A BEST BOOK OF THE YEAR TIME Magazine・NPR・Library Journal・The Globe and Mail・Lilith・Forward Magazine・Toronto Star・The New Yorker "A testament to the power of imagination and an investigation of empathy."--Vogue "Stunning."--Leslie Camhi, The New Yorker "A can't-miss novel."--Chicago Review of Books "Compelling."--The Washington Examiner Anne Berest's The Postcard is among the most acclaimed and beloved French novels of recent years. It is at once a gripping investigation into family trauma, a poignant tale of mothers and daughters, and a vivid portrait of twentieth-century Parisian intellectual and artistic life. January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest's maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques--all killed at Auschwitz. Years after the postcard is delivered, the heroine of this novel is moved to discover who sent it and why. What emerges is a moving saga of a family devastated by the travails of the twentieth century and partly restored through the power of storytelling.

Biographer Lee gives us a new Edith Wharton--tough, startlingly modern, as brilliant and complex as her fiction. Born in 1862, Wharton escaped the suffocating fate of the well-born female, traveled adventurously in Europe and eventually settled in France. She developed a forceful literary professionalism and thrived in a luminous society that included Bernard Berenson, Aldous Huxley and most famously Henry James, who here emerges more as peer than as master. Wharton's life was fed by nonliterary enthusiasms as well: houses and gardens, relief efforts during the Great War, and the culture of the Old World, which she never tired of absorbing. Yet intimacy eluded her: unhappily married and childless, her one brush with passion came and went in midlife, an affair intimately recounted here. Lee interweaves Wharton's life with the evolution of her writing, the full scope of which shows her to be far more daring than her stereotype as lapidarian chronicler of the Gilded Age.--From publisher description.

From the French intellectual, novelist, essayist, critic, and one of the greatest writers of the twentieth century: the second volume of Proust's monumental achievement Remembrance of Things Past , collecting The Guermantes Way and Cities of the Plain. In C. K. Scott Moncrieff's heralded original English translation, as revised by Terence Kilmartin based on the definitive French Pléiade edition. Marcel Proust's masterpiece is one of the towering literary works of the twentieth century. Relating its narrator's experiences in Belle Epoque France as he grows up, falls in love, and lives through the First World War, it has mesmerized generations of readers with its profound reflections on art, time, and memory.

Jules is confronted headlong and all at once by a series of challenges to his principles, livelihood, and home, forcing him to grapple with his complex past and find a way forward. He risks fraud to save his terminally ill infant grandson, matches wits with a renegade insurance investigator, is drawn into an act of savage violence, and falls deeply, excitingly in love with a young cellist a third his age. He forges a denouement that is staggering in its humanity, elegance, and truth.

"The long-awaited final volume in the acclaimed Penguin translation of Marcel Proust's In Search of Lost Time-one of the world's most beloved works of literature. "The greatest literary work of the twentieth century."-The New York Times. Ian Patterson's acclaimed new translation of Finding Time Again introduces a new generation of American readers to the literary riches of Marcel Proust. The seventh and final volume in Penguin Classics' superb new edition of In Search of Lost Time-the first completely new translation of Proust's masterpiece since the 1920s-brings us a more comic and lucid prose than readers of English have previously been able to enjoy. In Finding Time Again, Marcel discovers his world destroyed by war and those he knew transformed by the march of time. An exquisite picture of France in the throes of the First World War, and containing, in the "Bal des têtes" sequence, one of Proust's most devastating set-pieces, Finding Time Again triumphantly describes the paradox of facing mortality yet overcoming it through the act of writing. As Marcel rediscovers his vocation, he realizes that he can live on by writing down the story of his own memories and of his quest to recapture the past"--

Written in alternating chapters, W or the Memory of Childhood , tells two parallel tales, in two parts. One is a story created in childhood and about childhood. The other story is about two people called Gaspard Winckler: one an eight-year-old deaf-mute lost in a shipwreck, the other a man despatched to search for him, who discovers W, an island state based on the rules of sport. As the two tales move in and out of focus, the disturbing truth about the island of W reveals itself. Perec combines fiction and autobiography in unprecedented ways, allowing no easy escape from these stories, or from history.

90 classic titles celebrating 90 years of Penguin Books 'Why should I bother to invent things? My life has been far more exciting and wonderful than any fairy-tale' In the heart of the English countryside, surrounded by irritatingly polite relatives and hopeless sycophants, Lady L. is celebrating her eightieth birthday. But as the guests disperse, she feels the undeniable pull of a mysterious pavilion in the lush grounds, and the terrible secret she buried there many years ago . . .

The third volume of one of the greatest novels of the twentieth century Mark Treharne's acclaimed new translation of The Guermantes Way will introduce a new generation of American readers to the literary richness of Marcel Proust. The third volume in Penguin Classics' superb new edition of In Search of Lost Time—the first completely new translation of Proust's masterpiece since the 1920s—brings us a more comic and lucid prose than English readers have previously been able to enjoy. After the relative intimacy of the first two volumes of In Search of Lost Time, The Guermantes Way opens up a vast, dazzling landscape of fashionable Parisian life in the late nineteenth century, as the narrator enters the brilliant, shallow world of the literary and aristocratic salons. Both a salute to and a devastating satire of a time, place, and culture, The Guermantes Way defines the great tradition of novels that follow the initiation of a young man into the ways of the world.

