A BEST BOOK OF THE YEAR TIME Magazine・NPR・Library Journal・The Globe and Mail・Lilith・Forward Magazine・Toronto Star・The New Yorker "A testament to the power of imagination and an investigation of empathy."--Vogue "Stunning."--Leslie Camhi, The New Yorker "A can't-miss novel."--Chicago Review of Books "Compelling."--The Washington Examiner Anne Berest's The Postcard is among the most acclaimed and beloved French novels of recent years. It is at once a gripping investigation into family trauma, a poignant tale of mothers and daughters, and a vivid portrait of twentieth-century Parisian intellectual and artistic life. January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest's maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques--all killed at Auschwitz. Years after the postcard is delivered, the heroine of this novel is moved to discover who sent it and why. What emerges is a moving saga of a family devastated by the travails of the twentieth century and partly restored through the power of storytelling.

WINNER OF THE GOVERNOR GENERAL'S LITERARY AWARD FOR FICTION • SHORTLISTED FOR THE RATHBONES FOLIO PRIZE • A NEW YORK TIMES NOTABLE BOOK • A new novel about art, love, death and time from the author of Motherhood and How Should A Person Be? “True and newly alive.” — Los Angeles Times “One-of-a-kind. . . . nothing less than vital.” — The Guardian Here we are, just living in the first draft of creation, which was made by some great artist, who is now getting ready to tear it apart. In this first draft, a woman named Mira leaves home for school. There, she meets Annie, whose tremendous power opens Mira’s chest like a portal—to what, she doesn’t know. When Mira is older, her beloved father dies, and she enters the strange and dizzying dimension that true loss opens up. Pure Colour tells the story of a life, from beginning to end. It is a galaxy of a novel: explosive, celestially bright, huge, and streaked with beauty. It is a contemporary bible, an atlas of feeling, and a shape-shifting epic. Sheila Heti is a philosopher of modern experience, and she has reimagined what a book can hold.

Named a Best Book of the Year by The New Yorker • A New York Times Critics Top Book of the Year • Named Best Nonfiction of the Year by Literary Hub and Electric Literature • One of The Los Angeles Times 's 15 Best Books of the Year • One of The New Statesman 's 20 Best Books of the Year Sheila Heti collected 500,000 words from a decade's worth of journals, put the sentences in a spreadsheet, and sorted them alphabetically. She cut and cut and was left with 60,000 words of brilliance and mayhem, joy and sorrow. These are her alphabetical diaries.

The enthralling debut from bestselling novelist Michael Chabon is a penetrating narrative of complex friendships, father-son conflicts, and the awakening of a young man's sexual identity. Chabon masterfully renders the funny, tender, and captivating first-person narrative of Art Bechstein, whose confusion and heartache echo the tones of literary forebears like The Catcher in the Rye's Holden Caulfield and The Great Gatsby's Nick Carraway. The Mysteries of Pittsburgh incontrovertibly established Chabon as a powerful force in contemporary fiction, even before his PulitzerPrize-winning novel The Amazing Adventures of Kavalier & Clay set the literary world spinning. An unforgettable story of coming of age in America, it is also an essential milestone in the movement of American fiction, from a novelist who has become one of the most important and enduring voices of this generation.

Set in 18th century Naples, based on the lives of Sir William Hamilton, his celebrated wife Emma, and Lord Nelson, and peopled with many of the great figures of the day, this unconventional, bestselling historical romance from the National Book Award-winning author of In America touches on themes of sex and revolution, the fate of nature, art and the collector's obsessions, and, above all, love.

Irving Stone’s classic biographical novel of Michelangelo—the #1 New York Times bestseller in which both the artist and the man are brought to vivid, captivating life. His time—the turbulent Renaissance, the years of poisoning princes, warring Popes, and the all-powerful de'Medici family… His loves—the frail and lovely daughter of Lorenzo de'Medici, the ardent mistress of Marco Aldovrandi, and his last love, his greatest love—the beautiful, unhappy Vittoria Colonna... His genius—a God-driven fury from which he wrested brilliant work that made a grasp for heaven unmatched in half a millennium... His name—Michelangelo Buonarroti. Creator of the David, painter of the ceiling in the Sistine Chapel, architect of the dome of St. Peter's, Michelangelo lives once more in the tempestuous, powerful pages of Irving Stone's towering triumph. A masterpiece in its own right, this biographical novel offers a compelling portrait of one of the greatest artists the world has ever known.

