Survival in Auschwitz: If This Is a Man is a book written by the Italian author, Primo Levi. It describes his arrest as a member of the Italian anti-fascist resistance during the Second World War, and his incarceration in the Auschwitz concentration camp from February 1944 until the camp was liberated on 27 January 1945. Levi, then a 25-year-old chemist, spent 10 months in Auschwitz before the camp was liberated by the Red Army. Of the 650 Italian Jews in his shipment, Levi was one of only twenty who left the camps alive. The average life expectancy of a new entrant was three months. This truly amazing story offers a revealing glimpse into the realities of the Holocaust and its effects on our world.

A New York Times Notable Book * Winner of the National Jewish Book Award * Winner of the National Book Critics Circle Award * A Los Angeles Times Book Prize Finalist "A gripping detective story, a stirring epic, a tale of ghosts and dark marvels, a thrilling display of scholarship, a meditation on the unfathomable mystery of good and evil, a testimony to the enduring power of the ancient archetypes that haunt one Jewish family and the greater human family, The Lost is as complex and rich with meaning and story as the past it seeks to illuminate. A beautiful book, beautifully written."--Michael Chabon In this rich and riveting narrative, a writer's search for the truth behind his family's tragic past in World War II becomes a remarkably original epic--part memoir, part reportage, part mystery, and part scholarly detective work--that brilliantly explores the nature of time and memory, family and history. The Lost begins as the story of a boy who grew up in a family haunted by the disappearance of six relatives during the Holocaust--an unmentionable subject that gripped his imagination from earliest childhood. Decades later, spurred by the discovery of a cache of desperate letters written to his grandfather in 1939 and tantalized by fragmentary tales of a terrible betrayal, Daniel Mendelsohn sets out to find the remaining eyewitnesses to his relatives' fates. That quest eventually takes him to a dozen countries on four continents and forces him to confront the wrenching discrepancies between the histories we live and the stories we tell. And it leads him, finally, back to the small Ukrainian town where his family's story began, and where the solution to a decades-old mystery awaits him. Deftly moving between past and present, interweaving a world-wandering odyssey with childhood memories of a now-lost generation of immigrant Jews and provocative ruminations on biblical texts and Jewish history, The Lost transforms the story of one family into a profound, morally searching meditation on our fragile hold on the past. Deeply personal, grippingly suspenseful, and beautifully written, this literary tour de force illuminates all that is lost, and found, in the passage of time.

Memoir of a Hungarian woman who was imprisoned for several years in the German concentration camp Auschwitz. This is the true, documented chronicle of a beautiful woman who survived the nightmare horror of the worst death camp of them all. Olga Lengyel tells, frankly and without compromise, one of the most horrifying stories of all time. This book is a necessary reminder of one of the ugliest chapters in the history of human civilization. ""You have done a real service by letting the ones who are now silent and most forgotten speak.""-Albert Einstein "This book is a horrifying, but necessary, reminder of one of the ugliest chapters in the history of human civilization."-New York Herald-Tribune "It is a picture of utter hell."-Saturday Review of Literature

From a gifted young writer, the story of his quest to reclaim his family's apartment building in Poland--and of the astonishing entanglement with Nazi treasure hunters that follows Menachem Kaiser's brilliantly told story, woven from improbable events and profound revelations, is set in motion when the author takes up his Holocaust-survivor grandfather's former battle to reclaim the family's apartment building in Sosnowiec, Poland. Soon, he is on a circuitous path to encounters with the long-time residents of the building, and with a Polish lawyer known as "The Killer." A surprise discovery--that his grandfather's cousin not only survived the war, but wrote a secret memoir while a slave laborer in a vast, secret Nazi tunnel complex--leads to Kaiser being adopted as a virtual celebrity by a band of Silesian treasure seekers who revere the memoir as the indispensable guidebook to Nazi plunder. Propelled by rich original research, Kaiser immerses readers in profound questions that reach far beyond his personal quest. What does it mean to seize your own legacy? Can reclaimed property repair rifts among the living? Plunder is both a deeply immersive adventure story and an irreverent, daring interrogation of inheritance--material, spiritual, familial, and emotional.

