"Harvey Milk--eloquent, charismatic, and a smart-aleck--was elected to the San Francisco Board of Supervisors in 1977, but he had not even served a full year in office when he was shot by a homophobic fellow supervisor. Milk's assassination at the age of forty-eight made him the most famous gay man in modern history; twenty years later Time magazine included him on its list of the hundred most influential individuals of the twentieth century. Before finding his calling as a politician, however, Harvey variously tried being a schoolteacher, a securities analyst on Wall Street, a supporter of Barry Goldwater, a Broadway theater assistant, a bead-wearing hippie, the operator of a camera store and organizer of the local business community in San Francisco. He rejected Judaism as a religion, but he was deeply influenced by the cultural values of his Jewish upbringing and his understanding of anti-Semitism and the Holocaust. His early influences and his many personal and professional experiences finally came together when he decided to run for elective office as the forceful champion of gays, racial minorities, women, working people, the disabled, and senior citizens. In his last five years, he focused all of his tremendous energy on becoming a successful public figure with a distinct political voice."--Dust jacket.

Isaias Hellman, a Jewish immigrant, arrived in California in 1859 with little money in his pocket and his brother Herman by his side. By the time he died, he had effectively transformed Los Angeles into the modern metropolis we see today. In Frances Dinkelspeil's groundbreaking history, the early days of California are seen through the life of a man who started out as a simple store owner only to become California's premier money man of the late 19th and early 20th centuries. Growing up as a young immigrant, Hellman quickly learned the use to which capital could be put, founding Los Angeles's Farmers and Merchants Bank, that city's first successful bank, and transforming Wells Fargo into one of the West's biggest financial institutions. He invested money with Henry Huntington to build trolley lines, lent Edward Doheny the funds that led him to discover California's huge oil reserves, and assisted Harrison Gray Otis in acquiring full ownership of the Los Angeles Times. Hellman led the building of Los Angeles's first synagogue, the Wilshire Boulevard Temple, helped start the University of Southern California, and served as Regent of the University of California. His influence, however, was not limited to Los Angeles. He controlled the California wine industry for almost 20 years, and after San Francisco's devastating 1906 earthquake and fire, calmed the financial markets there in order to help that great city rise from the ashes. With all of these accomplishments, Isaias Hellman almost single-handedly brought California into modernity --

"Songs of Sonderling is the story of Jacob Sonderling's unique contributions to Jewish liturgical music. Rabbi Sonderling was many things: a descendant of Chassidic rebbes, a rationalist, a Reform rabbi, a Zionist, an army chaplain, a celebrated orator, an artistic soul. From his early career at the Hamburg Temple and German Army service in World War I, to his wandering years in the Eastern United States and founding of the Society for Jewish Culture-Fairfax Temple in Los Angeles, Sonderling cultivated a unique aesthetic vision of Judaism, a "five-sense appeal." Jonathan L. Friedmann and John F. Guest document and analyze Sonderling's experience and expression of Judaism through music. Rabbi Sonderling's vision yielded liturgical commissions from exiled Viennese Jewish composers who arrived in Los Angeles in the 1930s and 1940s. Through these musical settings, activities at the Fairfax Temple, and involvement with the Los Angeles campus of the Hebrew Union College-Jewish Institute of Religion, Sonderling made an indelible mark on the city's Jewish community and the wider musical world. Songs of Sonderling focuses on the commissions Sonderling made from 1938 to 1945: Ernst Toch's Cantata of the Bitter Herbs, Arnold Schoenberg's Kol Nidre, Erich Wolfgang Korngold's A Passover Psalm and Prayer, and Eric Zeisl's Requiem Ebraico. Through musical analyses and an examination of Sonderling's career in Los Angeles, Friedmann and Guest contribute to the study of Jewish liturgical music, to Jewish history in the American West, to Jewish identity in the twentieth century, and to Jewish diaspora writ large"--