The year is 1878, peak of the Texas cattle trade. The place is Dodge City, Kansas, a saloon-filled cow town jammed with liquored-up adolescent cowboys and young Irish hookers. Violence is random and routine, but when the burned body of a mixed-blood boy named Johnnie Sanders is discovered, his death shocks a part-time policeman named Wyatt Earp. And it is a matter of strangely personal importance to Doc Holliday, the frail twenty-six-year-old dentist who has just opened an office at No. 24, Dodge House. Beautifully educated, born to the life of a Southern gentleman, Dr. John Henry Holliday is given an awful choice at the age of twenty-two: die within months in Atlanta or leave everyone and everything he loves in the hope that the dry air and sunshine of the West will restore him to health. Young, scared, lonely, and sick, he arrives on the rawest edge of the Texas frontier just as an economic crash wrecks the dreams of a nation. Soon, with few alternatives open to him, Doc Holliday is gambling professionally; he is also living with Maria Katarina Harony, a high-strung Hungarian whore with dazzling turquoise eyes, who can quote Latin classics right back at him. Kate makes it her business to find Doc the high-stakes poker games that will support them both in high style. It is Kate who insists that the couple travel to Dodge City, because "that's where the money is." And that is where the unlikely friendship of Doc Holliday and Wyatt Earp really begins--before Wyatt Earp is the prototype of the square-jawed, fearless lawman; before Doc Holliday is the quintessential frontier gambler; before the gunfight at the O.K. Corral links their names forever in American frontier mythology--when neither man wanted fame or deserved notoriety. Authentic, moving, and witty, Mary Doria Russell's fifth novel redefines these two towering figures of the American West and brings to life an extraordinary cast of historical characters, including Holliday's unforgettable companion, Kate. First and last, however, "Doc "is John Henry Holliday's story, written with compassion, humor, and respect by one of our greatest contemporary storytellers.

"In this brilliant and hilarious jailbreak of a novel, Charyn channels the genius poet and her great leaps of the imagination." —Donna Seaman, Booklist (starred review) Jerome Charyn, "one of the most important writers in American literature" (Michael Chabon), continues his exploration of American history through fiction with The Secret Life of Emily Dickinson , hailed by prize-winning literary historian Brenda Wineapple as a "breathtaking high-wire act of ventriloquism." Channeling the devilish rhythms and ghosts of a seemingly buried literary past, Charyn removes the mysterious veils that have long enshrouded Dickinson, revealing her passions, inner turmoil, and powerful sexuality. The novel, daringly written in first person, begins in the snow. It's 1848, and Emily is a student at Mount Holyoke, with its mournful headmistress and strict, strict rules. Inspired by her letters and poetry, Charyn goes on to capture the occasionally comic, always fevered, ultimately tragic story of her life-from defiant Holyoke seminarian to dying recluse.

The Kempton-Wace Letters was a 1903 epistolary novel written jointly by Americans Jack London and Anna Strunsky, then based in San Francisco, California. The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:

Written in alternating chapters, W or the Memory of Childhood , tells two parallel tales, in two parts. One is a story created in childhood and about childhood. The other story is about two people called Gaspard Winckler: one an eight-year-old deaf-mute lost in a shipwreck, the other a man despatched to search for him, who discovers W, an island state based on the rules of sport. As the two tales move in and out of focus, the disturbing truth about the island of W reveals itself. Perec combines fiction and autobiography in unprecedented ways, allowing no easy escape from these stories, or from history.