Not since Anne Frank's The Diary of a Young Girl has such an intimately candid, deeply affecting account of a childhood compromised by Nazi tyranny come to light. As a fourteen-year-old Jewish boy living in Prague in the early 1940s, Petr Ginz dutifully kept a diary that captured the increasingly precarious texture of daily life. His stunningly mature paintings, drawings, and writings reflect his insatiable appetite for learning and experience and openly display his growing artistic and literary genius. Petr was killed in a gas chamber at Auschwitz at the age of sixteen. His diaries--recently discovered in a Prague attic under extraordinary circumstances--are an invaluable historical document and a testament to one remarkable child's insuppressible hunger for life.

In a raw and unflinching memoir, Eli Sharabi, a survivor of 491 days in Hamas captivity, recounts the harrowing ordeal of his abduction from Kibbutz Be'eri on October 7th, 2023, the loss of his wife and daughters, and his unyielding resolve to survive. "I refuse to let myself drown in pain. I am surviving. I am a hostage. In the heart of Gaza. A stranger in a strange land. In the home of a Hamas-supporting family. And I'm getting out of here. I have to. I'm getting out of here. I'm coming home."--Eli Sharabi On October 7, 2023, Hamas terrorists stormed Kibbutz Be'eri, shattering the peaceful life Eli Sharabi had built with his British wife, Lianne, and their teenage daughters, Noiya and Yahel. Dragged barefoot out his front door while his family watched in horror, Sharabi was plunged deep into the suffocating darkness of Gaza's tunnels. As war raged above him, he endured a grueling 491 days in captivity, all the while holding onto the hope that he would one day be reunited with his loved ones. Eli Sharabi's story is one of hunger and heartache, of physical pain, longing, loneliness and a helplessness that threatens to destroy the soul. But it is also a story of strength, of resilience, and of the human spirit's refusal to surrender. It is about the camaraderie forged in captivity, the quiet power of faith, and one man's unrelenting decision to choose life, time and time again. In the first memoir by a released Israeli hostage, and the fastest-selling book in Israel's history, Sharabi offers a searing firsthand account of survival under unimaginable conditions--starvation, isolation, physical beatings, and psychological abuse at the hands of his captors. Compared to Elie Wiesel's Night and Laura Hillenbrand's Unbroken, Hostage is a profound witness to history, so it shall be neither forgotten nor erased.

WINNER OF THE CANADIAN JEWISH LITERARY AWARD FOR MEMOIR FINALIST FOR THE HILARY WESTON WRITERS' TRUST PRIZE FOR NONFICTION An unforgettable memoir about a young woman who tries to outrun loss, but eventually finds a way home. Ayelet Tsabari was 21 years old the first time she left Tel Aviv with no plans to return. Restless after two turbulent mandatory years in the Israel Defense Forces, Tsabari longed to get away. It was not the never-ending conflict that drove her, but the grief that had shaken the foundations of her home. The loss of Tsabari's beloved father in years past had left her alienated and exiled within her own large Yemeni family and at odds with her Mizrahi identity. By leaving, she would be free to reinvent herself and to rewrite her own story. For nearly a decade, Tsabari travelled, through India, Europe, the US and Canada, as though her life might go stagnant without perpetual motion. She moved fast and often because--as in the Intifada--it was safer to keep going than to stand still. Soon the act of leaving--jobs, friends and relationships--came to feel most like home. But a series of dramatic events forced Tsabari to examine her choices and her feelings of longing and displacement. By periodically returning to Israel, Tsabari began to examine her Jewish-Yemeni background and the Mizrahi identity she had once rejected, as well as unearthing a family history that had been untold for years. What she found resonated deeply with her own immigrant experience and struggles with new motherhood. Beautifully written, frank and poignant, The Art of Leaving is a courageous coming-of-age story that reflects on identity and belonging and that explores themes of family and home--both inherited and chosen.

