This collection of new translations brings together the small proportion of Kafka's works that he himself thought worthy of publication. It includes Metamorphosis, his most famous work, an exploration of horrific transformation and alienation; Meditation, a collection of his earlier studies; The Judgement, written in a single night of frenzied creativity; The Stoker, th[Bokinfo]

For more than four hundred years, the personal essay has been one of the richest and most vibrant of all literary forms. Distinguished from the detached formal essay by its friendly, conversational tone, its loose structure, and its drive toward candor and self-disclosure, the personal essay seizes on the minutiae of daily life-vanities, fashions, foibles, oddballs, seasonal rituals, love and disappointment, the pleasures of solitude, reading, taking a walk -- to offer insight into the human condition and the great social and political issues of the day. The Art of the Personal Essay is the first anthology to celebrate this fertile genre. By presenting more than seventy-five personal essays, including influential forerunners from ancient Greece, Rome, and the Far East, masterpieces from the dawn of the personal essay in the sixteenth century, and a wealth of the finest personal essays from the last four centuries, editor Phillip Lopate, himself an acclaimed essayist, displays the tradition of the personal essay in all its historical grandeur, depth, and diversity.

The second collection of short stories from the highly acclaimed author of THE AMAZING ADVENTURES OF KAVALIER & CLAY and WONDER BOYS. There are the two boys of the title story, locked in their own world of fantasy and make-believe, reaching out to each other to survive the terrible prospect of fatherlessness. 'House Hunting' shows us the grim spectacle of a couple whose marriage is in its death throes, and whose search for a happy home is doomed; in another story a couple struggle to overcome the effects of a brutal rape. Elsewhere, a family therapist comes face to face with the dark secret of his childhood, and an American football star down on his luck makes his peace with his father. The collection culminates in a daring and wonderfully baroque horror story, 'In the Black Mill', which chronicles the terrifying fate that befalls an archaeologist as he uncovers cannibalism and ritual sacrifice in a gloomy Pennsylvanian town. Serious in their subject matter, yet shot through with wit, humour and compassion, these nine short stories are testament to Chabon's ability to weave together comedy and tragedy with unforgettable results.

From one of the preeminent literary voices in Israel comes a darkly funny collection of surrealist stories exploring the increasingly complex relationship between humans and technology. Set in our world, alternate realities, distant futures, and the immortal realm, the stories in Autocorrect traverse the wide range of human experience. With wit and creativity, Keret blends the absurd and the profound, juxtaposing life's smallest details with weighty existential questions. A man names an asteroid after his wife only to find that it's on a collision course with Earth in "For the Woman Who Has Everything." In "Squirrels," a widower's husband reincarnates as a rodent, and "Eating Olives at the End of the World" considers proper social etiquette in the face of destruction. Keret's collection speaks to the uncertainty and fragility of our time, expertly capturing its misunderstandings and miscommunications. His stories probe society's uncomfortable truths, searching for meaning in our ever-changing world.

One of America's most versatile writers, author of bestselling biographies such as Steve Jobs and Benjamin Franklin , has assembled a gallery of portraits of (mostly) Americans that celebreate genius, talent, and versatility, and traces his own education as a writer and biographer. In this collection of essays, the brilliant, acclaimed biographer Walter Isaacson reflects on lessons to be learned from Benjamin Franklin, Albert Einstein, Bill Gates, Henry Kissinger, Ronald Reagan and Mikhail Gorbachev, Hillary Clinton and Bill Clinton, and other interesting characters he has chronicled both as biographer and journalist. The people he writes about have an awesome intelligence, but that is not the secret to their success. They had qualities that were even more rare, such as imagination and true curiousity. Isaacson also reflects on how he became a writer, the lessons he learned from various people he met, and the challenges for journalism in the digital age. He also offers loving tributes to his hometown of New Orleans, which offers many of the ingredients for a creative culture, and to the Louisiana novelist Walker Percy, who was an early mentor. In an anecdotal and personal way, Isaacson describes the joys of writing and the way that tales about the lives of fascinating people can enlighten our own lives.

