"Corbin College, not-quite-upstate New York, winter 1959-1960: Ruben Blum, a Jewish historian-but not an historian of the Jews-is co-opted onto a hiring committee to review the application of an exiled Israeli scholar specializing in the Spanish Inquisition. When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host, to guests who proceed to lay waste to his American complacencies. Mixing fiction with non-fiction, the campus novel with the lecture, The Netanyahus is a wildly inventive, genre-bending comedy of blending, identity, and politics-"An Account of A Minor and Ultimately Even Negligible Episode in the History of a Very Famous Family" that finds Joshua Cohen at the height of his powers"--

In a novel of alternative history, aviation hero Charles A. Lindbergh defeats Franklin Roosevelt in the 1940 presidential election, negotiating an accord with Adolf Hitler and accepting his conquest of Europe and anti-Semitic policies

A spirited classic of American Jewish literature, a historical novel about ancient sage-turned-apostate Elisha ben Abuyah in the late first century C.E. At the heart of the tale are questions about faith and the loss of faith and the repression and rebellion of the Jews of Palestine. Elisha is a leading scholar in Palestine, elected to the Sanhedrin, the highest Jewish court in the land. But two tragedies awaken doubt about God in Elisha's mind, and doubt eats away at his faith. Declared a heretic and excommunicated from the Jewish community, he journeys to Antioch in nearby Syria to begin a quest through Greek and Roman culture for some fundamental irrefutable truth. The pace of the narrative picks up as Elisha directly encounters the full force of the ancient Romans' all-consuming culture. Ultimately, Elisha is forced by the power of Rome to choose between loyalty to his people, who are rebelling against the emperor's domination, and loyalty to his own quest for truth.-Publishers Weekly

"An intellectual and emotional jigsaw puzzle of a novel for readers of A. S. Byatt's Possession and Geraldine Brooks's People of the Book Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history. As the novel opens, Helen has been summoned by a former student to view a cache of seventeenth-century Jewish documents newly discovered in his home during a renovation. Enlisting the help of Aaron Levy, an American graduate student as impatient as he is charming, and in a race with another fast-moving team of historians, Helen embarks on one last project: to determine the identity of the documents' scribe, the elusive"Aleph."Electrifying and ambitious, sweeping in scope and intimate in tone, The Weight of Ink is a sophisticated work of historical fiction about women separated by centuries, and the choices and sacrifices they must makein order to reconcile the life of the heart and mind"--

"Sammler, a New Yorker in his seventies, a refugee from Nazism, a thinker of complex thoughts, a touchstone around whom a heterogeneous group revolves, is not simply the protagonist but the prime mover of a many-sided novel held together by the centripetal force of his presence. The counterpoint of personalities, subplots, and incidents constitutes a tragi-comic commentary on twentieth-century urban life but it is Sammler's considered reflections on that life that dominate a novel which, most movingly, asks basic questions about how we live and what we live for at this chaotic point in history. Portions of the novel first appeared in the Atlantic."--Booklist Review.

Like no other novelist at work today, Herman Wouk has managed to capture the sweep of history in novels rich in character and alive with drama. In The Hope, which opens in 1948 and culminates in the miraculous triumph of 1967s Six-Day War, Wouk plunges the reader into the story of a nation struggling for its birth and then its survival. As the tale resumes in The Glory, Wouk portrays the young nation once again pushed to the brink of annihilationand sets the stage for todays ongoing struggle for peace. Taking us from the Sinai to the Jerusalem, from dust-choking battles to the Entebbe raid, from Camp David to the inner lives of such historical figures as Golda Meir, Moshe Dayan, and Anwar Sadat, these extraordinary novels have the authenticity and authority of Wouks finest fictionand together strike a resounding chord of hope for all humanity. The first trade paperback editions of The Winds of War and War and Remembrance, Wouks epic novels of World War II, were recently released by Back Bay Books. - from Amazon

Simon, the oldest of five brothers, chronicles the transformation from farmers to soldiers of the five Maccabee brothers and of their struggle for freedom against the Syrian-Greek conquerers of Judea, in a historical novel that recreates the events celebrated by Jews during the holiday of Hanukkah.