A tragic family history told in a collection of imaginary letters to a famed collector, Moïse de Camondo. 63 rue de Monceau, Paris Dear friend, As you may have guessed by now, I am not in your house by accident. I know your street rather well. Count Moïse de Camondo lived a few doors away from Edmund de Waal’s forebears, the Ephrussi, first encountered in his bestselling memoir, The Hare with Amber Eyes . Like the Ephrussi, the Camondos were part of belle epoque high society. They were also targets of antisemitism. Camondo created a spectacular house and filled it with the greatest private collection of French eighteenth-century art for his son, Nissim, to inherit. But when Nissim was killed in the First World War, it became a memorial and, upon the Count’s death, was bequeathed to France. The Musée Nissim de Camondo has remained unchanged since 1936. De Waal explores the lavish rooms and detailed archives and uncovers new layers to the family story. In a series of haunting letters addressed to the Count, he tells us what happened next.

A highly decorated Israeli military officer, leader, and former director of the internal security service, Shin Bet, sees the light on what his country must do to achieve a lasting peace between Israel and the Palestinians. In this deeply personal journey of discovery, Ami Ayalon seeks input and perspective from Palestinians and Israelis whose experiences differ from his own. As head of the Shin Bet security agency, he gained empathy for 'the enemy' and learned that when Israel carries out anti-terrorist operations in a political context of hopelessness, the Palestinian public will support violence, because they have nothing to lose. Researching and writing Friendly Fire , he came to understand that his patriotic life had blinded him to the self-defeating nature of policies that have undermined Israel's civil society while heaping humiliation upon its Palestinian neighbours. 'If Israel becomes an Orwellian dystopia,' Ayalon writes, 'it won't be thanks to a handful of theologians dragging us into the dark past. The secular majority will lead us there motivated by fear and propelled by silence.' Ayalon is a realist, not an idealist, and many who consider themselves Zionists will regard as radical his conclusions about what Israel must do to achieve relative peace and security and to sustain itself as a Jewish homeland and a liberal democracy. 'How can a staunch Zionist who was raised on one of Israel's earliest settlements and trained as a kill-or-be-killed elite commando spearhead a campaign for peace with his enemies? The answer, in Ami Ayalon's captivating narrative, is an eye-opener for Palestinians and Israelis alike.' -Sari Nusseibeh, author of Once Upon a Country- a Palestinian life , former president of the Al-Quds University, and former Palestinian National Authority representative in Jerusalem ' Ayalon's aims and accomplishments are ... undeniably impressive ... Hope finds a prominent presence in what so many think is a hopeless, endless conflict.' - Kirkus Reviews 'Ami Ayalon discusses how he came to see a two-state solution with the Palestinians as the best way to ensure Israel's security, not just through analysing numbers and statistics, but through a humanistic approach. He discusses ... how his humanist paradigm not only allowed him to see how the Palestinians' grievances and aspirations are intertwined with Israel's security, but also how he still acknowledges and sympathises with the narratives of those in Israel whom he may disagree with.' -Jonah Naghi, The Times of Israel

In plain eloquence, the woman who married Oskar Schindler tells the true story of their life together, what they did to save the Jews in their factories, and what led to "Schindler's list". It soon became clear that her marriage would have both its passions and its betrayals. Yet Emilie stayed with Oskar through his growing involvement with the Nazis, working for counterintelligence with him. She first, then he later, came to realize the costs of the Nazi takeover and became witnesses to its terrors. Their inward allegiance changed even as they needed to maintain patriotic appearances and close affiliations with the Nazis in power. Through their work together at their two factories, saving the Jews became paramount for the Schindlers. Emilie nursed the Jewish factory workers when they fell ill, often saving their lives. She risked imprisonment or worse for her activities in the black market to feed them. Her stubbornness kept her fighting for food, even daring to ask a wealthy mill owner to give them grain to feed her starving workers. Where Light and Shadow Meet chronicles the Schindlers' flight after the war, the loss of almost all their possessions, and their eventual emigration to Argentina. There they settled on a farm, but barely scraped together an existence. Oskar returned to Germany, leaving Emilie to manage on her own. This is the story of one woman's daily acts of bravery during Hitler's reign and why it mattered. It is also the story of a marriage and of survival. Finally, it is the story of Emilie's strength in continuing on one day at a time.

