The joyful but ultimately heartbreaking journal of a young Jewish woman in occupied Paris, now published for the first time, 63 years after her death. In 1942, Hélène Berr, a 21-year-old Jewish student at the Sorbonne, started to keep a journal, writing with verve and style about her everyday life in Paris--about her studies, her friends, her growing affection for the "boy with the grey eyes," about the sun in the dewdrops, and about the effect of the growing restrictions imposed by France's Nazi occupiers. Humiliations were to follow, which she records, now with a view to posterity. She wants the journal to go to her fiancé, who has enrolled with the Free French Forces, as she knows she may not live much longer. She was right. The final entry is dated February 15, 1944, and we now know she died in Bergen-Belsen in April 1945, within a month of Anne Frank and just days before the liberation of the camp.--From publisher description.

"At thirty-six, Sarah Hurwitz was a typical lapsed Jew. On a whim, she attended an introduction to Judaism class and was astonished by what she discovered: thousands of years of wisdom from her ancestors about what it means to be human. That class sparked a journey of discovery that transformed her life. Years later, as Hurwitz wrestled with what it means to be Jewish at a time of rising antisemitism, she wondered: Where had the Judaism she discovered as an adult been all her life? Why hadn't she seen the beauty and depth of her tradition in those dull synagogue services and Hebrew school classes she'd endured as a kid? And why had her Jewish identity consisted of a series of caveats and apologies: I'm Jewish, but not that Jewish . . . I'm just a cultural Jew . . . I'm just like everyone else but with a fun ethnic twist-a dash of neurosis, a touch of gallows humor-a little different, but not in a way that would make anyone uncomfortable. Seeking answers, she went back through time to discover how hateful myths about Jewish power, depravity, and conspiracy have worn a neural groove deep into the world's psyche, shaping not just how others think about Jews, but how Jews think about themselves. She soon realized that the Jewish identity she'd thought was freely chosen was actually the result of thousands of years of antisemitism and two centuries of Jews erasing parts of themselves and their tradition in the hope of being accepted and safe. In As a Jew, Hurwitz documents her quest to take back her Jewish identity, how she stripped away the layers of antisemitic lies that made her recoil from her own birthright and unearthed the treasures of Jewish tradition. With antisemitism raging worldwide, Hurwitz's defiant account of reclaiming the Jewish story and learning to live as a Jew, without apology, has never been timelier or more necessary"-- Provided by publisher.

Told in her own words, this is the incredible true story of one young woman's survival of Auschwitz and Belsen because she happened to play the cello. Although my head was shaved and I had a number on my arm, I had not lost my identity totally. I may no longer have had a name, but I was identifiable ... I was 'the cellist'. When eighteen-year-old Anita arrived at Auschwitz, she found herself plucked from the Nazi death machine by a twist of fate: she played the cello, and the camp orchestra needed a cellist. Now the last living survivor of the Auschwitz Women's Orchestra, this is her story told in her own words. Like so many German Jewish schoolgirls, Anita had been busy with her studies and ambitions when her everyday life began to turn by degrees into one of unimaginable horror. School was cancelled, her parents were summoned for deportation, and when she and her sister, Renate, attempted to escape to France, they were arrested and imprisoned. Through her sharp-etched memories, alongside family letters, photos, and other historical documents, Inherit the Truth leads us into one of humanity's darkest chapters, where we are forced to confront the fragility of the line between civilisation and barbarity. Marking the eightieth anniversary of her arrival in the UK after her release from Belsen concentration camp, Anita Lasker-Fallfisch's account of her and her sister's survival of both Auschwitz and Belsen is a testament to their remarkable courage, resilience, ingenuity and luck. This edition includes a new foreword from Philippe Sands.

From the glittering salons of Venice to the grand opera houses of Vienna and the bustling streets of New York, Memoirs of Lorenzo Da Ponte offers a fascinating journey through the life of one of history’s most intriguing figures. Best known as Mozart’s librettist for Don Giovanni, The Marriage of Figaro, and Così fan tutte, Da Ponte was much more than a lyricist—he was a poet, priest, adventurer, and immigrant who reinvented himself time and again. In this candid and engaging autobiography, Da Ponte recounts his tumultuous life with wit and charm. Born a Jewish convert to Catholicism, he became a priest, only to be exiled from Venice due to scandal. He found fortune and fame in Vienna under Emperor Joseph II, collaborating with Mozart to create some of the most enduring works in opera. Yet his life was marked by upheaval—falling from grace, wandering through Europe, and eventually settling in America, where he became a bookseller, teacher, and even helped establish Italian opera in the New World. A tale of artistic genius, resilience, and reinvention, Memoirs of Lorenzo Da Ponte is a captivating firsthand account of an extraordinary life lived at the crossroads of history, music, and adventure.

