A comprehensive look at Louise Nevelson's career as a pioneering sculptor Louise Nevelson (1900-1988) was a towering figure in postwar American art, exerting great influence with her monumental installations, innovative sculptures made of found objects, and celebrated public artworks. The Sculpture of Louise Nevelson focuses on all phases of the artist's remarkable ascent to the top of the art world, from her groundbreaking works of the 1940s to complex pieces completed in the late 1980s. The most extensive study of Nevelson to be published in over 20 years, this beautifully illustrated book also demonstrates how Nevelson's flamboyant style and carefully cultivated persona enhanced her reputation as an artist of the first rank. Essays by distinguished scholars examine a wide variety of important issues and themes throughout Nevelson's career, including the role of monochromatic color in her painted wooden sculpture; the art-historical context of her work; her acclaimed large-scale commissioned artworks, which established her as a central figure in the public art revival of the late 1960s; and her "self-fashioning" as a celebrated artist, particularly her origins as a Ukrainian-born Jewish immigrant to the United States. An illustrated chronology and exhibition history accompany the text. Published in conjunction with the first major exhibition of Nevelson's work in America since 1980, this book provides essential information on and insights into the study of a revolutionary 20th-century artist. Published in association with The Jewish Museum Exhibition Schedule: The Jewish Museum, New York (May 5 - September 16, 2007) de Young, Fine Arts Museums of San Francisco (October 27, 2007 - January 13, 2008)

The aesthetics and concepts of modern art have influenced American television ever since its inception in the 1930s. In return, early television introduced the public to the latest trends in art and design. This engaging catalogue is the first book to comprehensively examine the way avant-garde art shaped the look and content of network television in its formative years, from the 1940s through the mid-1970s. -- Page [4] of cover.

Traces the history of the Jewish community of Czechoslovakia and describes the religious and social life of the Czechoslovakian Jews

Utilizing works from museums across North America, Lipchitz and the Avant-Garde traces the path of the pioneering sculptor Jacques Lipchitz from his birthplace in Lithuania to his early work in Paris before World War I, where he was associated with the Parisian avant-garde and applied cubist principles to three-dimensional artwork. By breaking the volume and using different planes, Lipchitz created works that were a new force in the history of sculpture. His innovation of the transparents style in sculpture during the late 1920s was groundbreaking and was copied by many, including Picasso. At the outbreak of World War II the Jewish artist fled to New York, where he worked on increasingly monumental sculptures until his death in 1973. This substantive catalog contains new essays by internationally renowned scholars and translated articles by contemporaries Ramón Gómez de la Serna and Joaquin Torres-García that have not appeared in English before.

Ruth Weisberg Unfurled presents three decades of painting and printmaking by celebrated Los Angeles artist Ruth Weisberg. It features the complete ninety-four-foot long mixed-media drawing The Scroll, in addition to more than thirty works from throughout Weisberg's career. Together the works highlight the artist's extraordinary depictions of her life story and its convergence with art history and Jewish memory. They also illuminate the parallels Weisberg draws between the contemporary and biblical worlds, her desire to memorialize those who perished during the Holocaust, and her fervent belief in renewal.

"The retrospective of the work of Felix Nussbaum in the Kulturgeschichtliches Museum Osnabruck in 1990 and the catalogue, Felix Nussbaum Are Defamed - Art in Exile - Art in Resistance, fully established Nussbaum's artistic rank and his position in the art of the twentieth century. The representative collection of his most important works, on permanent display in the upper gallery of the Kulturgeschichtliches Museum in Osnabruck, is a constant witness to this." "Nussbaum's art reflects the course of the first half of this century like that of no other painter - the tranquil life in the provinces, the rapid tempo of life in the capital Berlin, emigration, the camp, war and the conquest of Europe by Nazi Germany, then the exclusion of the Jewish people by a policy of racism, life underground and in hiding, and finally the extermination of the Jews in Europe. Above all, his last paintings, an eye witness account of the Holocaust to which he himself eventually fell victim, are unique in art." "The catalogue for the 1990 exhibition has become a standard work on Felix Nussbaum and on resistance in art, stimulating a reconsideration of this away from the clichees of Agitprop." "Hence, The Overlook Press is issuing a new and fully revised edition of the book. It includes paintings by Felix Nussbaum that have come to light in the last five years, among them the major group of works that were left behind in Amsterdam when his parents were arrested. All the new facts that have emerged on Nussbaum's life and the new details that have become known on his artistic contacts have been taken into account, and the interpretation of many individual paintings has been given greater depth or corrected in accordance with the latest state of research. The many comparisons with works by other European artists should help to widen understanding of the analysis of Nussbaum's works in art history."--BOOK JACKET.