METAMORPHOSIS by FRANZ KAFKA is one of the most haunting and iconic novellas of the twentieth century. First published in 1915, this unsettling story follows Gregor Samsa, a traveling salesman who awakens one morning to discover he has inexplicably transformed into a giant insect. As his body mutates, so does his relationship with his family and the world around him—exposing themes of isolation, guilt, and existential dread. This literary classic has captivated generations of readers and continues to influence writers and artists across the globe. With its surreal premise and razor-sharp social commentary, Metamorphosis has inspired great minds like George Orwell, Albert Camus, Jorge Luis Borges, and Ray Bradbury. THIS DEFINITIVE EDITION FEATURES: A CLEAN, MODERN LAYOUT designed for readability A BOLD TYPOGRAPHIC COVER that reflects the story’s psychological tension THE UNABRIDGED AND UNALTERED TEXT of Kafka’s original masterpiece Perfect for fans of dystopian fiction, psychological horror, and philosophical literature, Metamorphosis remains as relevant and disturbing today as it was over a century ago. Rediscover one of the most important works of modern fiction—and enter the surreal world of FRANZ KAFKA, where transformation reveals the deepest corners of the human soul.

At once praised and condemned by his contemporaries and by critics ever since for his highly complex poetic vision, William Butler Yeats remains one of the most important and controversial twentieth-century poets. In what has become a classic work of literary criticism, award-winning critic Harold Bloom breaks new ground with his radical interpretation of Yeats' relationship to the English Romantic tradition. Yeats tells the continuous story of the lifelong influence of Shelley, Blake, and the Romantic tradition upon Yeats' work. Through his analysis of the full spectrum of Yeats' poems and plays, Bloom offers a profound reinterpretation of poetic influence in general.

Yehuda Amichai (1924-2000) was Israel's most popular poet, as well as a literary figure of international reputation. In this collection, renowned translators Chana Bloch and Stephen Mitchell have selected Amichai's most beloved poems, including forty poems from his later work. A new foreword by C.K. Williams, written especially for this edition, addresses Amichai’s enduring legacy and sets his poetry in the context of the new millennium.

Published posthumously, 'Admetus and Other Poems' offers a rare glimpse into the mind of one of America's great literary figures, Emma Lazarus. This collection of her lesser-known poetry shows the full range of her abilities as a writer and a thinker, and is an essential addition to any collection of American poetry. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Written as a cultural weapon and a call to arms, Howl touched a raw nerve in Cold War America and has been controversial from the day it was first read aloud nearly fifty years ago. This first full critical and historical study of Howl brilliantly elucidates the nexus of politics and literature in which it was written and gives striking new portraits of Allen Ginsberg, Jack Kerouac, and William Burroughs. Drawing from newly released psychiatric reports on Ginsberg, from interviews with his psychiatrist, Dr. Philip Hicks, and from the poet's journals, American Scream shows how Howl brought Ginsberg and the world out of the closet of a repressive society. It also gives the first full accounting of the literary figures―Eliot, Rimbaud, and Whitman―who influenced Howl, definitively placing it in the tradition of twentieth-century American poetry for the first time. As he follows the genesis and the evolution of Howl, Jonah Raskin constructs a vivid picture of a poet and an era. He illuminates the development of Beat poetry in New York and San Francisco in the 1950s--focusing on historic occasions such as the first reading of Howl at Six Gallery in San Francisco in 1955 and the obscenity trial over the poem's publication. He looks closely at Ginsberg's life, including his relationships with his parents, friends, and mentors, while he was writing the poem and uses this material to illuminate the themes of madness, nakedness, and secrecy that pervade Howl. A captivating look at the cultural climate of the Cold War and at a great American poet, American Scream finally tells the full story of Howl―a rousing manifesto for a generation and a classic of twentieth-century literature.

The legendary correspondence between the critic Walter Benjamin and the historian Gershom Scholem bears indispensable witness to the inner lives of two remarkable and enigmatic personalities. Benjamin, acknowledged today as on of the leading literary and social critics of his day, was known during his lifetime by only a small circle of friends and intellectual confreres. Scholem recognized the genius of his friend and mentor during their student days in Berlin, and the two began to correspond after Scholem’s emigration to Palestine. Their impassioned exchange draws the reader into the very heart of their complex relationship during the anguished years from 1932 until Benjamin’s death in 1940.

Traces the evolution of the Romantic approach to literary criticism and compares it to the other methods which prevailed in the early nineteenth century.

