Israel Shahak was a remarkable man. Born in the Warsaw ghetto and a survivor of Belsen, Shahak arrived in Israel in 1945. Brought up under Jewish Orthodoxy and Hebrew culture, he consistently opposed the expansion of the borders of Israel from 1967. In this extraordinary and highly acclaimed book, Shahak embarks on a provocative study of the extent to which the secular state of Israel has been shaped by religious orthodoxies of an invidious and potentially lethal nature. Drawing on the Talmud and rabbinical laws, Shahak argues that the roots of Jewish chauvinism and religious fanaticism must be understood before it is too late. Written from a humanitarian viewpoint by a Jewish scholar, this is a rare and highly controversial criticism of Israel that will both excite and disturb readers worldwide.

A biography of the powerful home run hitter who became the first Jewish player elected to the Baseball Hall of Fame.

Examines the events of the Holocaust within the context of World War II and Germany's economic and political history, while highlighting the main figures of the time.

"Life was harsh in the town of Bialystok, particularly for a Jewish boy like Leyzer Zamenhof. But Leyzer thought he knew the reason for the anger and distrust. With every group speaking a different language, how could people understand each other? Without understanding, how could there be peace? Zamenhof had an idea: a "universal" second language everyone could speak. But a language that would be easy to learn was not easy to invent, especially when even his own father stood between him and his dream. Yet when at last in 1887 "Doctor Esperanto" sent his words into the world, a boy's idea became a community that spread across the globe."--Book jacket.

A treasury of Yiddish literature features stories that represent Jewish traditions, culture, and history in a volume that includes works from the earliest literary periods through the present-day writings of I.B. Singer

Over the last forty years, Aaron Lansky has jumped into dumpsters, rummaged around musty basements, and crawled through cramped attics. He did all of this in pursuit of a particular kind of treasure, and he's found plenty. Lansky's treasure was any book written in Yiddish, the language of generations of European Jews. When he started looking for Yiddish books, experts estimated there might be about 70,000 still in existence. Since then, the MacArthur Genius Grant recipient has collected close to 1.5 million books, and he's finding more every day.

Hyam Maccoby's now classic study focuses on the major Jewish—Christian disputations of medieval Europe: those of Paris (1240), Barcelona (1263), and Tortosa (1413–14). It examines the content of these theological confrontations with a sense of present-day relevance, while also discussing the use made of scriptural proof-texts. Part I provides a general thematic consideration of the three disputations and their social and historical background. Part II is a complete translation of the account of the Barcelona Disputation written by Nahmanides, one of the greatest figures in the history of Jewish learning, and was Jewish spokesman at the disputation. Part III contains Jewish and Christian accounts of the Paris and Tortosa disputations.

Ilan Stavans has been a lightning rod for cultural discussion and criticism his entire career. In A Critic's Journey , he takes on his own Jewish and Hispanic upbringing with an autobiographical focus and his typical flair with words, exploring the relationship between the two cultures from his own and also from others' experiences. Stavans has been hailed as a voice for Latino culture thanks to his Hispanic upbringing, but as a Jew and a Caucasian, he's also an outsider to that culture---something that's sharpened his perspective (and some of his critics' swords). In this book of essays, he looks at the creative process from that point of view, exploring everything from the translation of Don Quixote to the Hispanic anti-Semitism and the Holocaust in Latin America. Ilan Stavans is Lewis-Sebring Professor in Latin American and Latino Culture and Five College Fortieth Anniversary Professor at Amherst College. A native of Mexico, he received his doctorate in Latin American Literature from Columbia University. Stavans's books include The Hispanic Condition, On Borrowed Words, Spanglish, Dictionary Days, The Disappearance, Love & Language (with Verónica Albin), Resurrecting Hebrew , and Mr. Spic Goes to Washington , and he has edited books including The Oxford Book of Jewish Stories and the upcoming Norton Anthology of Latino Literature . His story "Morirse está en Hebreo" was made into the award-winning movie My Mexican Shivah . Stavans has received numerous awards, among them a Guggenheim Fellowship, the National Jewish Book Award, an Emmy nomination, the Latino Book Award, Chile's Presidential Medal, the Rubén Darío Distinction, and the Cátedra Roberto Bolaño. His work has been translated into a dozen languages.