"Among the greatest intellectual heroes of modern times, Raphael Lemkin lived an extraordinary life of struggle and hardship, yet altered international law and redefined the world's understanding of group rights. He invented the concept and word "genocide" and propelled the idea into international legal status. An uncommonly creative pioneer in ethical thought, he twice was nominated for the Nobel Peace Prize. Although Lemkin died alone and in poverty, he left behind a model for a life of activism, a legacy of major contributions to international law, and--not least--an unpublished autobiography. Presented here for the first time is his own account of his life, from his boyhood on a small farm in Poland with his Jewish parents, to his perilous escape from Nazi Europe, through his arrival in the United States and rise to influence as an academic, thinker, and revered lawyer of international criminal law"--

"Bruce Vilanch, a storyteller without peer, has written a tell-all . . . on himself! And it's hilarious! He's finally coming clean and owning up to his part in creating some of the worst television of the twentieth century, and that's saying a lot. There's no one like him. As they've been saying since I discovered him as a cub reporter at the Chicago Tribune , when you're in a pinch . . . Get Bruce!" --BETTE MIDLER Bruce Vilanch is known as a go-to comedy writer for award shows, sitcoms, and over-the-top variety specials, but he has also been responsible for quite a few of the most legendary disasters ever made. Some of his work lives in infamy-- The Star Wars Holiday Special , The Paul Lynde Halloween Special , Rob Lowe dancing with Snow White at the Oscars, and The Brady Bunch Variety Hour . How did these ever seem like a good idea? Well, everyone has screwed up a few times, or had their work screwed up by others. It Seemed Like a Bad Idea at the Time is a lifetime reflection of what Vilanch has experienced, learned, and forgotten in decades of working in show business, specifically the south forty acres known as comedy. It involves very famous people and people who were not very famous but should have been. It explains to the people in the audience who say to themselves, once they have gotten their jaw off the floor, "'How did this ever get made?" Don't we all want to know?

This fierce memoir is both elegiac and indicting. Marcel Liebman's account of his childhood in Brussels under the Nazi occupation explores the emergence of his class-consciousness against a background of resistance and collaboration. He documents the internal class war that has long been hidden from historyhow the Nazi persecution exploited class distinctions within the Jewish community, and how certain Jewish notables collaborated in a systematic program of denunciation and deportation against immigrant Jews who lacked the privileges of wealth and citizenship. An eminent anti-Zionist and Marxist, Liebman tells the story of his family's struggle to survive in the face of persecution, terror and constant evasion, an existence observed with acuity, humor and lyricism.

"Winner of the Nike Prize, Poland's most prestigious literary award Joanna Olczak-Ronikier is one of Poland's most admired dramatists, screenwriters, and authors. In the Garden of Memory, her most acclaimed work, traces the lives of four generations of her own family-Polish Jews who were members of one of the country's most illustrious clans, noted for its achievements in business, politics, and culture-as they lived, struggled, and (mostly) survived through the turbulent twentieth century. Rich with tales of bravery as well as poignant, sometimes comic anecdotes of everyday life, the book follows the family members as they scattered around the world to European spas, tsarist prisons, Soviet war camps, and the Royal Air Force. Tracing their roots to a renowned Austrian rabbi, the family members included an array of amazing characters. One became an industrial magnate who founded the Citroën automobile company in France; another was a Communist revolutionary who ended up being arrested, tortured, and executed by Stalin's police. One worked as an undercover agent, another as a zoologist in France. One became a notable Polish publisher, another a leading Freudian psychiatrist. Inevitably, the tragic history of the Second World War and its catastrophic impact on European Jews looms darkly over the narrative, yet remarkably enough only two members of the clan were killed in the Holocaust. Today the survivors have continued the family journey around the world, including in the United States. Beautifully translated by Antonia Lloyd-Jones, In the Garden of Memory is ultimately the uplifting account of a family that never gave up hope and never gave in"--

Elana Sztokman arrived in Israel in 1993 as a young religious mother wearing a long skirt and a hat covering her hair. Today, nearly 30 years later, after spending years fighting for women's rights in Orthodoxy, writing books about gender in religion, and eventually leaving that world behind, she confronts the personal struggles behind the public persona, revealing the traumas from her past that affected her entire relationship with her body. From two-time winner of the National Jewish Book Council Award comes a refreshing and very personal exploration of cultures of the female body in Jewish life. This collection of essays - marking the 25-year anniversary of her feminist awakening and spanning a diverse career of research, writing, and advocacy around Jewish women's experiences - offers political and personal insights and retrospectives on some of the most burning issues today. Topics include: sexuality, relationships, body-image, body-cover, ritual immersion, fat-shaming, slut-shaming, domestic violence, and sexual abuse. Elana brings her characteristic honesty, courage, wit, and profound insight into her writing, and shares some of her own traumas that set her on a sometimes tortuous life path.

This is a revised version of the original Polish edition; the author collected six more tapes of interviews with Alex and wrote a large portion of the book anew. At the time of printing, Alex still refused to reveal his last name for the book.