Admirers and detractors of Vladimir Nabokov have viewed him as an ingenious contriver of literary games, teasing and even outsmarting his readers through his self-reflexive artifice and the many codes and puzzles he devises in his fiction. Nabokov himself spoke a number of times about reality as a term that always has to be put in scare quotes. Consequently, many critics and readers have thought of him as a writer uninterested in the world outside literature. Robert Alter shows how Nabokov was passionately concerned with the real world and its complexities, from love and loss to exile, freedom, and the impact of contemporary politics on our lives. In these essays, Alter spans the breadth of Nabokov's writings, from his memoir, lectures, and short stories to major novels such as Lolita. He demonstrates how the self-reflexivity of Nabokov's fiction becomes a vehicle for expressing very real concerns. What emerges is a portrait of a brilliant stylist who is at once serious and playful, who cared deeply about human relationships and the burden of loss, and who was acutely sensitive to the ways political ideologies can distort human values.

Product Description WCW, I Wanted to Write a Poem. Williams discusses the procedure of poetry. From the Back Cover 'I Wanted to Write a Poem' is, then, a brief 'talking' bibliography, alive with the Williamses' memories of the circumstances in which the books were brought into being-in Miss Heal's words, 'a nostalgic review of the early twentieth-century literary world.'

Rejects the model of competitive memory, i.e. the conception that collective memories of different groups, especially memories of victimization, confront one another in the public sphere, and eventually one group history blocks other group histories. Proposes a model of multidirectional memory, according to which various group memories interact productively and borrow from one another. In the post-World War II West, a process of coming to terms with the Nazi Holocaust of Jews went on side by side with a process of decolonization and coming to terms with Europe's and America's colonial and slavery past. In this process, the attitude that the Holocaust is unique as a historical phenomenon proved to be harmful and has been increasingly rejected. Discusses a number of artworks, literary works, and films, mainly by French artists and authors (e.g. Taslitzky, Fougeron, Césaire, Schwarz-Bart, Delbo, Rouch and Morin) as well as by some non-French ones (e.g. Arendt, W.E.B. DuBois, Caryl Phillips, Haneke), in which racism and events of the colonial past have been juxtaposed with the Holocaust.

First published in 1973 – and followed by Volume II in 1976 and Volume III in 1980 – this anthology has assumed classic status in the field of Egyptology and portrays the remarkable evolution of the literary forms of one of the world’s earliest civilizations. Volume I outlines the early and gradual evolution of Egyptian literary genres, including biographical and historical inscriptions carved on stone, the various classes of literary works written with pen on papyrus, and the mortuary literature that focuses on life after death. Introduced with a new foreword by Antonio Loprieno. Volume II shows the culmination of these literary genres within the single period known as the New Kingdom (1550-1080 B.C.). With a new foreword by Hans-W. Fischer-Elfert. Volume III spans the last millennium of Pharaonic civilization, from the tenth century B.C. to the beginning of the Christian era. With a new foreword by Joseph G. Manning.

Critical Companion to Philip Roth is a comprehensive reference to this talented writer's life and works. Coverage includes: A concise but thorough biography of Roth Entries on all of Roth's works, including American Pastoral, The Ghost Writer, Sabbath's Theater, The Human Stain, Zuckerman Unbound, the stories collected in Goodbye, Columbus, The Plot Against America, his nonfiction works, and more. Each entry on a fictional work contains subentries on the work's main characters (including Nathan Zuckerman, Alexander Portnoy, "Swede" Levov, and more) Entries on related people, places, and topics, such as anti-Semitism, Claire Bloom, Newark, satire, and many more Appendixes, including a chronology, a bibliography of Roth's works, and a secondary-source bibliography.

In the early decades of this century, the wave of immigration that brought nearly two million Jews from the Pale of Settlement to the United States included an extraordinary group of gifted Yiddish poets and writers, who came to be called Di Yunge (The Young). A Little Love in Big Manhattan tells the story of two of the Young’s most prominent figures―Mani Leib, a lyric poet intent on refining the hard facts of his life into works of enduring beauty, and Moishe Leib Halpern, for whom poetry had to be the expression of coarse and shattering reality. Through a dual biography of these opposing personalities, Ruth Wisse describes the rich and vital cultural movement that embraced them both. She tells of the burst of creative energy exhibited by the young poets and intellectuals who, after a long day of manual labor, would congregate in the cafes of the Lower East Side for badinage, debate, and literary talk. They started literary journals and compiled anthologies of their writings, which found their way overseas and had a rejuvenating influence on Yiddish poetry abroad. Ironically, their achievement coincided with the decline of the language in which they wrote, so that Yiddish poetry came into its own in America at a time when the next generation could scarcely read it; there were no literary heirs. Ruth Wisse presents modern Jews with a part of their lost inheritance, and also claims for the Yiddish poets a place in the American canon. The first book to present these poets as part of the history of immigrant Jews in America, A Little Love in Big Manhattan (the title is from a poem of Halpern’s) will appeal to readers of poetry and to people interested in facets of the intellectual and artistic atmosphere of the interwar period.