Calvin Trillin, the celebrated New Yorker writer, offers a rich and engaging biography of his father, as well as a literate and entertaining fanfare for the common (and decent, and hard-working) man. Abe Trillin had the western Missouri accent of someone who had grown up in St. Joseph and the dreams of America of someone who had been born is Russia. In Kansas City, he was a grocer, at least until he swore off the grocery business. He was given to swearing off things—coffee, tobacco, alcohol, all neckties that were not yellow in color. Presumably he had also sworn off swearing, although he was a collector of curses, such as "May you have an injury that is not covered by workman's compensation." Although he had a strong vision of the sort of person he wanted his son to be, his explicit advice about how to behave didn't go beyond an almost lackadaisical "You might as well be a mensch." Somehow, though, Abe Trillin's messages got through clearly. The author's unerring sense of the American character is everywhere apparent in this quietly powerful memoir, Messages from My Father .

international praise for Diane Armstrong: 'Mosaic flows like a novel which, once started, is hard to put down. It is a compelling family history of extraordinary people played out against some of the most frightening events of our century. The depth of emotions evoked is stunning. I was thrilled and deeply moved.' Joseph Heller author of Catch-22 'Diane Armstrong's book is a source of delight to the reader. Written with fervor and talent, it will capture your attention and retain it to the last page.' Elie Wiesel Nobel Prize winner a family story you'll never forget ... This extraordinary true story begins in the Polish city of Krakow in 1890 and spans one hundred years and four continents. It is the story of a Jewish family whose patriarch, Daniel Baldinger, divorces the wife he loves because she is barren. He believes 'a man must have sons to say Kaddish for him when he dies.' To ensure having children, he marries a girl of eighteen. By 1913, Daniel has eleven children - including six sons to say Kaddish for him. Impatient for his God-given son to begin learning the sacred language of the Torah, Daniel sent Avner to cheder at Chevre Tilem when he was three years old. Most boys were enrolled at four or five, but Daniel couldn't wait for Avner's rabbinical training to begin. Cheder was the place where childhood ended. At this religious day school, Jewish boys learned Hebrew and studied the Torah. No coloured pictures, childish stories or lively games relieved the tedium of this dour classroom where Avner had to memorise words he didn't understand, learn hundreds of rules and write strange squiggles. But although God has answered Daniel's prayers, it is with a bitter twist: each of his six sons rebels against his religion, and not one of them says Kaddish for him when he dies. This richly textured portrait follows these eleven children from the 1890s, through the terrifying years of the Holocaust (when Diane and her parents assumed non-Jewish names and passed themselves off as Catholics in the little village of Piszczac), to the present. A long shadow fell across the little girl tracing patterns in the dirt with a stick. After watching her for a few minutes, the stranger asked, 'What's your name, little girl?' Without looking up, she replied, 'Danusia Boguslawska.' 'But what was your name before that?' he insisted. My father, Henek, who was standing by the open window, froze when he heard the last question. Instead of rushing outside and grabbing the child to prevent her from answering that insidious question, he was struck dumb and stood there helplessly awaiting her reply, on which all their lives depended. Mosaic is compelling storytelling at its best: from the fascinating detail of Polish Jewish culture at the turn of the century and the rivalries and dramas of family life, to its moving account of lives torn apart by war and prejudice, this is a remarkable story of a family, and of one woman's journey to reclaim her heritage. For centuries Poland has been a battleground whose fields, watered by more blood than rain, have nurtured ancient hatreds. Jews have not had a monopoly on suffering, grief and loss. Before we drive away from Szczakowa, I look back at the leafy street where the synagogue and mikveh stood, just a short stroll from the house on Parkowa Street. If I close my eyes, I can see a dapper white-haired gentleman in top hat and patent leather shoes like mirrors striding ahead of his wife in a flowered hat with feathers, her long full skirt rustling as she tries to keep up with him as they walk to the synagogue on Kilinskiego Street for the marriage of their daughter Lieba to Daniel Baldinger. In this forgotten country town, I've found important pieces of the mosaic.

