This volume offers the first, in-depth comparison of the Holocaust and new world slavery. Providing a reliable view of the relevant issues, and based on a broad and comprehensive set of data and evidence, Steven Katz analyzes the fundamental differences between the two systems and re-evaluates our understanding of the Nazi agenda. Among the subjects he examines are: the use of black slaves as workers compared to the Nazi use of Jewish labor; the causes of slave demographic decline and growth in different New World locations; the main features of Jewish life during the Holocaust relative to slave life with regard to such topics as diet, physical punishment, medical care, and the role of religion; the treatment of slave women and children as compared to the treatment of Jewish women and children in the Holocaust. Katz shows that slave women were valued as workers, as reproducers of future slaves, and as sexual objects, and that slave children were valued as commodities. For these reasons, neither slave women nor children were intentionally murdered. By comparison, Jewish slave women and children were viewed as the ultimate racial enemy and therefore had to be exterminated. These and other findings conclusively demonstrate the uniqueness of the Holocaust compared with other historical instances of slavery

A history of the T4 program, or "euthanasia program", in Nazi Germany - that is, the murder of handicapped persons by the Nazis. This program was preceded by the politicization of science, which incorporated popular prejudices into "scientific" theories and declared some individuals and even "racial" groups, like Jews and Gypsies, to be "valueless"; by the eugenic movement; and by the misuse of scientific hypotheses by politicians. The policy of exclusion of the "racially inferior" stood at the center of the Nazi utopia. The "euthanasia program", implemented in 1939-40, paved the way for the mass extermination of Jews and Gypsies in 1942-44. Many of those involved in the T4 program (e.g. Franz Stangl) were later involved in the operation of the death camps. Special attention is devoted to the murder of handicapped Jews. These, progressively excluded from the public welfare system and from the medical institutions, were concentrated in 1939-40 in special Jewish hospitals and later killed in the course of the "euthanasia program".

Although there is an immense amount of literature on the 'Final Solution' - the Nazis' attempt to exterminate the Jews of Europe during the Second World War - many critical questions still remain unresolved. The authoritative essays in The Final Solution set out to clarify the origins of the attempted genocide of the Jews, and to provide new answers to this period of history which often seems inexplicable." "The book draws on important new evidence, much of it from archives in Eastern Europe which have only recently become accessible. Contributors are among the leading experts in the field. The essays focus on the preconditions and antecedents for the 'Final Solution' and the immediate origins of the decision to murder Europe's Jewish population. They consider, too, the impact of the German invasion of Russia in June 1941 on the evolution of a genocidal policy and the response of the peoples and governments in Germany, occupied Europe, the Free World and the Jewish communities under the Nazis and in the West." "The results of this study are often controversial. The essays challenge many accepted notions about the behaviour of the German Army, how much the Germans knew, and the response of the non-Jewish population in Occupied Europe and the West." "The Final Solution will be of great interest to students of modern European history. It will also make invaluable reading for anyone seeking to understand further this most tragic chapter of recent history.

Hidden behind a screen of euphemisms and evasions, of political expediency and psychological denial, the most terrible crime in human history was committed. Despite the shock and outrage that swept the world when the Nazi death camps were first liberated in 1945, the truth about the extermination of European Jewry had been an open secret since at least 1941. Using sources and documents only recently made available, Walter Lacquer examines when and how information about the genocide became known to millions of Germans, international Jewish organizations, leaders of Jewish communities throughout Europe, and top government officials in neutral and Allied countries. Laying bare the lethal combination of disbelief and indifference that met this news, "The Terrible Secret" offers a brilliant and chilling demonstration of paralysis in the face of ultimate evil.

Contents: Women and Genocide: Notes on an Unwritten History; The Price of Heroism: Veterans of the Dutch Resistance to the Nazi Occupation and the Holocaust in World War II; The Herut Movement and the Kasztner Trial; Syndrome and Shoah: Waslker Percy's Parable of the Holocaust; Armin T. Wegner's Letter to German Chancellor Adolf Hitler, Berlin, Easter Monday, April 11, 1933; Comments on Robert Melson's "Revolution and Genocide".

Can the Holocaust be compellingly described or represented? Or is there some core aspect of the extermination of the Jews of Europe which resists our powers of depiction, of theory, of narrative? In this volume, twenty scholars probe the moral, epistemological, and aesthetic limits of an account or portrayal of the Nazi horror. Christopher Browning, Hayden White, Carlo Ginzburg, Martin Jay, Dominick LaCapra, and others focus first on the general question: can the record of his historical event be established objectively through documents and witnesses, or is every historical interpretation informed by the perspective of its narrator? The suggestion that all historical accounts are determined by a preestablished narrative choice raises the ethical and intellectual issues of various forms of relativization. In more specific terms, what are the possibilities of historicizing National Socialism without minimizing the historical place of the Holocaust? Also at issue are the problems related to an artistic representation, particularly the dilemmas posed by aestheticization. John Felstiner, Yael S. Feldman, Sidra Ezrahi, Eric Santner, and Anton Kaes grapple with these questions and confront the inadequacy of words in the face of the Holocaust. Others address the problem of fitting Nazi policies and atrocities into the history of Western thought and science. The book concludes with Geoffrey Hartman's evocative meditation on memory. These essays expose to scrutiny questions that have a pressing claim on our attention, our conscience, and our cultural memory. First presented at a conference organized by Saul Friedlander, they are now made available for the wide consideration and discussion they merit.

Reflects on the interrelationship between war, genocide, and identity in the 20th century. Contends that World War I provided a pattern for the industrial killing that reached its apex in the Nazi Holocaust. Comparing France and Germany, both of which looked for an "elusive enemy" to help them cope with the trauma of World War I, notes that Germany found it in the Jews. This perception allowed the Germans to see themselves as victims and their actions against the Jews as self-defense. The search for "elusive enemies" (to blame for perpetrating the genocide) and "elusive victims" (e.g. the French or German people) continued after the war. Compares the French, German, and Jewish postwar discourses of the Holocaust. Presenting themselves as the main victims of Nazism, the French and Germans have tended to neglect Jews as the main victims. Criticizes writings by Hannah Arendt, Ka-Tzetnik, and some other postwar writers on the Holocaust and its roots.

"A multifaceted exploration of the Holocaust which connects its relationship with genocide, the importance of first-person histories of atrocity, and links to the 1948 Palestinian Nakba together in unprecedented fashion"--

Product Description Murder in Our Midst: The Holocaust, Industrial Killing, and Representation examines the emergence, implementation, and representation of industrial killing, an inherent and crucial component of modernity whose most extreme manifestation was the Holocaust.The mechanized, impersonal, and sustained mass destruction of human beings, organized and legitimized by states, scientists, jurists, and intellectuals, is rooted in the industrial slaughterhouse of the Great War. In Murder in Our Midst, Omer Bartov argues that the Nazi death factories are best understood in the context of modern warfare, beginning with the First World War. He shows how the way we understand ourselves reflects the ambivalent effects of the Holocaust on our perceptions of war and violence, history and memory, progress and barbarism.Analyzing a wide array of historical texts, works of fiction, films, and museums, Bartov leads the reader from ancient myths of heroism to the trenches of the Western Front, from Thomas Mann's romantic vision of war to Primo Levi's stark depictions of genocide, from colonial war museums to the visual art of the Holocaust. These representations of killing share some of the same important features. They attempt to form coherent images from horrific events, to draw didactic lessons from them, and to use them for political ends. About the Author Omer Bartov is Associate Professor of History at Rutgers University.