SOON TO BE A MAJOR MOTION PICTURE STARRING LENA DUNHAM AND STEPHEN FRY.A "haunting, riotously funny, and deeply touching" (Publishers Weekly) novel about a woman and her father's journey to Poland to revisit her family historyRuth Rothwax finds order and meaning in the words she writes for other people, but she can't find words to underst[Bokinfo]

Evelyn Sert journeys to Tel Aviv, where Jewish refugees from Nazi Germany are determined to forge a modern consciousness in the heart of the Middle East. Her story weaves together national identity, terrorism, love and the art of hairdressing.

A collection of Yiddish stories that give a keen sense of Jewish culture, history, humor and feeling.

When Marek Halter's award-winning international bestseller The Book of Abraham was published here in 1986, it was greeted with unanimous praise and compared with Roots, War and Peace, and the works of James Michener. That epic portrayal of a Jewish family through history -- based in large part on the records of the Halters themselves -- ended in the midst of World War II, with the destruction of the Warsaw ghetto. Here the author picks up the thread of the family saga in the postwar period. Like most of European Jewry, the Halter family is decimated and dispersed: Sidney and his family in New York; the Lerners in Moscow; Don Israel and Dona Regina in Buenos Aires; Mordecai and his family in Israel. At the heart of the new epic is Hugo Halter, an elusive and haunting figure who, as a young man in the late 1930s, had warned of the coming Holocaust. Most had not listened and perished in the conflagration. As this book opens, Hugo and his German wife, Sigrid, are driving from Tel Aviv to Jerusalem in March 1961. Hugo parks to gaze in wonder at the magic city spread before him. Suddenly a military truck approaches, and as it passes submachine-gun fire erupts from it, killing both Hugo and Sigrid. Why were they assassinated in cold blood, presumably by Arab terrorists? Who exactly was Hugo: an agent? A double agent? Working for whom and to what ends? In Paris, Marek Halter, the self-appointed family scribe, sets out to find the answer. At the same time, another cousin, an officer in the Israeli secret service, begins his own official investigation. Their paths, and lines of inquiry, sometimes cross, often diverge, as different versions of the same episode appear in oddly varying lights. The result is a suspense novel of high intrigue, but also a panorama of contemporary Judaism, with its conflicts and contradictions, its struggles and achievements, its heady victories and discouraging defeats. - Jacket flap.

Spanning the first half of the twentieth century, Golden Country brings to life the intertwining stories of three Jewish immigrants seeking their fortunes--the handsome and ambitious Seymour, a salesman-turned-gangster-turned-Broadway-producer; the gentle and pragmatic Joseph, a door-to-door salesman who is driven to invent a cleanser effective enough to wipe away the shame of his brother's mob connections; and the irresistible Frances Gold, who grows up in Brooklyn, stars in Seymour's first show, and marries the man who invents television. Their three families, though inextricably connected for years, are brought together for the first time by the engagement of Seymour's son and Joseph's daughter. David and Miriam's marriage must endure the inheritance of not only their parents' wealth but also the burdens of their past. As Gilmore's characters witness and shape history, they come to embody America's greatness, as well as its greatest imperfections.--From publisher description.

Sent by his father to observe and evaluate his uncle's South Carolina rice plantation, New York Jew Nathaniel Pereira is horrified by his first brush with the brutal realities of slavery, especially the irony of how a people who themselves lived in bondage for so long could now own slaves. His moral dilemma becomes even more complex after he becomes captivated by Liza, a beautiful slave who harbors a shattering secret.