From Ragtime and Billy Bathgate to The Book of Daniel, World’s Fair, and The March, the novels of E. L. Doctorow comprise one of the most substantive achievements of modern American fiction. Now, with Homer & Langley, this master novelist has once again created an unforgettable work. Homer and Langley Collyer are brothers–the one blind and deeply intuitive, the other damaged into madness, or perhaps greatness, by mustard gas in the Great War. They live as recluses in their once grand Fifth Avenue mansion, scavenging the city streets for things they think they can use, hoarding the daily newspapers as research for Langley’s proposed dateless newspaper whose reportage will be as prophecy. Yet the epic events of the century play out in the lives of the two brothers–wars, political movements, technological advances–and even though they want nothing more than to shut out the world, history seems to pass through their cluttered house in the persons of immigrants, prostitutes, society women, government agents, gangsters, jazz musicians...and their housebound lives are fraught with odyssean peril as they struggle to survive and create meaning for themselves. Brilliantly conceived, gorgeously written, this mesmerizing narrative, a free imaginative rendering of the lives of New York’s fabled Collyer brothers, is a family story with the resonance of myth, an astonishing masterwork unlike any that have come before from this great writer.

In 2005, celebrated novelist Francisco Goldman married a beautiful young writer named Aura Estrada in a romantic Mexican hacienda. The month before their second anniversary, during a long-awaited holiday, Aura broke her neck while body surfing. Francisco, blamed for Aura's death by her family and blaming himself, wanted to die, too. Instead, he wrote Say Her Name , a novel chronicling his great love and unspeakable loss, tracking the stages of grief when pure love gives way to bottomless pain. Suddenly a widower, Goldman collects everything he can about his wife, hungry to keep Aura alive with every memory. From her childhood and university days in Mexico City with her fiercely devoted mother to her studies at Columbia University, through their newlywed years in New York City and travels to Mexico and Europe--and always through the prism of her gifted writings--Goldman seeks her essence and grieves her loss. Humor leavens the pain as he lives through the madness of grief and creates a living portrait of a love as joyous as it is deep and profound. Say Her Name is a love story, a bold inquiry into destiny and accountability, and a tribute to Aura, who she was and who she would've been.

The actors in James Franco's brilliant debut novel include a McDonald's drive-thru operator who spends his shift trying on accents; an ex-child star recalling a massive beachside bacchanal; hospital volunteers and Midwestern transplants; a vampire flick starlet who discovers a cryptic book written by a famous actor gone AWOL; and the ghost of River Phoenix. Then there's Franco himself, who prowls backstage, peering out between the lines--before taking the stage with fascinating meditations on his art, along with nightmarish tales of excess. "Hollywood has always been a private club," he writes. "I open the gates. I say welcome. I say, Look inside." Told in a dizzying array of styles--from lyric essays and disarming testimonials to hilariously rambling text messages and ghostly footnotes--and loosely modeled on Alcoholics Anonymous's Twelve Steps and Twelve Traditions , Actors Anonymous is an intense, wild ride into the dark heart of celebrity.

Joshua Then and Now is about Joshua Shapiro today, and the Joshua he was. His father a boxer turned honest crook, his mother an erotic dancer whose greatest performance was at Joshua’s bar mitzvah, Joshua has overcome his inauspicious beginnings in the Jewish ghetto of Montreal to become a celebrated television writer and a successful journalist. But Joshua, now middle-aged, is not a happy man. Incapacitated by a freak accident, anguished by the disappearance of his WASP wife, and caught up in a sex scandal, Joshua is besieged by the press and tormented by the ghosts of his youth. Set in Montreal, the novel chronicles the rocky journey we all make between the countries of the past and the present. Raucous, opinionated, tender, Joshua Then and Now is a memorable excursion into Mordecai Richler's comic universe.

"We have here, then a novelistic document of life, of the inferno of a marriage. ... --a marriage that should never have been contracted nor would have been save for the man's weakness and youthful inexperience."--Preface, p. vii.

