From #1 New York Times bestselling author Neil Gaiman, a contemporary masterpiece combing mythology, adventure, and illusion―one of ten classic Gaiman works repackaged with elegant original watercolor art by acclaimed artist Henry Sene Yee Released from prison, Shadow finds his world turned upside down. His wife has been killed; a stranger offers him a job and Shadow, with nothing to lose, accepts. But a storm is coming. Beneath the placid surface of everyday life, a war is being fought - and the prize is the very soul of America. An inspired combination of mythology, adventure, and illusion, American Gods is a dark and kaleidoscopic journey deep into myth and across an America at once eerily familiar and utterly alien. It is, quite simply, a contemporary masterpiece. "Piercingly observed, jaggedly poetic, ruthlessly cutting a path through graveyards of dead stars and dead money and dead feelings, this novel is the map back to dawn." -- Steve Erickson "American Gods manages to reinvent, and reassert, the enduring importance of fantastic literature itself in this late age of the world. Dark fun, and nourishing to the soul." -- Michael Chabon

Soon to be a streaming series! From #1 New York Times bestselling author Neil Gaiman, a tale playful, profound, and rife with mayhem and mischief―one of ten classic Gaiman works repackaged with elegant original watercolor art by acclaimed artist Henry Sene Yee When Fat Charlie's dad named something, it stuck. Like calling Fat Charlie "Fat Charlie." Even now, twenty years later, Charlie Nancy can't shake that name, one of the many embarrassing "gifts" his father bestowed--before he dropped dead on a karaoke stage and ruined Fat Charlie's life. Because Mr. Nancy left Fat Charlie things. Things like the stranger who appears on Charlie's doorstep, who appears to be the brother he never knew. And all of a sudden, life starts getting very interesting for Fat Charlie. Neil Gaiman journeys deep into myth to brings us a tale playful, profound, and rife with mayhem and mischief--an audacious and inspired story of family, luck, deceit, and an unusual legacy that illuminates the divine in our humanity. Not to mention a lime. "Awesomely inventive.... When you take the free-fall plunge into a Neil Gaiman book, anything can happen and anything invariably does." --Entertainment Weekly

After working with bestselling crime writer Alan Conway for years, editor Susan Ryeland is intimately familiar with his detective, Atticus Pünd, who solves mysteries in sleepy English villages. His traditional formula has proved hugely successful, so successful that Susan must continue to put up with his troubling behavior if she wants to keep her job. Conway's latest tale involves a murder at Pye Hall, with dead bodies and a host of intriguing suspects. But the more Susan reads, the more she's convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, and murder.

"Well-plotted, well-written, clear-eyed. I never saw the end coming. There's a hell of a one-two punch waiting for you." --Stephen King New York Times bestseller Laura Lippman tells the story of Amber Glass, desperately trying to get away from her tabloid past but compulsively drawn back to the city of her youth and the prom date who destroyed everything she was reaching for. Amber Glass has spent her entire adult life putting as much distance as possible between her and her hometown of Baltimore, where she fears she will forever be known as "Prom Mom"--the girl who allegedly killed her baby on the night of the prom after her date, Joe Simpson, abandoned her to pursue the girl he really liked. But when circumstances bring Amber back to the city, she realizes she can have a second chance--as long as she stays away from Joe, now a successful commercial real estate developer, married to a plastic surgeon, Meredith, to whom he is devoted. The problem is, Amber can't stay away from Joe. And Joe finds that it's increasingly hard for him to ignore Amber, if only because she remembers the boy he was and the man he said he was going to be. Against the surreal backdrop of 2020 and early 2021, the two are slowly drawn to each other and eventually cross the line they've been trying not to cross. And then Joe asks Amber to help him do the unthinkable . . . and she must decide if she is willing to let their toxic and dangerous past repeat itself.

"Diabolically clever."--New York Times "Horowitz dazzles with the brilliant third entry in his Susan Ryeland series . . . . [He is] is at the top of his game here, linking past and present in a virtuoso finale worthy of Agatha Christie."--Publishers Weekly (starred review) Murder links past and present once again in this mind-boggling metafictional mystery from Anthony Horowitz featuring detective Atticus Pünd and editor Susan Ryeland, stars of the New York Times bestsellers Magpie Murders and Moonflower Murders. Editor Susan Ryeland has left her Greek island, her hotel and her Greek boyfriend, Andreas, in search of a new life back in England. Freelancing for a London publisher, she's given the last job she wants: working on an Atticus Pünd continuation novel called Pünd's Last Case. Worse still, she knows the new writer. Eliot Crace is the troubled grandson of legendary children's author Miriam Crace who died twenty years ago. Eliot is convinced she was murdered--by poison. To her surprise, Susan enjoys reading the manuscript which is set in the South of France and revolves around the mysterious death of Lady Margaret Chalfont, days before she was about to change her will. But when it is revealed that Lady Margaret was also poisoned, alarm bells begin to ring. The more Susan reads, the clearer it becomes that Eliot has deliberately concealed clues about his grandmother's death inside the book. Desperately, Susan tries to prevent Eliot from putting himself in harm's way--but his behaviour is becoming increasingly erratic. Another murder follows . . . and suddenly Susan finds herself to be the number one suspect. Once again, the real and the fictional worlds have become dangerously entangled. And if Susan doesn't solve the mystery of Pünd's Last Case, she could well be its next victim.