The first in a series of superb science fiction. Alpha is, aside from the first letter of the Greek alphabet, a term that denotes excellence and primacy in a variety of disciplines: in nuclear physics, for example, it is the name of a particle of unusually large mass and charge. It seemed a useful label to attach to this volume, the first of an intended series of collections of science fiction stories. The Alpha series of anthologies will center on no particular theme except that of literary quality. The presence in any one volume of a cluster of stories bearing other thematic resemblance-as in this volume, where there are four or five time-travel stories-will be purely coincidental. I propose to cull the files of the science fiction magazines for stories that an educated and sophisticated reader will find stimulating, and to assemble them in books of roughly equal size that will appear once a year over the next few years. Some of the stories will be fifteen or twenty years old and richly in need of restoration to print. Others will be quite recent: the literary level of the science fiction short story has undergone an extraordinary transformation in the past few years, a fact that demands recognition here. Appropriately enough, this first volume of the ALPHA series covers a roster of writers from A to Z. Specifically, Aldiss to Zelazny-although this coincidence in alphabet is merely incidental to the fact that both these gentlemen, and the several others represented in this anthology, all write superb science fiction. Two criteria were used in the selecting of these stories-literary merit and importance to the genre. The result is that the variety of subjects is matched only by the richness and diversity of their handling-brilliant, frightening, clever, bizarre, powerful, witty, funny-and several steps in-between. So much for policy. The nine volumes of this series provide an exciting cumulative view of a field in which some of the most vigorous and inventive fiction of our times has been produced. Simply put, here is the best science fiction from the best science fiction writers.

The eighth in a series of superb science fiction. The Alpha series of anthologies center on no particular theme except that of literary quality and importance to the science fiction genre. Here is another set of the best stories, stories which were ahead of their epoch when they were new, which display a freshness and vigor that make them almost indistinguishable from the best of today's s-f, and which set the standard by which modern writers have guided their careers. A DUSK OF IDOLS: Not only are the gods cruel, but they can make you like it. THE HUMAN OPERATORS: The great ships possess unlimited cruising range--and unbounded ferocity. WARM: It's just a simple guessing game: to be? or not to be? KLYSTERMAN'S SILENT VIOLIN: Powerful weapons are a fine thing--but you wouldn't want your lover to marry one. THE NEW REALITY: It's amazing how much destruction you can wreak with a few simple tools--if you put your mind to it. These and six other tales of the highest quality--the most amazing conviction

The seventh in a series of superb science fiction. The Alpha series of anthologies center on no particular theme except that of literary quality and importance to the science fiction genre. Since its inception in 1970, the Alpha series has been dedicated to the proposition that science fiction can be a literature not only of stimulating and unfamiliar ideas but also of skilful and vigorous writing. Thus far Alpha has offered sixty-odd stories that exemplify the best of science fiction: challenging, provocative views of the universe, presented in crisp, sparkling prose. The volumes in the series offer some of the liveliest work produced in the short-story form anywhere in the world, and not just of the science-fiction category. Alpha serves a secondary purpose: to rescue from oblivion stories that might otherwise be undeservedly forgotten. Herewith, the seventh feast of outstanding fiction.

The second in a series of superb science fiction. The Alpha series of anthologies center on no particular theme except that of literary quality. Two criteria were used in the selecting of these stories—literary merit and importance to the genre. The result is that the variety of subjects is matched only by the richness and diversity of their handling—brilliant, frightening, clever, bizarre, powerful, witty, funny—and several steps in-between. Whatever else these stories may be doing, they all explore the interplay between human beings and the technological society man has created for himself. Good science fiction simultaneously peers into remote realms of space and time and holds a mirror to the contemporary moment; and if the reflection in that mirror is somewhat distorted, so be it. Blame not the messenger for bearing bad tidings. Herewith ten stories which demonstrate the unsettling kinds of insights that science fiction alone can offer. More are on the way. The nine volumes of this series provide an exciting cumulative view of a field in which some of the most vigorous and inventive fiction of our times has been produced. Simply put, here is the best science fiction from the best science fiction writers.

Recognizing the intrinsic literary merit of much of children's writing, Ruth Krauss listened to their ideas, poems, and stories and wrote them down with a professional's touch. Maurice Sendak's drawings highlight the whimsy and logic of these writings, and also stand on their own as picture-poems. The result is seventeen very funny, poignant, insightful, exuberant pieces of literature that bring out all the best of childhood imaginings.

"Selected by Cynthia Ozick from a dozen books written across more than fifty years, the essays and short stories gathered here constitute a summing-up of her remarkable literary career. In such classic essays as 'Who Owns Anne Frank?,' 'What Helen Keller Saw,' 'Dostoevsky's Unabomber,' and 'Transcending the Kafkaesque,' Ozick examines some of the world's most illustrious writers and their work, tackles compelling contemporary literary and moral issues, and looks into the wellsprings of her own lifelong engagement with literature. In her short stories, including 'A Hebrew Sibyl,' 'What Happened to the Baby?,' 'Dictation,' 'The Biographer's Hat,' and 'The Conversion of the Jews,' Ozick demonstrates again and again her stylistic brilliance and the originality of her distinctive interweaving of the strands of history and myth." -

In The Age of Wire and String, hailed by Robert Coover as "the most audacious literary debut in decades," Ben Marcus weilds together a new reality from the scrapheap of the past. Dogs, birds, horses, automobiles, and the weather are some of the recycled elements in Marcus's first collection—part fiction, part handbook—as familiar objects take on markedly unfamiliar meanings. Gradually, this makeshift world, in its defiance of the laws of physics and language, finds a foundation in its own implausibility, as Marcus produces new feelings and sensations—both comic and disturbing—in the definitive guide to an unpredictable yet exhilarating plane of existence.

