The specific course of the Reformation in England in the 16th-17th centuries brought about interest in the Jewish Bible, i.e. the Old Testament, and the emergence of a self-image held by the British that they constitute a people of the Book, beside the Jews. This, in turn, gave rise to philosemitism, which marked British culture from the days of Cromwell to those of Churchill, being tinged in various tones, from millenarianism to philo-Zionism. However, the tradition of philosemitism in England was accompanied by manifestations of antisemitism; the same people who extolled the Jews opposed their admission to Parliament; people who defended Jewish rights in the 18th-19th centuries often shared anti-Jewish stereotypes of their time; and leaders who sympathized with Zionism could believe in a Jewish conspiracy against Christian civilization. Ch. 4 (pp. 83-117), "Fictional Heroes and Heroines", deals with 19th-century literature and shows how some writers (e.g. Walter Scott, Dickens, Trollope) could combine philosemitic and antisemitic motifs in their literary works.

"What if an empire of Jewish warriors that really existed in the Middle Ages had never fallen--and was the only thing standing between Hitler and his conquest of Russia? Eastern Europe, August 1942. The Khazar kaganate, an isolated nation of Turkic warrior Jews, lies between the Pontus Euxinus (the Black Sea) and the Khazar Sea (the Caspian). It also happens to lie between a belligerent nation to the west that the Khazars call Germania--and a city the rest of the world calls Stalingrad. After years of Jewish refugees streaming across the border from Europa, fleeing the war, Germania launches its siege of Khazaria. Only Esther, the daughter of the nation's chief policy adviser, sees the ominous implications of Germania's disregard for Jewish lives. Only she realizes that this isn't just another war but an existential threat. After witnessing the enemy warplanes' first foray into sovereign Khazar territory, Esther knows she must fight for her country. But as the elder daughter in a traditional home, her urgent question is how. Before daybreak one fateful morning, she embarks on a perilous journey across the open steppe. She seeks a fabled village of Kabbalists who may hold the key to her destiny: their rumored ability to change her into a man so that she may convince her entire nation to join in the fight for its very existence against an enemy like none Khazaria has ever faced before. The Book of Esther is a profound saga of war, technology, mysticism, power, and faith. This novel--simultaneously a steampunk Joan of Arc and a genre-bending tale of a counterfactual Jewish state by a writer who invents worlds "out of Calvino or Borges" (The New Yorker)--is a stunning achievement. Reminiscent of Michael Chabon's The Yiddish Policemen's Union and Philip Roth's The Plot Against America, The Book of Esther reaffirms Barton's place as one of her generation's most gifted storytellers"--

Masterly collection of short stories by an American novelist at the height of her powers. It is the stories upon which Cynthia Ozick's literary reputation rests. She writes about bitterness, cruelty and compulsion with brutal acuity and tenderness. She has created a timeless collection in which Greek mythology, superstition and the religious and cultural experience of the Jewish diaspora in America collide. The Pagan Rabbi is seduced by a tree sprite after seeing his daughter rescued from drowning by a water sprite. Such ecstasy is not permitted to mortals and so the scholar must die. He hangs himself with his prayer shawl as he watches the strangely beautiful nymph decay. In Envy, a Yiddish poet who watches the success of a contemporary, becomes very like a character in an I.B. Singer story entrapped by his anguish and haunted by the memory of a child. In the Doctor's Wife, the most gentle of the stories, a poor doctor not unlike Chekhov endures family life in which he is adored by his three sisters and oppressed by his family obligations. In these stories, we see Ozick defining herself and her literary territory. The stories may be read purely as evocations of Jewish experience, where time seems to have by-passed these characters. In the Butterfly and the Traffic Light, Jerusalem is seen upon a hill as only it can be in legend, and America is said not to have cities scarred by battles. This is a dazzling collection of short stories by an internationally celebrated novelist.

"Hailed as a remarkable literary discovery, a lost novel of heart-stopping intensity and harrowing absurdity about flight and persecution in 1930s Germany"--

In this collection of fictional writings, the Golem of Jewish folklore is both hero and villain. The Golem, a creature made of clay and brought to life by Rabbi Leyb of Prague in the sixteenth century, has provided an enticing subject for fiction writers since the legend began. In some works, Rabbi Leyb gives birth to the Golem to help the Jews with the overbearing burden of their work. In others, the Golem is the protector of the Jews, keeping watch during the nights before Passover to make sure that a Gentile does not plant evidence for a blood libel in a Jewish home. But the powerful Golem can also lose control and have to be destroyed. Joachim Neugroschel has brought together some of the best work featuring the Golem, including H. Leivick's masterful blank verse play; Yudl Rosenberg's "pamphlet" full of Golem tales; and stories by S. Bastomski, Dovid Frishman, and Y. L. Peretz, which he translates fluidly from the Yiddish.

