From #1 New York Times bestselling author Neil Gaiman, an ingenious and captivating reimagining of Rudyard Kipling's adventure The Jungle Book that is a glorious meditation on love, loss, survival, sacrifice, and what it means to truly be alive―one of ten classic Gaiman works repackaged with elegant original watercolor art by acclaimed artist Henry Sene Yee. Nobody Owens, known to his friends as Bod, is a normal boy. He would have been completely normal if he didn't live in a sprawling graveyard, being raised and educated by ghosts, with a solitary guardian who belongs to neither the world of the living nor of the dead. There are dangers and adventures in the graveyard for a boy--an ancient Indigo Man beneath the hill, a gateway to a desert leading to an abandoned city of ghouls, the strange and terrible menace of the Sleer. But if Bod leaves the graveyard, then he will come under attack from the man Jack--who has already killed Bod's family. . . By turns macabre, uplifting, sinister, and heartwarming, Neil Gaiman's #1 national bestseller―winner of the Carnegie and Newbury Medals and the Hugo Award―is a "novel of wonder . . . a tale of unforgettable enchantment" (New York Times Book Review).

Now a musical adaptation! In this delightful companion novel to Off the Page , #1 New York Times bestselling authors Jodi Picoult and her daughter and cowriter, Samantha van Leer, present a novel filled with romance, adventure, and humor in a story you’ll never forget. What happens when happily ever after…isn’t? Delilah is a bit of a loner who prefers spending her time in the school library with her head in a book—one book in particular. Between the Lines may be a fairy tale, but it feels real. Prince Oliver is brave, adventurous, and loving. He really speaks to Delilah. And then one day Oliver actually speaks to her. Turns out, Oliver is more than a one-dimensional storybook prince. He’s a restless teen who feels trapped by his literary existence and hates that his entire life is predetermined. He’s sure there’s more for him out there in the real world, and Delilah might just be his key to freedom. A romantic and charming story, this companion novel to Off the Page will make every reader believe in the fantastical power of fairy tales.

On the twentieth anniversary of Bernard Malamud's death, Janna Malamud Smith explores her renowned father's life and literary legacy. Malamud was among the most brilliant novelists of his era, the author of the Pulitzer Prize winner The Fixer, as well as The Natural and The Assistant -- named one of the best "100 All-Time Novels" by Time. He counted among his friends Philip Roth, Saul Bellow, Theodore Roethke, and Shirley Jackson. Yet Malamud was also very private. Only his family has had full access to his personal papers, including revealing letters and journals that offer unique insight into the man and his work. In her candid, evocative, and loving memoir, his daughter brings Malamud to vivid life as no one else can. Bernard Malamud, the son of Russian-Jewish immigrants, grew up in Brooklyn in a home overshadowed by poverty and mental illness. Unable to earn a living in New York, he took a teaching position in Oregon and moved his young family there. For Janna, it was an idyllic time and place. Her father was warm, funny, and passionate about his writing, which was gaining national attention. In 1961, an appointment to Bennington College brought the Malamuds back east and right into the middle of the heady, often hilarious free-for-all that was campus life in that radically changing time. But Bennington's anything-goes atmosphere and Malamud's growing fame came at a price to his family: his deep belief that one should live morally crashed into his premise that one should live fully. Janna Malamud Smith speaks as only a daughter can of a fraught relationship with an adored father. In glowing praise of My Father Is a Book, Susan Cheever -- who also wrote memorably of her own father, John Cheever -- says, "This loving portrait of a writer's family from the inside describes good times and difficulties with affection and candor and provides a fascinating backstory for Malamud's great fiction."

"To all those who have for several years sought to discredit the new American literature, Lawrence Ferlinghetti has just dealt a most powerful blow," wrote French critic Pierre Lepape in 1961 when Her was published in France as La Quatrième Personne du Singulier. Calling it "a masterpiece of the young American novel," Lepape declared it was "the confirmation of a great American writer who, in the hall of American literary glories, takes the place left vacant by the death of Hemingway." Lepape went on to speak of the "incredible verbal virtuosity" by which the reader is led through this "laby-rêve," and it is this image of the "labyrinth-dream" which relates Her to the anti-novels of the young French school of Robbe-Grillet and Butor. Being thus very far from the kind of novels produced by Ferlinghetti's immediate contemporaries (whether Beat or academic) this book has met with little but bafflement among American critics. With well over 50,000 now in print Her nevertheless continues to make its own way.

Neither Anne nor Emily remembered choosing the book at the library, but when as they read it, the boundary between their world and the one described in the book disappears. Suddenly they are in Sherwood Forest, where they join Robin Hood's band. The further adventures that await Anne, Emily, and their brother, Will, are the kind they had always dreamed about. They had yearned for magic as strong as the spell cast by the stories they loved best. But then an uninvited guest turns up at their parents' garden party. The sinister man snatches the book with the intention of using its powers for evil, and the siblings find themselves engaged in a battle to regain possession of the book. Richly detailed black-and-white drawings enliven this intriguing literary fantasy, which pays homage to some of the heroes of the author's childhood, among them E. Nesbit, Edward Eager, and Leo Tolstoy.