One of the most remarkably inventive voices of his generation, author Will Self delivers a stunning work of fiction. In Walking to Hollywood , a British writer named Will Self goes on a quest through L.A. freeways and eroding English cliffs, skewering celebrity as he attempts to solve a crime: who killed the movies. When Will reconnects with his childhood friend, the world suddenly seems disproportionate. Sherman Oaks--scarcely three feet tall at forty-five--and his ironically-sized sculptures--replicas of his body varying from the gargantuan to the miniscule--spark in Will a flurry of obsessive-compulsive thoughts and a nagging desire to experience the world by foot. Ignoring his therapist and nemesis Zack Busner, Self travels to Hollywood on a mission to discover who--or what--killed the movies. Convinced that everyone from his agent, friends, and bums on the street are portrayed by famous actors, Self goes undercover into the dangerous world of celebrity culture. He circumambulates the metropolitan area in hallucinating and wild episodes, eventually arriving on the English cliffs of East Yorkshire where he comes face to face with one of Jonathan Swift's immortal Struldbruggs.

"To all those who have for several years sought to discredit the new American literature, Lawrence Ferlinghetti has just dealt a most powerful blow," wrote French critic Pierre Lepape in 1961 when Her was published in France as La Quatrième Personne du Singulier. Calling it "a masterpiece of the young American novel," Lepape declared it was "the confirmation of a great American writer who, in the hall of American literary glories, takes the place left vacant by the death of Hemingway." Lepape went on to speak of the "incredible verbal virtuosity" by which the reader is led through this "laby-rêve," and it is this image of the "labyrinth-dream" which relates Her to the anti-novels of the young French school of Robbe-Grillet and Butor. Being thus very far from the kind of novels produced by Ferlinghetti's immediate contemporaries (whether Beat or academic) this book has met with little but bafflement among American critics. With well over 50,000 now in print Her nevertheless continues to make its own way.

This masterpiece novel -- by the internationally acclaimed, young South African writer Damon Galgut--about E.M. Forster, his life, struggles with homosexuality, and the writing of his universally loved novel A Passage to India will call to mind the international success of Colm Toibin's The Master . For readers of Colm Toibin, Ian McEwan, and J.M. Coetzee. In 1912, the SS Birmingham approaches India. On board is Morgan Forster, novelist and man of letters, who is embarking on a journey of discovery. As Morgan stands on deck, the promise of a strange new future begins to take shape before his eyes. The seeds of a story start to gather at the corner of his mind: a sense of impending menace, lust in close confines, under a hot, empty sky. It will be another twelve years, and a second, and much longer time spent in India, before A Passage to India , E.M. Forster's most beloved work of literature, is completed. During these years, Morgan will come to a recognition of his homosexuality and of the infinite subtleties and complexities of human nature. Arctic Summer is an intimate portrait of the man who became one of Britain's finest novelists, his struggle to find a way of living and being, and a stunningly vivid evocation of the mysterious alchemy of the creative process. Galgut animates the literary times in which Forster lived with encounters with some of the writers of the day, including Virginia and Leonard Woolf and D.H. Lawrence . Galgut also brilliantly and poignantly describes Forster's two closest relationships, enduring and sadly unfulfilled. Arctic Summer is a literary masterpiece, by one of the finest writers of his generation."

Paris, 1960s. A young dancer and single mother, who might or might not be the narrator's love interest, is revisited by menacing figures from her past, even as she tries to escape that past through her art. Set in the shimmering world of the Paris ballet, a world populated by giants such as Balanchine and Nureyev, Ballerina revisits the themes of memory, desire, and ineffable danger that have become hallmarks of Patrick Modiano's fiction. -- Amazon.com.

Maurice Saatchi is dead. He is standing in front of the Gates of Heaven. Arrival halls worse than Heathrow Airport. Queues. Overcrowding. A tidal wave of Paradise seekers. ID scans. Voice and facial recognition. X-ray examinations. Background checks. It all seems like a bad dream. His tests expose abnormalities. He is charged with multiple breaches of immigration law and detained pending a full jury trial. The verdict will reveal the biggest secret of all time: why some people go to Heaven and others to Hell. Do Not Resuscitate is a bold statement. Maurice Saatchi, a towering figure in the worlds of business and politics, frames his unsparing self-portrait with the conceit of a celestial trial in which his application to pass through the Gates of Heaven is heard before a jury featuring luminaries like Marilyn Monroe, Pablo Picasso, Chairman Mao, and Margaret Thatcher. In seeking admission to Heaven, Saatchi offers a defence like no other.