The Memory of All That is Katharine Weber’s memoir of her extraordinary family. Her maternal grandmother, Kay Swift, was known both for her own music (she was the first woman to compose the score to a hit Broadway show, Fine and Dandy ) and for her ten-year romance with George Gershwin. Their love affair began during Swift’s marriage to James Paul Warburg, the multitalented banker and economist who advised (and feuded with) FDR. Weber creates an intriguing and intimate group portrait of the renowned Warburg family, from her great-great-uncle, the eccentric art historian Aby Warburg, whose madness inspired modern theories of iconography, to her great-grandfather Paul M. Warburg, the architect of the Federal Reserve System whose unheeded warnings about the stock-market crash of 1929 made him “the Cassandra of Wall Street.” As she throws new light on her beloved grandmother’s life and many amours, Weber also considers the role the psychoanalyst Gregory Zilboorg played in her family history, along with the ways the Warburg family has been as celebrated for its accomplishments as it has been vilified over the years by countless conspiracy theorists (from Henry Ford to Louis Farrakhan), who labeled Paul Warburg the ringleader of the so-called international Jewish banking conspiracy. Her mother, Andrea Swift Warburg, married Sidney Kaufman, but their unlikely union, Weber believes, was a direct consequence of George Gershwin’s looming presence in the Warburg family. A notorious womanizer, Weber’s father was a peripatetic filmmaker who made propaganda and training films for the OSS during World War II before producing the first movie with smells, the regrettable flop that was AromaRama. He was as much an enigma to his daughter as he was to the FBI, which had him under surveillance for more than forty years, and even noted Katharine’s birth in a memo to J. Edgar Hoover. Colorful, evocative, insightful, and very funny, The Memory of All That is an enthralling look at a tremendously influential—and highly eccentric—family, as well as a consideration of how their stories, with their myriad layers of truth and fiction, have both provoked and influenced one of our most prodigiously gifted writers.

On the night the SS rounded up the Jews of his Ukrainian ghetto, eighteen-year-old Yosel Epelbaum crawled on his hands and knees to a nearby forest. There he joined a diverse band of pro-Soviet partisans, led by a kind of warlord in the wilderness, who created a "forest republic" behind enemy lines. With his courageous comrades, Epelbaum disrupted the German war effort for almost a year and a half and saved hundreds of civilans at the same time. After the liberation. the young survivor became caught up in Europe's roaring black market. With little money or formal education, an knowing no English, he immigrated to San Francisco in 1947 and within a year opened an ice cream shop in the city's outlying, foggy Sunset District. Only a decade later Joe Pell was well on his way to becoming one of the leading real estate developers in Northern California. Taking Risks, related in a taut and vivid style, is his story--one of loss and torment but also daring, ingenuity, and uncommon resilience.

Berlin--"East" and "West," day and of course night--throughout the 80s before the Wall came down. In the eyes of an American philosophy student. And Jewish, which makes for moments at once awkward, poignant, resonant, unspoken, crass, funny, and always lurking. Most of all, Susan Neiman can write, as borne out again by her books to follow this debut. Here, we live the Reagan years with her--when a city was divided, America the occupier, and the cigarettes not named "Salem" because it sounds too Jewish. Peter Becker folded an easel in the corner to make a table. He brought cold cuts and bread and asked me what I thought of his paintings. Later I would learn that people here always ask you what you think of their paintings, and that it's wrong just to say you find them interesting, but perfectly alright to say you find them awful. . . . You come from a Jewish family, don't you?" asked Becker. "Yes," I said. "It doesn't matter," said the other painter. Doesn't matter? To whom?