In this sparkling debut, a young critic offers an original, passionate, and erudite account of what it means to feel Jewish--even when you're not. Self-hatred. Guilt. Resentment. Paranoia. Hysteria. Overbearing Mother-Love. In this witty, insightful, and poignant book, Devorah Baum delves into fiction, film, memoir, and psychoanalysis to present a dazzlingly original exploration of a series of feelings famously associated with modern Jews. Reflecting on why Jews have so often been depicted, both by others and by themselves, as prone to "negative" feelings, she queries how negative these feelings really are. And as the pace of globalization leaves countless people feeling more marginalized, uprooted, and existentially threatened, she argues that such "Jewish" feelings are becoming increasingly common to us all. Ranging from Franz Kafka to Philip Roth, Sarah Bernhardt to Woody Allen, Anne Frank to Nathan Englander, Feeling Jewish bridges the usual fault lines between left and right, insider and outsider, Jew and Gentile, and even Semite and anti-Semite, to offer an indispensable guide for our divisive times.

The five short novellas which comprise this anthology were written between 1890 and World War I. All share a common setting-the Eastern European Jewish town or shtetl, and all deal in different ways with a single topic-the Jewish confrontation with modernity. The authors of these novellas are among the greatest masters of Yiddish prose. In their work, today's reader will discover a literary tradition of considerable scope, energy, and variety and will come face to face with an exceptionally memorable cast of characters and with a human community now irrevocably lost.In her general introduction, Professor Wisse traces the development of modern Yiddish literature in the late 19th and early 20th centuries and describes the many shifts that took place between the Yiddish writers and the world about which they wrote. She also furnishes a brief introduction for each novella, giving the historical and biographical background and offering a critical interpretation of the work.

What Is Jewish Literature? is a richly thoughtful analysis and comprehensive overview of what defines Jewish literature. It is an international collection, featuring authors and scholars who write in different languages from different literary, spiritual, and personal perspectives.The book explores long-standing What are the criteria for identifying Jewish literature? Are they language, religious affiliation of the author, religious sensibility, a distinctive Jewish imagination, or literary tradition?If the writer is the criterion, do Sholem Aleichem and Nathanael West really inhabit a shared universe? Is a text by S.Y. Agnon part of the same literary tradition as a play by Arthur Miller?Is Yiddish or Hebrew or Ladino the defining element? If so, where do we place Franz Kafka, Primo Levi, Elie Weisel, Saul Bellow, Nellie Sachs?Is tradition the yardstick? Do we then classify Saul Bellow's Mr. Sammler's Planet as a Jewish novel... as Holocaust literature... as American fiction?What Is Jewish Literature? debates all these possibilities. It is a landmark collection that encourages the reader to participate in the quest for answers that defy simple responses.The contributors reflect the multilingual and multicultural nature of any discussion of Jewish literature. Their voices range from polemical to speculative, from scientific to lyrical.What Is Jewish Literature? is an enduring contribution to the literary resource for the scholar, the teacher, and the student and for any individual who strives to appreciate, evaluate, and understand the varied riches of Jewish writing.

Offers seven poems, seven works of fiction, including an excerpt from the author's novel "Trust," and eight essays that discuss such authors as Virginia Woolf, Edith Wharton, and Henry James, feminism, and other topics

Intelligence turns me on. Lore Segal's tour de force look at the New York literary scene was a hit when it was first released in the 1970s, winning the praise of the literary elite. John Garnder called it “magical.” William Gass said it was “witty, elegant, beautiful.” Stanley Elkin called it “a shamelessly wonderful novel, so flawless one feels civilized reading it.” It's been a cult classic ever since, and appears here in its full, original text, as fresh as ever: the story of the whimsical New York poet Lucinella and her adventures among the literati. It starts at Yaddo writers colony, where life is idyllic, meals are served to you in your rooms, and cocktails are ready at day's end … and still the writers complain and compete. Then it moves back to New York City, where the pampered once again face reality, and wonder: Will a different husband … or the right publisher … or the perfect filing system … put life in order? Lucinella and her circle feel lacking and keep looking, busily going to parties and watching one another 's lives closely for signs of happiness, love and despair. Segal depicts it all with a perfect blend of love and malice. And at the center is Lucinella herself, so full of humanity and frailty that these divertissements do her to death. “Here,” as Cynthia Ozick says, “is the enchanted microcosm, the laughter of mortality.” The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners.