What is the difference between writing a novel about the Holocaust and fabricating a memoir? Do narratives about the Holocaust have a special obligation to be "truthful" - i.e., faithful to the facts of history? Or, in other words, when is it okay to lie about the Holocaust? In her provocative study A Thousand Darknesses: Truth and Lies In Holocaust Fiction , Ruth Franklin investigates these questions as they arise in the most significant works of fiction about the Holocaust, from Tadeusz Borowski's Auschwitz stories to Jonathan Safran Foer's postmodernist family history. Franklin argues that the memory-obsessed culture of the last few decades has led to a mistaken focus on testimony as the primary form of writing about the Holocaust. As even the most canonical Holocaust texts have come under scrutiny for their fidelity to the facts, we have lost sight of the essential role that imagination plays in the creation of any literary work, including - perhaps especially — the memoir. Taking a fresh look at memoirs by Elie Wiesel and Primo Levi, and examining novels by writers such as Piotr Rawicz, Jerzy Kosinski, W.G. Sebald, and Wolfgang Koeppen, Franklin makes a persuasive case for literature as an equally vital vehicle for understanding the Holocaust. The result is a study of immense depth and range that offers a lucid view of an often cloudy field.

First published in 1997, Inventing Memory is about four generations of remarkable women from a Jewish-American family-their triumphs, tragedies, scandals, and love affairs-as related by Sara Solomon, the youngest of these women. While trying to chronicle their history, the story becomes essentially hers, as she comes to understand the nature of memory, the way all of us both invent and assimilate our ancestors. In learning about the women in her family, Sara discovers how to create her own future.

Nathan, a blind Jewish scribe, tells the story of the coming of the Messiah in the person of one Simon Stern—from his birth on the Lower East Side, through his career as a millionaire dealer in real estate, to his building of a refuge for the Jewish remnant of World War II. "A majestic work of fiction that should stand world literature's test of time, to be read and reread. A masterpiece."— Commonweal "This book ensnares one of the most extraordinarily daring ideas to inhabit an American novel in a number of years. For one thing, it is that risky devising, dreamed of only by the Thomas Manns of the world, a serious and vastly conceived fiction bled out of the theological imagination. For another, it is clearly an 'American' novel—altogether American, despite its Jewish particularity: it is not so much about the history of the Jews as it is about the idea of the New World as haven. . . . In its teeming particularity every vein of this book runs with a brilliance of Jewish insight and erudition to be found in no other novelist. Arthur Cohen is the first writer of any American generation to compose a profoundly Jewish fiction on a profoundly Western theme."—Cynthia Ozick, New York Times Book Review "This stately, ambitious amalgam of Jewish myth, history, theology, and speculations on the Jewish soul is like an enormous Judaic archeological ruin—often hard for the uninitiated to interpret, but impressive. . . . Intelligent, inventive, fascinating."— New Yorker

Growing up, Daniel seemed like a model son: a student activist blessed with easy charm and a fluid intelligence, who believed that he was heir to a better and brighter future. When that dream faded, he drifted from his family and into a rootless life, marked by wasted possibility.Bearing the Body begins when Daniel’s younger brother, Nathan, a medical resident in Boston, learns that Daniel has died in San Francisco. The circumstances are unclear, and the police are involved. Nathan, who suffers from chronic anger and uncontrollable compulsions, travels to New York to inform their father, Sol, of Daniel’s death. Sol is an Auschwitz survivor who has spent most of his adult energy compiling an archive of the fates of Hitler’s victims. Due in part to this obsessive research, he has lost touch with his sons. He nevertheless decides to join Nathan on a trip to the West Coast, where both men hope to learn more about Daniel’s untimely death. In San Francisco they meet Abby and her son, Ben, who were Daniel’s companions in a life that his family never knew about or shared.A moving study of isolation and its costs, Bearing the Body is a book about history and memory, about family and loss. Most of all, it is a book about the past, which, far from receding quietly, weighs ever more heavily on those who hope to leave it behind