In August 1948, 545 passengers boarded an overcrowded, clapped-out vessel in Marseilles to face an uncertain future in Australia and New Zealand. they came from displaced persons camps in Germany, death camps in Poland, labour camps in Hungary, gulags in Siberia and stony Aegean islands. there were those who had been hunted by the Nazis and those who had welcomed them; those who had followed the Communists and those who had fled from them. the epic voyage lasted almost three months and was marked by conflict and controversy until it seemed as though this hellship had absorbed the traumas of its passengers. As the conditions on board deteriorated, tension and violence simmered above and below decks. But romances and seductions also flourished, and lifelong bonds were formed. Diane Armstrong set sail on the Derna with her parents when she was nine years old. Like a detective searching for clues, she has located over a hundred of the passengers. through their recollections and memorabilia, as well as archival documents, she has recreated the voyage and traced what became of their hopes and dreams. the result is the unique portrayal of a migrant ship and its passengers.

In an unforgettable addition to the literature of memoir, one of America’s preeminent literary scholars tells his story of coming of age in France during the buildup to the Second World War. As a Jewish youth in France during the 1930s, Victor Brombert’s heady explorations of sex and love were cut short by the rise of Nazi power and the Vichy Regime. His family narrowly escaped to New York, where Brombert joined the U.S. Army, only to return to Europe to fight on the beaches of Normandy and in the Battle of the Bulge. As he shuttles between the stations of his life, Brombert’s narrative recaptures the textures of childhood, the horrors of war, and his own discovery of a sustaining passion for literature. By turns melancholy and erotic, his memoir is also a meditation on memory itself, and a Proustian re-creation of a lost time and place.

STRAWBERRIES WITH EVERYTHING brings a new tone to political memoirs. How did a nice Jewish boy finish up in a place like Poland? In sometimes hilarious detail, Steve Brook describes his early years in prewar London, the emigration of his family to Australia, and his eventual Aussification. While still in his teens he gets a heavy dose of Left politics. After a holiday in Poland, via London, he is offered a job at the Polish Radio in Warsaw. He spends eight years on the wrong side in the Cold War, with a ringside seat at some of the most significant events in European history including the Warsaw Dog Show, the "anti-Zionist" uproar of 1968 and the Soviet-led invasion of Czechoslovakia the same year. He returns to Australia in 1974 and after numerous Candide-like adventures, he finds himself wondering if it was all worthwhile. Of course it was.

Narrated in the tradition of Tolstoy's confessional trilogy and Nabokov's autobiog­raphy, Leaving Russia: A Jewish Story is a searing account of growing up a Jewish refusenik, of a young poet's rebellion against totalitarian culture, and of Soviet fantasies of the West during the Cold War. Shrayer's remembrances ore set against a rich backdrop of politics, travel, and ethnic conflict on the brink of the Soviet empire's collapse. His moving story offers generous doses of humor and tenderness, counterbalanced with longing and violence.

Alexandra "Al" Silber seems to have everything a teenager could want: brilliance, beauty, and talent in spades. But when her beloved father dies after a decade-long battle with cancer when she is just a teenager, it feels like the end of everything. Lost in grief, Al and her mother hardly know where to begin with the rest of their lives. Into this grieving house burst Al's three friends from theater camp, determined to help out as only drama students know how--and they're moving in for the duration. Over the course of that winter, the now five-strong household will do battle with everything Death can throw at them--meddling relatives, merciless bureaucracy, soul-sapping sadness, the endless Tupperware. They will learn (almost) everything about love and will eventually return to the world, altered in different ways by their time in a home by a river. Told with raw passion, candor, and wit, White Hot Grief Parade is an ode to the restorative power of family and friendship--and the unbreakable bond, even in death, between father and daughter.