This anthology presents an ambitious cross-section of Jewish American short fiction. It covers a full century of extraordinary writings, from turn-of-the-century immigrant fiction to stories by some of the finest young contemporary American writers. To read through its pages is to encounter a remarkable?and remarkably diverse?literary tradition. The volume opens with stories by two important immigrant writers from the early twentieth century, Abraham Cahan and Anzia Yezierska. There follows a generous selection of modern Jewish American stories by such celebrated authors as Isaac Bashevis Singer, Saul Bellow, Grace Paley, Tillie Olsen, Bernard Malamud, and Philip Roth. The collection concludes with a rich sampling of stories by contemporary writers whose works illustrate the impressive variety and vitality of recent Jewish American fiction. Equally suited to scholars, students, and general readers, American Jewish Fiction provides an invaluable survey of literary works that have enriched and transformed American?and world?literature.

Raoul Wallenberg, the Swedish diplomat who saved thousands of Budapest Jews in 1944-45, was arrested by the Soviets and taken to Moscow where he disappeared. Now, more than 70 years after these events, many mysteries about Wallenberg's life and fate persist. As both a literary detective story and historical investigation Alan Lelchuk uses a fictional investigation to explore what really happened.

Published for the first time in English, Panorama is a superb rediscovered novel of the Holocaust by a neglected modern master. One of a handful of death camp survivors to fictionalize his experiences in German, H. G. Adler is an essential author--referenced by W. G. Sebald in his classic novel Austerlitz , and a direct literary descendant of Kafka. When The Journey was discovered in a Harvard bookshop and translated by Peter Filkins, it began a major reassessment of the Prague-born H. G. Adler by literary critics and historians alike. Known for his monumental Theresienstadt 1941-1945 , a day-by-day account of his experiences in the Nazi slave-labor community before he was sent to Auschwitz, Adler also wrote six novels. The very depiction of the Holocaust in fiction caused furious debate and delays in their publication. Now Panorama , his first novel, written in 1948, is finally available to convey the kinds of truths that only fiction can. A brilliant epic, Panorama is a portrait of a place and people soon to be destroyed, as seen through the eyes of young Josef Kramer. Told in ten distinct scenes, it begins in pastoral Word War I-era Bohemia, where the boy passively witnesses the "wonders of the world" in a thrilling panorama display; follows him to a German boarding school full of creeping xenophobia and prejudice; and finds him in young adulthood sent to a labor camp and then to one of the infamous extermination camps, before he chooses exile abroad after the war. Josef's philosophical journey mirrors the author's own: from a stoic acceptance of events to a realization that "the viewer is also the participant" and that action must be taken in life, if only to make sure the dead are not forgotten. Achieving a stream-of-consciousness power reminiscent of James Joyce and Gertrude Stein, H. G. Adler is a modern artist with unique historical importance. Panorama is lasting evidence of both the torment of his life and the triumph of his gifts.

"Completed in the last year of his life, From Bondage is perhaps Roth's most profound work, for like Tolstoy in The Death of Ivan Ilyich, Roth examines his own imminent passing in the most plaintive of ways, telling the story of the old man, Ira Stigman, who, in spite of his physical frailties, finds solace in re-creating the lost love affair of his youth. Capturing the bohemian downtown world of Manhattan in the 1920s, Roth has set the stage for one of the most memorable of literary romances." "At its heart, From Bondage is the mesmerizing love triangle involving young Ira, an impressionable neophyte from Jewish Harlem, and Edith Welles, a sophisticated professor of English, a muse to starving poets and lovelorn men, who sweeps Ira into her world of soigne parties and literary debaucheries. Edith, as the old man Ira relays the story, is still physically involved with her former student Larry Gordon when she finds herself attracted to Ira, who is Larry's best friend. To complicate the matter even more, Edith is also carrying on a simultaneous affair with Lewlyn, the separated husband of the aspiring anthropologist Marcia Meede." "Fictionalizing the lives of the celebrities of the 1920s, including such burgeoning literary figures as Hart Crane, Louise Bogan, Leonie Adams, and Margaret Mead, Roth creates an unforgettable portrait of New York where "the lights of Manhattan twisted toward him across the rippling water like a gimlet." Perhaps the last witness to this age, Roth paints a gentile and genteel world that contrasts so vividly with the seemingly coarse, abject slums of the Pushcart District from which he had sprung. Ira, then a young man, is the observant witness to the spectacle that unfolds, seeking desperately to ingratiate himself into this world of sophisticates, yet hopelessly tethered to the tenement roots he cannot escape."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The immense service that Langer's careful, thoughtful, immensely intelligent and restrained study renders is that the esthetics of atrocity cease to be an exclusive domain of the victims. Many of his writers are not Jewish and several were not imprisoned or interned, and yet all of them have been driven by the death-camp universe. The atrocity of that time and the atrocities that have succeeded Auschwitz represent a continuity that may almost be called a new tradition, one in which the phantasmagoric and horrific is real and the gentle and generous a prodigy to be remarked with amazement. " The Holocaust and the Literary Imagination is a pioneering work of criticism for it impels us, readers and writers alike, to inquire after the basic paradox: how can literature delight and transfix or warn and modify a humanity from whom nothing is hidden, nothing prohibited, for whom nothing is shocking or unreal." -Arthur A. Cohen, New York Times Book Review "A stimulating, perceptive study of the literature of the Holocaust.... Langer's examination of possible stylistic approaches to the subject, from the delicate whimsy of Aichinger to the graphic bestiality of Kosinski's The Painted Bird is in each case detailed and subtle." - The New Republic