#1 NEW YORK TIMES BESTSELLER • Alex Delaware and LAPD detective Milo Sturgis investigate the death of Alex’s most mysterious patient to date in the sensational new thriller from the master of suspense, #1 New York Times bestselling author Jonathan Kellerman. At nearly one hundred years old, Thalia Mars is a far cry from the patients that child psychologist Alex Delaware normally treats. But the charming, witty woman convinces Alex to meet with her in a suite at the Aventura, a luxury hotel with a checkered history. What Thalia wants from Alex are answers to unsettling questions—about guilt, patterns of criminal behavior, victim selection. When Alex asks the reason for her morbid fascination, Thalia promises to tell all during their next session. But when he shows up the following morning, he is met with silence: Thalia is dead in her room. When questions arise about how Thalia perished, Alex and homicide detective Milo Sturgis must peel back the layers of a fascinating but elusive woman’s life and embark on one of the most baffling investigations either of them has ever experienced. For Thalia Mars is a victim like no other, an enigma who harbored nearly a century of secrets and whose life and death draw those around her into a vortex of violence. Heartbreak Hotel is classic Delaware and classic Kellerman. Praise for Heartbreak Hotel “Easy to dive into for mystery fans unfamiliar with the series, and a welcome treat for readers who have been with Officer Sturgis and Dr. Delaware since the beginning.” — Booklist Praise for Jonathan Kellerman “Jonathan Kellerman’s psychology skills and dark imagination are a potent literary mix.” —Los Angeles Times “Kellerman doesn’t just write psychological thrillers—he owns the genre.” —Detroit Free Press “A master of the psychological thriller.” —People

In New York Times bestselling author Anthony Horowitz's ingenious fourth literary whodunit following The Word is Murder, The Sentence is Death, and A Line to Kill, Horowitz becomes the prime suspect in a murder investigation--and only one man can prove his innocence: his newly estranged partner in solving crime, Detective Hawthorne. "I'm sorry but the answer's no." Reluctant author, Anthony Horowitz, has had enough. He tells ex-detective Daniel Hawthorne that after three books he's splitting and their deal is over. The truth is that Anthony has other things on his mind. His new play, a thriller called Mindgame, is about to open at the Vaudeville Theater in London's West End. Not surprisingly, Hawthorne declines a ticket to the opening night. The play is panned by the critics. In particular, Sunday Times critic Margaret Throsby gives it a savage review, focusing particularly on the writing. The next day, Throsby is stabbed in the heart with an ornamental dagger which turns out to belong to Anthony, and has his fingerprints all over it. Anthony is arrested by an old enemy . . . Detective Inspector Cara Grunshaw. She still carries a grudge from her failure to solve the case described in the second Hawthorne adventure, The Sentence is Death, and blames Anthony. Now she's out for revenge. Thrown into prison and fearing for both his personal future and his writing career, Anthony is the prime suspect in Throsby's murder and when a second theatre critic is found to have died in mysterious circumstances, the net closes in. Ever more desperate, he realizes that only one man can help him. But will Hawthorne take the call?

TIME ’S #1 FICTION TITLE OF THE YEAR • NEW YORK TIMES NOTABLE BOOK OF 2018 FINALIST for the MAN BOOKER PRIZE and t he NATIONAL BOOK CRITICS CIRCLE AWARD LONGLISTED for the ANDREW CARNEGIE MEDAL An instant New York Times bestseller from two-time National Book Award finalist Rachel Kushner, The Mars Room earned tweets from Margaret Atwood—“gritty, empathic, finely rendered, no sugar toppings, and a lot of punches, none of them pulled”—and from Stephen King—“ The Mars Room is the real deal, jarring, horrible, compassionate, funny.” It’s 2003 and Romy Hall, named after a German actress, is at the start of two consecutive life sentences at Stanville Women’s Correctional Facility, deep in California’s Central Valley. Outside is the world from which she has been severed: her young son, Jackson, and the San Francisco of her youth. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, portrayed with great humor and precision. Stunning and unsentimental, The Mars Room is “wholly authentic…profound…luminous” ( The Wall Street Journal ), “one of those books that enrage you even as they break your heart” ( The New York Times Book Review, cover review)—a spectacularly compelling, heart-stopping novel about a life gone off the rails in contemporary America. It is audacious and tragic, propulsive and yet beautifully refined and “affirms Rachel Kushner as one of our best novelists” ( Entertainment Weekly ).