Ilan Stavans has been a lightning rod for cultural discussion and criticism his entire career. In A Critic's Journey , he takes on his own Jewish and Hispanic upbringing with an autobiographical focus and his typical flair with words, exploring the relationship between the two cultures from his own and also from others' experiences. Stavans has been hailed as a voice for Latino culture thanks to his Hispanic upbringing, but as a Jew and a Caucasian, he's also an outsider to that culture---something that's sharpened his perspective (and some of his critics' swords). In this book of essays, he looks at the creative process from that point of view, exploring everything from the translation of Don Quixote to the Hispanic anti-Semitism and the Holocaust in Latin America. Ilan Stavans is Lewis-Sebring Professor in Latin American and Latino Culture and Five College Fortieth Anniversary Professor at Amherst College. A native of Mexico, he received his doctorate in Latin American Literature from Columbia University. Stavans's books include The Hispanic Condition, On Borrowed Words, Spanglish, Dictionary Days, The Disappearance, Love & Language (with Verónica Albin), Resurrecting Hebrew , and Mr. Spic Goes to Washington , and he has edited books including The Oxford Book of Jewish Stories and the upcoming Norton Anthology of Latino Literature . His story "Morirse está en Hebreo" was made into the award-winning movie My Mexican Shivah . Stavans has received numerous awards, among them a Guggenheim Fellowship, the National Jewish Book Award, an Emmy nomination, the Latino Book Award, Chile's Presidential Medal, the Rubén Darío Distinction, and the Cátedra Roberto Bolaño. His work has been translated into a dozen languages.

Rabbi Isaac ben Abraham was a little-known scholar from the heretical Jewish group, the Karaites, who lived during the late 16th century in Troki, a suburb of Vilna (Vilnius), which by turns was in Poland or Lithuania. In 1593, the last year of his life, he wrote an incisive, cogent polemic against Christianity, which over the centuries has had an impact in Christian and Jewish circles that far exceeds what might have been predicted based on its obscure origins. A kind of underground, samizdat classic of religious criticism, Rabbi Isaac's critique of Christianity has been translated into Spanish, German, Latin, Yiddish, Ladino, and English, among other languages, and has influenced English deism, reform Judaism, the beginnings of Higher Criticism and the quest for the historical Jesus, and even Christian evangelical outreach programs that exist to this day. Now historian and philosopher Richard Popkin has edited a critique of Christianity, originally published in 1813 by a 19th-century Harvard graduate named George Bethune English, which includes the first publication in English of a central portion of Rabbi Isaac's text. The book was part of the discussion surrounding the founding of Unitarianism in New England. Popkin provides a fascinating commentary that notes many points of historical interest involving this unusual work. For example, Voltaire on a visit to England in 1724 learned of the work from an associate of the Reverend Anthony Collins, an English deist. The work was also used in debates about the merits of Christianity between Unitarian minister Joseph Priestly and Anglo-Jewish theologian David Levi. German scholars Hermann Samuel Reimarus and Ephraim Gotthold Lessing referred to the work in their early publications initiating the Higher Criticism movement examining the historical origins of Christianity. And the work also had an influence on Abraham Geiger, the founder of Reform Judaism; on David Deutsch, the defender of Orthodox Judaism; and on Evangelical Christian leader Hermann Strack of Berlin, whose use of excerpts from Rabbi Isaac's work can still be found in Evangelical Christian literature today.Anyone interested in philosophy of religion or the history of dialogue between Christians and Jews will find this work to be of great value.

"A tribute to Abraham Cahan, founder of a prominent Yiddish language newspaper whose discussion of everything from voting rights to baseball offered crucial guidance to Jewish immigrants"--

Two central themes run through this new collection of authoritative and undogmatic essays: the Jewish experience and that of the work of art as a toy to be used for dreaming and playing rather than as a window to the world. The collection includes three essays on the Bible, as well as pieces devoted to Twelfth Night, Rembrandt's self-portraits, Tristram Shandy, Kafka's stories and aphorisms, Borges, Kierkegaard, and painter Andrez Jackowski. The title essay examines the relationship of the artists' works and their ideas, and the book concludes with personal meditations on memory, the Holocaust, Jewishness, and being a writer-teacher.

"A young Jewish boy strolls through Vienna and witnesses acts of anti-Semitism during the Jewish holiday of Hanukkah. At night he dreams of a superhero, Judah Maccabee, who appears to defend Vienna's Jews. When he awakes, he knows there will be no Maccabean rescue and he weeps. Years pass, the boy, now an old man, returns to Vienna and sees the Jewish community and the Temple have been restored. He looks for the eternal light in his Temple and can't find it. Then suddenly it becomes clear to him: The light was there all the time; it was in his own heart"--