"A devastating novel about the attrocities of WWII, and the unspeakable things people did to survive, by one of Yugoslavia's great literary voices. Lamian is a survivor, but a survivor of a very special kind. He was a Kapo, a prisoner who served as a camp guard in order to save himself. But has Lamian saved himself? The war over, he resumes life in the Bosnian town of Banja Luka, works in a land-surveying office, rents a room, eats as many hot potatoes as he likes, not even bothering to salt them--the quantity is what matters. If only he could stop looking over his shoulder, and flinching on the street in the fear that some stranger will step forward, smack his face, and say in a loud voice, "Here's one!" If only he could stop worrying about Helena Lifka, who turned out to be Yugoslav too, and Jewish too, one of the women he made come naked into the toolshed where he hid the gold, and sit on his lap in exchange for bread and butter and a little warm milk. She could turn up any day, an old woman now, and point an accusing finger. In this masterful novel, Aleksandar Tišma shows step by step how fear can turn an ordinary human being into a monster"--

"Flames from the Earth is an autobiographical novel by Isaiah Spiegel, one of the most revered Yiddish authors to survive the Holocaust, depicting the complex web of relationships in and around the Łódź Ghetto"--

"When Elaine Levine's eccentric older brother, Isaac, moves back from LA to the quiet suburb of Thornhill, Ontario, to help her care for her suddenly motherless grandchildren, he finds himself embroiled in even more neighbourhood drama than he would like. Meanwhile, a nanny, miles from her own family in the Philippines, cares for a young boy who doesn't fit in at school. In a house down the street, a young mother is given the news that her marriage is over by her mother-in-law while her husband sits silent. And a woman in mid-life contends with the task of cleaning out the house in which she grew up, while her teenage son struggles with why his dad moved out. This stunningly intimate collection of stories, which spans fifteen years in the lives of the Levine family and the other characters, is an exquisite portrait of a Jewish community, the secular and religious families who inhabit it, and the tensions that exist there, by a writer with a keen eye for detail, a gentle sense of humour, and an immense literary talent."--

Robert Menasse, who was born into a Jewish family in Vienna in 1954, speaks with the voice of the generation known as Nachgeborene ("those born after"). Although fortunate to have escaped the persecution and exile his parents endured, Menasse's stories constantly refract the suffering of the past through the ironic distance of a feeling observer. His critically humorous voice uncovers surprising truths about himself and the past. As the author of over twenty books, which include critical essays on contemporary cultural topics as well as novels and short stories, Menasse's fame as a major figure in contemporary Austrian literature is firmly established. He has received many prestigious literary prizes and divides his time between Vienna and Amsterdam.

This novel holds within its pages an unusual love story that spans three decades and three continents. When Max first meets Esther, she is a young Australian girl filled with passion for life and boundless enthusiasm. His love for her continues through all the changes that take place in her life - her move from London, where they meet, to Jerusalem where she explores the Judaism that until then was just on the fringe of her life; the literary prize she wins that brings her back into his orbit; her commitment to Israel that breaks their relationship; and then finally, a coincidental meeting in the middle of a war in Lebanon. Max never stops loving Esther, even as she matures from a naive girl to a woman of depth and wisdom. Love takes many forms, and readers will experience all the complexities of emotion as they discover the ties that bind a man to a woman.