New York Times bestseller Laura Lippman showcases why she is one of today's top crime writers in this acclaimed collection of suspenseful stories featuring fierce women--including one never-before-published novella. "A first-rate collection, an obvious must for the legions of Lippman fans, but also great reading for anyone who savors short crime fiction." -- Booklist (starred review) The award-winning master of psychological suspense is in top form in this collection of diverse and diabolically clever stories. In the never-before-published "Just One More," a married couple--longing for that old romantic spark--creates a playful diversion that comes with unexpected consequences. Lippman's beloved Baltimore PI Tess Monaghan keeps a watchful eye on a criminally resourceful single father in "Seasonal Work," while her mother, Judith, realizes that the life of "The Everyday Housewife" is an excellent cover for all kinds of secrets. In "Slow Burner," a husband's secret cell phone proves to be a dicey temptation for a suspicious wife. A father's hidden past piques the curiosity of a young snoop in "The Last of Sheila-Locke Holmes." Plus seven other brilliantly crafted stories of deception, murder, dangerous games, and love gone wrong--irrefutable evidence that Laura Lippman's riveting fiction will more than satisfy any crime reader.

The beloved #1 New York Times bestselling author and “ master of the craft of storytelling” (Associated Press) weaves a spellbinding tale of a mother’s tragic loss and one man’s chance at salvation. One moment June Nealon is happily looking forward to years of love and laughter with her family. The next, she is facing a future as empty as her heart as she waits for a miracle. For Shay Bourne, life has no more surprises, and he has nothing to offer the world. In a heartbeat, though, his life is changed by one last chance for redemption through June’s young daughter, Claire. But between June and Shay lies an ocean of bitter regrets and a mother’s rage. Would you give up revenge against someone you hate if it meant saving someone you love? Would you want your dreams to come true if it meant granting your enemy’s dying wish? Soul-stirring and haunting, Change of Heart is “another ripped-from-the-zeitgeist winner” ( Publishers Weekly ) from Jodi Picoult.

Named a Best Book of the Year by: Boston Globe * New Yorker * NPR * PopMatters From the bestselling and award-winning author of The Fortress of Solitude and Motherless Brooklyn comes a sweeping story of community, crime, and gentrification, tracing more than fifty years of life in one Brooklyn neighborhood. "A blistering book. A love story. Social commentary. History. Protest novel. And mystery joins the whole together: is the crime 'time'? Or the almighty dollar? I got a great laugh from it too. Every city deserves a book like this." -- Colum McCann, author of Apeirogon and Let the Great World Spin On the streets of 1970s Brooklyn, a daily ritual goes down: the dance. Money is exchanged, belongings surrendered, power asserted. The promise of violence lies everywhere, a currency itself. For these children, Black, brown, and white, the street is a stage in shadow. And in the wings hide the other players: parents; cops; renovators; landlords; those who write the headlines, the histories, and the laws; those who award this neighborhood its name. The rules appear obvious at first. But in memory's prism, criminals and victims may seem to trade places. The voices of the past may seem to rise and gather as if in harmony, then make war with one another. A street may seem to crack open and reveal what lies behind its glimmering facade. None who lived through it are ever permitted to forget. Written with kaleidoscopic verve and delirious wit, Brooklyn Crime Novel is a breathtaking tour de force by a writer at the top of his powers. Jonathan Lethem, "one of America's greatest storytellers" (Washington Post), has crafted an epic interrogation of how we fashion stories to contain the uncontainable: our remorse at the world we've made.

O, The Oprah Magazine, Time Magazine, Financial Times, Esquire, Bustle, Lit Hub, Electric Literature, Library Journal, Brooklyn Based, Avenue BEST BOOK OF THE YEAR New York Times Editors' Choice "Superb. . . . Krauss's depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss's stories capture characters at moments in their lives when they're hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers." --Molly Antopol, New York Times Book Review "From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction." --Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women's coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss's stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

"This volume showcases the nuanced, playful, ever-expanding definitions of the genre and celebrates its current renaissance." --Washington Post Science fiction and fantasy can encompass so much, from far-future deep-space sagas to quiet contemporary tales to unreal kingdoms and beasts. But what the best of these stories do is the same across the genres--they illuminate the whole gamut of the human experience, interrogating our hopes and our fears. With a diverse selection of stories chosen by series editor John Joseph Adams and guest editor Charles Yu, The Best American Science Fiction and Fantasy 2017 continues to explore the ever-expanding and changing world of SFF today, with Yu bringing his unique view--literary, meta, and adventurous--to the series' third edition.