This extraordinary collection is the first to present the unprecedented range of American Jewish fiction today, from the acclaimed immigrant and post-immigrant masters such as Singer, Bellow, Roth, Ozick, Malamud, and Paley to the new voices of post-acculturation like those of Mark Helprin, Lynne Sharon Schwartz, Daphne Merkin, Allegra Goodman, and Adam Schwartz. Writing Our Way Home limns the dramatic transformation of Jewish life in the past three decades. Its stories arise from such developments as the emergence of feminism, the impact of Israel, the broken silence about the Holocaust, the return to - as well as flight from - tradition, and the birth of an egalitarian religious creativity alongside the further advance of assimilation. It also exhibits the writers' growing knowledge of modern and biblical Hebrew, the wellspring of a new Jewish literature. In bringing our consciousness of American Jewish fiction up to date, the editors emphasize the "open literary community" that has come into being. As Ted Solotaroff characterizes it, "the religious and the secular, the experimental and the traditional, the realistic and the surreal cohabit, and even sometimes nuzzle, more or less peaceably." At the same time, the editors find some developments particularly promising, such as the rekindled literary strategies of Judaism employed by writers "culturally confident" enough, as Nessa Rapoport points out, to turn nostalgic stereotypes into archetypes. Rich and provocative in themselves, these twenty-four stories announce that the Jewish imagination in late-twentieth-century America is flourishing in unforeseen and dazzling ways as its authors continue to extend a remarkably adaptive literary tradition across an array of contemporary contexts.

Step into the halcyon world of pre-war England through the eyes of George Sherston, the fictionalized alter ego of poet and war hero Siegfried Sassoon. In "Memoirs of a Fox-hunting Man", Sassoon masterfully captures the innocence of youth, the thrill of the hunt, and the deep, abiding connection to a countryside untouched by the horrors of the Great War. Through Sherston’s adventures—on horseback and off—readers are immersed in the gentle rhythms of country life, the camaraderie of the hunting field, and the quiet introspections of a young man coming of age. Yet beneath the light-hearted tales and sporting escapades lies an undercurrent of change, as the encroaching reality of war looms over this idyllic existence. Sassoon’s prose is at once nostalgic and sharply observant, offering a portrait of an era and a generation on the cusp of irrevocable transformation. Whether you are a lover of classic literature, historical fiction, or poignant coming-of-age stories, this evocative narrative offers both a window into a vanished world and a powerful commentary on the innocence lost to war.

A collection of Algren’s lost and unfinished writings, including his last novel and several stories considered to be among his masterpieces, with a new introduction by Algren's biographer Colin Asher. "You should not read [Algren] if you can’t take a punch. Mr. Algren can hit with both hands and move around and he will kill you if you are not awfully careful." —Ernest Hemingway Nelson Algren sought humanity in the urban wilderness of postwar America, where his powerful voice rose from behind the billboards and down tin-can alleys, from among the marginalized and ignored, the outcasts and scapegoats, the punks and junkies, the sex workers and down-on-their luck gamblers, the punch-drunk boxers and skid-row drunkies and kids who knew they'd never reach the age of twenty-one. Algren admired them all for their vitality and no-bullshit forthrightness, their insistence on living, their self-awareness, and their ability to find a laugh and a dream in the unlikeliest places. Entrapment and Other Writings contains his unfinished last novel, previously unpublished or uncollected stories and poems, and reportage. Algren speaks to our time as few of his American contemporaries of the 1940s and ’50s do, in part because he was always the outsider.

Most readers north of the Rio Grande are not aware that waves of immigrants have created an ethnically diverse culture in Latin America, a mosaic of particular visions and voices that includes a cohesive Jewish community with roots in Eastern Europe and as far back as pre-Columbian Spain. In this unique anthology, Ilan Stavans - who is at home both in Jewish and Latino cultures - introduces us to engaging writers, the histories of the different communities in which they emerged, their literary tradition and cultural predicament.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.