earlier and later masters such as A. M. Dik, Y. Aksenfeld, Y .Y. Linetski and Sh. Y. Abramovitsh, Y. L. Peretz, I. M. Vaysenberg, Sh. Asch, D. Bergelson, and I. B. Singer.