In 2003, South African writer J. M. Coetzee was awarded the Nobel Prize in Literature for his riveting portrayals of racial repression, sexual politics, the guises of reason, and the hypocrisy of human beings toward animals and nature. Coetzee was credited with being "a scrupulous doubter, ruthless in his criticism of the cruel rationalism and cosmetic morality of western civilization." The film of his novel Disgrace , starring John Malkovich, brought his challenging ideas to a new audience. Anton Leist and Peter Singer have assembled an outstanding group of contributors who probe deeply into Coetzee's extensive and extraordinary corpus. They explore his approach to ethical theory and philosophy and pay particular attention to his representation of the human-animal relationship. They also confront Coetzee's depiction of the elementary conditions of life, the origins of morality, the recognition of value in others, the sexual dynamics between men and women, the normality of suppression, and the possibility of equality in postcolonial society. With its wide-ranging consideration of philosophical issues, especially in relation to fiction, this volume stands alone in its extraordinary exchange of ethical and literary inquiry.

Gertrude Stein began the creative work that was to earn her the reputation as one of the most original writers of this century with the three pieces in this volume. Fernhurst, a fictional episode based on a Bryn Mawr scandal of the early 1900s, explores the labyrinth of love between man and woman and between woman and woman; Q.E.D. fictionalizes an early Stein romance (doomed finally by a rival); and the third selection is an early draft of The Making of Americans, which records Stein's struggle toward maturity as woman and artist. Essential works of a significant twentieth-century literary voice.

Published together for the first time are selections from all Kafka's writings: The Metamorphosis, Josephine The Singer, plus his short stories, parables, and his personal diaries and letters.

National Book Critics Circle Award Finalist A New York Times Notable Book A Best Book of the Year — Austin American-Statesman Includes a new, previously uncollected piece: "My Internet" In The Ecstasy of Influence , the incomparable Jonathan Lethem has compiled a career-spanning collection of occasional pieces—essays, memoir, liner notes, fiction, and criticism—which also doubles as a novelist’s manifesto, self-portrait, and confession. The result is an insightful, charming, and entertaining grab bag that covers everything from great novels to old films to graffiti to cyberculture.

This is a new release of the original 1935 edition.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Sword of Moses: An Ancient Book of Magic by M. Gaster is a comprehensive study of an ancient Jewish magical text known as the Sword of Moses. The book explores the origins, history, and contents of this fascinating text, which is believed to date back to the 6th or 7th century CE. The Sword of Moses contains a variety of magical spells and incantations, including those for healing, protection, and divination. The book also includes detailed analysis of the text's language, structure, and symbolism, as well as its relationship to other Jewish magical traditions. The author provides extensive historical and cultural context for the Sword of Moses, drawing on a wide range of sources from Jewish and non-Jewish traditions. The Sword of Moses: An Ancient Book of Magic is a must-read for anyone interested in the history of Jewish magic and mysticism.1896. From a unique manuscript. With introduction, translation, an index of mystical names, and a facsimile. A Gnostic text, originally in Hebrew, discusses the names of God, which are thought by Kabbalists to have magical powers. With a complete original version and a facsimile of the original papyrus.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Arabic Chrestomathy In Hebrew Characters: With A Glossary (1892) is a book written by Hartwig Hirschfeld. The book contains a collection of Arabic texts written in Hebrew characters, along with a glossary of Arabic words used in the texts. The purpose of the book is to provide a resource for students of Arabic who are familiar with Hebrew characters. The texts included in the book cover a range of topics, including religion, history, and literature. The glossary provides translations and explanations of the Arabic words used in the texts, making it easier for readers to understand the meaning of the texts. Overall, Arabic Chrestomathy In Hebrew Characters: With A Glossary (1892) is a valuable resource for students of Arabic who are interested in learning about the language and its cultural context.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Leonid Andreyev's "Anathema: A Tragedy in Seven Scenes" explores profound questions of faith, existence, and the nature of good and evil. This landmark work of Russian literature delves into the realm of existentialism through a dramatic and philosophical lens. Andreyev, known for his intense and thought-provoking writing, crafts a compelling narrative that challenges conventional notions of morality and the divine. As a pivotal work in European drama, "Anathema" remains a powerful and relevant exploration of the human condition. This carefully prepared print edition allows readers to experience Andreyev's enduring vision. This tragedy invites reflection on timeless themes and continues to resonate with those interested in Russian literary collections and the philosophical currents of existentialism. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a new release of the original 1940 edition.

