Essays discuss Jewish critical interpretations of the Bible and the influence of these writings on modern literature

Exegesis--interpretation and explanation of sacred texts--is the quintessence of rabbinic thought. Through such means and methods, the written words of Hebrew Scripture have been extended since antiquity, and given new voices for new times. In this lucid and often poetic book, Michael Fishbane delineates the connections between biblical interpretation and Jewish religious thought. How can a canon be open to new meanings, given that it is believed to be immutable? Fishbane discusses the nature and rationale of this interpretative process in a series of studies on ancient Jewish speculative theology. Focusing on questions often pondered in Midrash, he shows how religious ideas are generated or justified by exegesis. He also explores the role exegesis plays in liturgy and ritual. A striking example is the transfer of speculative interpretations into meditation in prayer. Cultivation of the ability to perceive many implicit meanings in a text or religious practice can become a way of living--as Fishbane shows in explaining how such notions as joy or spiritual meditations on death can be idealized and the ideal transmitted through theological interpretation. The Exegetical Imagination is a collection of interrelated essays that together offer new and profound understanding of scriptural interpretation and its central role in Judaism.

Reimagining the Bible collects a dozen essays by Howard Schwartz. Together the essays present a coherent theory of the way in which each successive phase of Jewish literature has drawn upon and reimagined the previous ones. The book is organized into four sections: The Ancient Models; The Folk Tradition; Mythic Echoes; Modern Jewish Literature and the Ancient Models. Within these divisions, each of the essays focuses on a specific genre, ranging from Torah and Aggadah to Kabbalah, fairy tales, and the modern Yiddish stories of S.Y. Agnon and Isaac Bashevis Singer. Arguing the important thesis that there is a continuity in Jewish literature which extends from the Biblical era to our own times, over a period of more than 3,000 years, this collection also serves as a guide to the history of that literature, and to the genres it comprises.

Book by Judah Goldin

This book is the first volume in Jacob Neusner's ground-breaking trilogy, "The Foundations of Judaism: Method, Teleology, Doctrine." This Part One - "Method" - offers the first systematic explanation of why the midrash collections - that is, books of rabbinical exegeses of Scripture - were written. Neusner investigates the circumstances in which the earliest midrash collections were organized around the Pentateuch, and explains both the purpose of the work and its historical context.

Viewed as ideal types, the Halakhah defines the norm, setting forth what is obligatory, the Aggadah, specifies what exceeds the norm and goes beyond the measure of the law. The striking differences of style and substance that differentiate the two categories of discourse present the question of how they intersect in a single coherent statement, a system that holds together its two distinct media of thought and expression. When we have in hand systematic data on how Aggadah contributes to the Halakhah, and where Halakhah serves the purposes of the Aggadah, we find possible the logical next step: where do the two intersect, and at what points do the respective complexes of category-formations stand autonomous of one another, and that leads to the question: how do Aggadah and Halakhah constitute a coherent religious structure and make in common a single systemic statement? Where, within the formative literature of Normative Judaism, they join together, what affect the one exercises upon the other, and how the whole - Rabbinic Judaism - exceeds and transcends the sum of the parts - the Halakhah, the Aggadah - is spelled out.