The Misunderstanding is Irène Némirovsky's first novel, written when she was just twenty-one and published in a literary journal two years later. An intense story of self-destructive and blighted love, it is also a tragic satire of French society after the Great War. Yves Harteloup, scarred by the war, is a disappointed young man, old money fallen on hard times, who returns for the summer to the rich, comfortable Atlantic resort of Hendaye, where he spent blissful childhood holidays. He becomes infatuated with a beautiful, bored young woman, Denise, whose rich husband is often away on business. Intoxicated by summer nights and Yves' intensity, Denise falls passionately in love, before the idyll has to end and Yves must return to his mundane office job. In the mournful Paris autumn their love flounders on mutual misunderstanding, in the apparently unbridgeable gap between a life of idle wealth and the demands of making a living, between a woman's needs and a man's way of loving. As Denise is driven mad with desire and jealous suspicion, Yves, too sure of her, tortures himself and her with his emotional ambivalence. Taking her sophisticated mother's advice, Denise takes action...which she may regret forever. With a sharp satirical eye and a characteristic perception for the fault lines in human relationships, Irène Némirovsky's first novel shows sure signs of the brilliant novelist she was to become.

'Brisk, smart, witty, elliptical ... Recalls the directors of the New Wave ... Bracing and brilliant' Independent When Patrick Modiano was awarded the 2014 Nobel Prize for Literature he was praised for using the 'art of memory' to bring to life the Occupation of Paris during the Second World War. Born in 1945, Modiano's brilliant, angry writings burst onto the Parisian literary scene and caused a storm. His first, ferociously satirical novel, La Place de l'Étoile , was remarkable in seriously questioning both Nazi collaboration in France and the myths of the Gaullist era. The Night Watch tells the story of a man caught between his work for the French Gestapo and for a Resistance cell. Ring Roads recounts a son's search for his Jewish father, who disappeared ten years previously. These brilliant, almost hallucinatory, evocations of the Occupation attempt to exorcise the past by exploring the morally ambiguous worlds of collaboration and resistance.

Novel Gazing is the first collection of queer criticism on the history of the novel. The contributors to this volume navigate new territory in literary theory with essays that implicitly challenge the "hermeneutic of suspicion" widespread in current critical theory. In a stunning introductory essay, Eve Kosofsky Sedgwick delineates the possibilities for a criticism that would be "reparative" rather than cynical or paranoid. The startlingly imaginative essays in the volume explore new critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses. Through discussions of a diverse array of British, French, and American novels—including major canonical novels, best-sellers, children’s fiction, and science fiction—these essays explore queer worlds of taste, texture, joy, and ennui, focusing on such subjects as flogging, wizardry, exorcism, dance, Zionist desire, and Internet sexuality. Interpreting the works of authors as diverse as Benjamin Constant, Toni Morrison, T. H. White, and William Gibson, along with canonical queer modernists such as James, Proust, Woolf, and Cather, contributors reveal the wealth of ways in which selves and communities succeed in extracting sustenance from the objects of a culture whose avowed desire has often been not to sustain them. The dramatic reframing that these essays perform will make the significance of Novel Gazing extend beyond the scope of queer studies to literary criticism in general. Contributors . Stephen Barber, Renu Bora, Anne Chandler, James Creech, Tyler Curtain, Jonathan Goldberg, Joseph Litvak, Michael Lucey, Jeff Nunokawa, Cindy Patton, Jacob Press, Robert F. Reid-Pharr, Eve Kosofsky Sedgwick, Melissa Solomon, Kathryn Bond Stockton, John Vincent, Maurice Wallace, Barry Weller

Stolen jewels, black markets, hired guns, crossed lovers, unregistered addresses, people gone missing, shadowy figures disappearing in crowds, newspaper stories uncomfortably close and getting closer . . . this ominous novel is Patrick Modiano's most noirish work to date. Set in Nice--a departure from the author's more familiar Paris--this novel evokes the bright sun and dark shadow of the Riviera. Modiano's trademark ability to create a haunting atmosphere is here on full display: readers descend precipitously into a world of mystery, uneasiness, inevitability. A young couple in hiding keeps close watch over a notorious diamond necklace known as the Southern Cross. Its provenance is murky, its whereabouts known only to our hero and heroine, who find themselves trapped by its potential value--and its ultimate cost. Deftly Modiano reaches further and further into the past, revealing the secret histories of the two even as the pressurized present threatens to overwhelm them.

"As a boarding school student in the early 1960s, Patrick Modiano lived among the troubled teenage sons of wealthy but self-involved parents. In this mesmerizing novel, Modiano weaves together a series of exquisitely crafted stories about such jettisoned boys at the exclusive Valvert School on the outskirts of Paris: abandoned children of privilege, left to create new family ties among themselves. Misfits and heroes, sports champions and good-hearted chums, the boys of Valvert misbehave, run away, get expelled, and engage in various forms of delinquency and disappearance. They emerge into adulthood tragically damaged, still tethered to their adolescent selves, powerless to escape the central loneliness of their lives in an ever-darkening spiral of self-delusion and grim consequence"--Back cover.