Recognizing the intrinsic literary merit of much of children's writing, Ruth Krauss listened to their ideas, poems, and stories and wrote them down with a professional's touch. Maurice Sendak's drawings highlight the whimsy and logic of these writings, and also stand on their own as picture-poems. The result is seventeen very funny, poignant, insightful, exuberant pieces of literature that bring out all the best of childhood imaginings.

Dorothy Parker ( 1893 to 1967) was an American poet and satirist, best known for her wit, wisecracks, and eye for 20th century urban foibles. From a conflicted and unhappy childhood, Parker rose to acclaim, both for her literary output in such venues as The New Yorker and as a founding member of the Algonquin Round Table. Following the breakup of the circle, Parker traveled to Hollywood to pursue screenwriting. Her successes there, including two Academy Award nominations, were curtailed as her involvement in left wing politics led to a place on the infamous Hollywood blacklist. Parker went through three marriages (two to the same man) and survived several suicide attempts, but grew increasingly dependent on alcohol. Dismissive of her own talents, she deplored her reputation as a "wisecracker". Nevertheless, her literary output and reputation for her sharp wit have endured. She sold her first poem to Vanity Fair magazine in 1914 and, some months later, she was hired as an editorial assistant for another Condé Nast magazine, Vogue. She moved to Vanity Fair as a staff writer following two years at Vogue. In 1917, married a Wall Street stock broker, Edwin Pond Parker II but they were separated by his army service in World War I. She had ambivalent feelings about her Jewish heritage given the strong antisemitism of that era and joked that she married to escape her name. In the 1920s alone she published some 300 poems and free verses in outlets including the aforementioned Vanity Fair, Vogue, "The Conning Tower" and The New Yorker along with Life, McCall's and The New Republic. She published her first volume of poetry, Enough Rope, a collection of previously published work along with new material in 1926. The collection sold 47,000 copies]and garnered impressive reviews. The Nation described her verse as "caked with a salty humor, rough with splinters of disillusion, and tarred with a bright black authenticity."

Henrik Ibsen's "The Lady From The Sea" is a powerful exploration of family dynamics and the allure of the unknown. This classic work of Norwegian drama delves into the complexities of marriage and the human spirit's connection to the sea. Ibsen masterfully crafts a narrative that resonates with timeless themes of duty, desire, and the search for personal fulfillment. A cornerstone of European drama, "The Lady From The Sea" showcases Ibsen's signature blend of realism and symbolism. This meticulously prepared print edition invites readers to experience the profound emotional depth and insightful social commentary that have made Ibsen a literary icon. Discover the enduring power of this compelling drama, a testament to the human condition and the enduring strength of the ties that bind us. A must-read for enthusiasts of classic literature and translated works. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Wrong Door is the first English-language translation of the complete plays of Italian writer Natalia Ginzburg (1916-1991). Bringing together the eleven plays Ginzburg wrote between 1965 and the months before her death, this volume directs attention to Ginzburg's unique talent as a dramatist. Ginzburg's plays, like her novels and short stories, are incisive, finely tuned studies of family drama, of the breakdown of relations between the sexes, and of the tribulations of Italian domestic life. The plays showcase Ginzburg's fearless social commentary, her stark and darkly comic observations of Italian life, and her prescient analyses of the socio-economic changes that have transformed modern Italy. Along the way, Ginzburg creates memorable female characters in a series of fascinating roles. In this fluent and faithful translation, Wendell Ricketts highlights Ginzburg's scalpel-sharp dialogue and lays bare the existential absurdities that lie at the heart of her plays. Including an introduction by the translator and two essays by Ginzburg on her approach to the theatre, The Wrong Door adds a new dimension to the literary portrait of one of Italy's most significant modernist writers.

Leonid Andreyev's "Anathema: A Tragedy in Seven Scenes" explores profound questions of faith, existence, and the nature of good and evil. This landmark work of Russian literature delves into the realm of existentialism through a dramatic and philosophical lens. Andreyev, known for his intense and thought-provoking writing, crafts a compelling narrative that challenges conventional notions of morality and the divine. As a pivotal work in European drama, "Anathema" remains a powerful and relevant exploration of the human condition. This carefully prepared print edition allows readers to experience Andreyev's enduring vision. This tragedy invites reflection on timeless themes and continues to resonate with those interested in Russian literary collections and the philosophical currents of existentialism. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

In 1923, Monroe Wheeler enjoyed publishing a magazine about poetry. Each issue featured a different poet. Manikin Number One was about Janet Lewis. Manakin Number Two, subtitled "Go Go", featured William Carlos Williams. Only 150 copies were made. This little magazine / pamphlet included nine previously-published poems by Williams along with the new one (to print) "The Hermaphroditic Telephones". It was 16 pages long in total, and bound with a string wrap. Enjoy this fresh paperback version of a literary classic!