"Nicolas Fiorilla and his gang of children - his paranza - control the squares of Forcella after their rapid rise to power. But it isn't easy being at the top. Now that the Piranhas have power in the city, Nicolas must undermine the old families of the Camorra and remain united among themselves. Every paranzino has his own vendettas and dreams to pursue--dreams that might go beyond the laws of the gang. A new war may be about to break out in this city of cutthroat bargaining, ruthless betrayal, and brutal revenge. Saviano continues the story of the disillusioned boys of Forcella, the paranzini ready to give and receive kisses that leave a taste of blood."--Provided by publisher.

Alison B. Gordon finds herself aiding a Mafia ganglord whose Las Vegas interests are threatened by an international terrorist group that will destroy the city's casinos and hotels if its demand for five million dollars is not met

They are two sworn enemies with a single obsession: a woman on the run from them both. Scott Weiss is a private detective. John Foy is a professional killer. The woman is Julie Wyant, a hooker with the face of an angel. Julie spent one night with Foy--a night of psychopathic cruelty that Foy called love. Desperate to get away from him, she vanished without a trace. And Foy wants her back. There's only one man who can find her: Weiss, the best locate operative in the business. She's begged him not to look for her, fearing he'll bring the killer in his wake. But Weiss can't stay away. Now, from a town called Paradise, through a wilderness that feels like hell, Weiss searches for Julie--and the killer follows, waiting for his chance. They are two expert hunters matching move for move--until it ends on Damnation Street.

Ready to follow Nick Hornsby and Helen Fielding as the next big thing from Cool Britannia to hit America is Ben Elton. Already known to a wide public television audience as the funnyman behind Blackadder, The Young Ones, and The Thin Blue Line, Elton, author of Popcorn , lights up the literary sky with Blast from the Past . Part noir thriller, part hilarious send-up of the politics of extremism, Blast from the Past is the new novel from English comedy phenomenon (stand-up, playwright, television writer, and author) Ben Elton--a name soon to be known in all circles once Joel Schumacher's film of his book Popcorn reaches the silver screen. In the early 80s, when Polly was a seventeen-year-old ideological peace protestor and Jack was a U.S. Army captain stationed at England's Greenham Common, the two had a secret and very unlikely affair. No two people could have had more to argue about, save that they couldn't live without each other, yet one day Jack came to the conclusion that he loved soldiering more than Polly and sacrificed their love to be a career army man. Now, sixteen years later, Polly is a lonely thirty-something social services employee and Jack is a four-star general who has returned to Britain to find her, his only true love. With only one night to resolve their differences, and a knife-wielding stalker lurking in the shadows, for everyone concerned this will be a night like no other. From the Hardcover edition.

Raised in Japan by American expatriates, Karen Leith now lives a reclusive life in New York, known chiefly for her highly regarded novels, of which the latest has won a major American literary award. When she is found on the floor behind her desk, surrounded by blood, it looks like foul play. But the only possible suspect is Leith's future daughter-in-law, Eva, who has recently become engaged. Eva swears by her innocence, even though she was the last to hear Leith alive and the first to find her dead. Eva was waiting outside Leith's office to share the happy news and maintains that no one entered through that door, while the room's other possible exit was locked. The only one who can help her clear her name is mystery writer Ellery Queen, an acquaintance of the victim through New York's literary circles. Queen intends to unravel the locked-room mystery, but with no murder weapon and too many incriminating fingerprints, this case just might be one even he can't solve.

Lew Bascom is an idea man, and he has quite an idea. To put his career on the fast track, Bascom plans to pen a film about Hollywood's longest-running theatrical feud--Blythe Stewart and her daughter Bonnie's rivalry with Jack Royale and his son Ty. The twist? Bascom wants the four actors to play themselves in the film. The film's producer insists on bringing Ellery Queen, a successful New York writer, out to Hollywood to help close the deal. Only problem is that Bascom - a notorious procrastinator - isn't interested in outside help. So beautiful gossip columnist Paula Paris offers Queen an in by explaining the specifics of the feud ranging back to when Blythe and Jack were in a hot and heavy romance, throughout their unexpected separation, and into their subsequent marriages to other people. Meanwhile, the deepening hatred of their adult children has become the latest tabloid fodder. But when Blythe Steward and Jack Royale turn up dead, Queen must go from screenwriter to mystery solver before more Hollywood superstars become Hollywood casualties.

"Henry Mulcahy, a literature instructor at progressive Jocelyn College, is informed that his appointment will not be continued. Convinced he is disliked by the president of Jocelyn because of his abilities as a teacher and his independence of mass opinion, Mulcahy believes he is being made the victim of a witch-hunt. Plotting vengeance, Mulcahy battles to fight for justice and, in the process, reveals his true ethical nature." -- Publisher provided description.