Originally published in 1959, the basis of this book was a course of lectures given at Cambridge University entitled Three Traditions of Moral Thought: Platonic-Christian; Utilitarian; Humanist. Designed chiefly for students of literature, and maintaining the accessible structure of the original lectures, it was intended to provide an introduction to English moral thought and the problems of moral philosophy. Whilst this approach necessarily involved an avoidance of a 'pure' philosophical method, it was enriched by fresh perspectives derived from literary criticism and a direct, non-technical style. This is an informative volume that will be of value to anyone with an interest in moral philosophy, literary criticism, and the relationship between the two.

Philippines is Hélène Cixous's reverie or 'true dreaming' which intertwines Freud's uneasy views on telepathy, autobiographical memories conflating Algeria and Paris, childhood and adult life, shared with her brother 'Pete', and literary evocations from Proust and George du Maurier's forgotten novel Peter Ibbetson. Amid telepathic conversations, real or imagined, and life events uncannily answering one another from a distance, Cixous's dense evocative journey ceaselessly 'returns to its starting point' and, like the twin almonds in one shell evoked by the title, reveals intimate, secret bonds between scenes and beings, real and fictional. Its interpretive sharpness delivered with stylistic elegance and candour will make this study typical of Cixous's art, which plies between literature and criticism, appealing not only to scholars and critics interested in psychoanalysis, autobiography and the act of reading, but also to a broader readership captivated by the hallucinatory coincidences between life, dream and fiction, when 'Reality is the dream. The dream is the true reality'.

"In 1968-69 I wanted to die, that is to say, stop living, being killed, but it was blocked on all sides," wrote Hélène Cixous, esteemed French feminist, playwright, philosopher, literary critic, and novelist. Instead of suicide, she began to dream of writing a tomb for herself. This tomb became a work that is a testament to Cixous's life and spirit and a secret book, the first book she ever authored. Originally written in 1970, Tombe is a Homerian recasting of Shakespeare's Venus and Adonis in the thickets of Central Park, a book Cixous provocatively calls the "all-powerful-other of all my books, it sparks them off, makes them run, it is their Messiah." Masterfully translated by Laurent Milesi, Tombe preserves the sonic complexities and intricate wordplay at the core of Cixous's writing, and reveals the struggles, ideas, and intents at the center of her work. With a new prologue by the author, this is a necessary document in the development of Cixous's aesthetic as a writer and theorist, and will be eagerly welcomed by readers as a crucial building block in the foundation of her later work .

This Is A New Release Of The Original 1889 Edition.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"I try to believe that everything I have read has contributed some small ingredient to the melting pot of my mind." In On the Ivory Stages , Theodore Dalrymple continues the genre he established with These Spindrift Pages by capturing the thoughts inspired by his recent reading. These passages serve as small essays that are part literary criticism, historical analysis and philosophical musings, sometimes all at once. The breadth of writers and subjects he addresses are both cause and effect of an expansive and curious mind. Readers will benefit, as Dalrymple has, from the volume and quality of his reading and from the wisdom it inspires. Theodore Dalrymple is a retired doctor and psychiatrist who has written many books, including Life at the Bottom, Admirable Evasions and These Spindrift Pages.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This Is A New Release Of The Original 1897 Edition.

Throughout the ages philosophers have examined their own lives in an attempt both to find some meaning and to explain the roots of their philosophical perspectives. This volume is an introduction to philosophical autobiography, a rich but hitherto ignored literary genre that questions the self, its social context, and existence in general. The author analyzes representative narratives from antiquity to postmodernity, focusing in particular on three case studies: the autobiographies of St. Augustine, Rousseau, and Sartre. Through the study of these exemplary texts, philosophical reflection on the self emerges as a valid alternative to Freudian psychoanalysis and as a way of promoting self-renewal and change.