"The modern Italian classic discovered and championed by James Joyce, Zeno’s Conscience is a marvel of psychological insight, published here in a fine new translation by William Weaver–the first in more than seventy years. Italo Svevo’s masterpiece tells the story of a hapless, doubting, guilt-ridden man paralyzed by fits of ecstasy and despair and tickled by his own cleverness. His doctor advises him, as a form of therapy, to write his memoirs; in doing so, Zeno reconstructs and ultimately reshapes the events of his life into a palatable reality for himself–a reality, however, founded on compromise, delusion, and rationalization. With cigarette in hand, Zeno sets out in search of health and happiness, hoping along the way to free himself from countless vices, not least of which is his accursed “last cigarette!” (Zeno’s famously ineffectual refrain is inevitably followed by a lapse in resolve.) His amorous wanderings win him the shrill affections of an aspiring coloratura, and his confidence in his financial savoir-faire involves him in a hopeless speculative enterprise. Meanwhile, his trusting wife reliably awaits his return at appointed mealtimes. Zeno’s adventures rise to antic heights in this pioneering psychoanalytic novel, as his restlessly self-preserving commentary inventively embroiders the truth. Absorbing and devilishly entertaining, Zeno’s Conscience is at once a comedy of errors, a sly testimonial to the joys of procrastination, and a surpassingly lucid vision of human nature by one of the most important Italian literary figures of the twentieth century." -- Publisher's website.

The most famous collection of short fiction by acclaimed Yugoslavian writer Danilo Kis. In these nine stories Kis depicts human relationships, encounters, landscapes--the multitude of details that make up a human life. Kis combines fiction and history in postmodern style, and in a postscript provides fascinating historical backgrounds and other notes for the reader that add interest and context. An enduring classic of Slavic literary fiction.

Hebrew fiction has emerged as a vital modern literary force, and the scope and riches of this literature is brilliantly exemplified by the eight short novels included in this landmark collection. Some of the authors represented here, like S.Y. Agnon, Amos Oz and A.B. Yehoshua are internationally celebrated. Others, like David Vogel, are writers of rare genius whose work until now had not been widely avaliable. Earlier writers like Y.H. Brenner and Uri Gnessin virtually created modern Hebrew literature, yet are rarely read by modern audiences. Writing in Hebrew, these writers tell of earlier European experiences, of emigration to Israel and of the lives of modern Israelis. Chosen and introduced by Alan Lelchuk, the American novelist, and Gershon Shaked, the Israeli critic, 8 Great Hebrew Short Novels has been superbly translated. This is an outstanding introduction to classic and contemporary Hebrew writing, now avaliable to English readers.

In this collection of fictional writings, the Golem of Jewish folklore is both hero and villain. The Golem, a creature made of clay and brought to life by Rabbi Leyb of Prague in the sixteenth century, has provided an enticing subject for fiction writers since the legend began. In some works, Rabbi Leyb gives birth to the Golem to help the Jews with the overbearing burden of their work. In others, the Golem is the protector of the Jews, keeping watch during the nights before Passover to make sure that a Gentile does not plant evidence for a blood libel in a Jewish home. But the powerful Golem can also lose control and have to be destroyed. Joachim Neugroschel has brought together some of the best work featuring the Golem, including H. Leivick's masterful blank verse play; Yudl Rosenberg's "pamphlet" full of Golem tales; and stories by S. Bastomski, Dovid Frishman, and Y. L. Peretz, which he translates fluidly from the Yiddish.

A companion volume to "The Great Wall of China and Other Short Works, " these new translations bring together the small proportion of Kafka's works that he thought worthy of publication. This volume contains his most famous story. "The Transformation, " more popularly known as "Metamorphosis." Other works include "Meditation, " a collection of his earlier studies; "The Judgement, " written in a single night of frenzied creativity; "The Stoker, " the first chapter of a novel set in America; and "A Fasting Artist, " a collection of stories written towards the end of Kafka's life. There is also a fascinating occasional piece, "The Aeroplanes at Brescia, " Kafka's eye-witness account of an air display in 1909. Taken together, these stories reveal the breadth of Kafka's literary vision and the extraordinary imaginative depth of his thought.

The five short novellas which comprise this anthology were written between 1890 and World War I. All share a common setting-the Eastern European Jewish town or shtetl, and all deal in different ways with a single topic-the Jewish confrontation with modernity. The authors of these novellas are among the greatest masters of Yiddish prose. In their work, today's reader will discover a literary tradition of considerable scope, energy, and variety and will come face to face with an exceptionally memorable cast of characters and with a human community now irrevocably lost.In her general introduction, Professor Wisse traces the development of modern Yiddish literature in the late 19th and early 20th centuries and describes the many shifts that took place between the Yiddish writers and the world about which they wrote. She also furnishes a brief introduction for each novella, giving the historical and biographical background and offering a critical interpretation of the work.

"In the works for sixteen years, The Complete Works of Primo Levi is the most ambitious literary translation of the twenty-first century. Primo Levi, the Italian-born chemist once described by Philip Roth as that "quicksilver little woodland creature enlivened by the forest's astute intelligence," has largely been considered a heroic figure in the annals of twentieth-century literature for If This Is a Man, his haunting account of Auschwitz. Yet Levi's body of work extends considerably beyond his experience as a survivor. Now, the transformation of Levi from Holocaust memoirist to one of the twentieth century's greatest writers culminates in this magisterial publication of The Complete Works of Primo Levi, which, twenty-eight years after his premature death in Turin, finally collects all of Levi's fourteen books--memoirs, essays, poetry, and fiction--into three slip-cased volumes, along with new translations, one revised by the original translator, and an introduction by Nobel laureate Toni Morrison. The appearance of this historic publication will occasion a major reappraisal of "one of the most valuable writers of our time" (Alfred Kazin)" --

'Brisk, smart, witty, elliptical ... Recalls the directors of the New Wave ... Bracing and brilliant' Independent When Patrick Modiano was awarded the 2014 Nobel Prize for Literature he was praised for using the 'art of memory' to bring to life the Occupation of Paris during the Second World War. Born in 1945, Modiano's brilliant, angry writings burst onto the Parisian literary scene and caused a storm. His first, ferociously satirical novel, La Place de l'Étoile , was remarkable in seriously questioning both Nazi collaboration in France and the myths of the Gaullist era. The Night Watch tells the story of a man caught between his work for the French Gestapo and for a Resistance cell. Ring Roads recounts a son's search for his Jewish father, who disappeared ten years previously. These brilliant, almost hallucinatory, evocations of the Occupation attempt to exorcise the past by exploring the morally ambiguous worlds of collaboration and resistance.

Kadya Molodowsky (1894-1975) was among the most accomplished and prolific of modern Yiddish poets. Between 1927 and 1974, she published six major books of poetry, as well as fiction, plays, essays, and children's tales. Molodowsky participated in nearly every aspect of Yiddish literary culture that existed in her lifetime, first in Poland, where she lived until 1935, when she emigrated, and then in America. Before her emigration, Molodowsky taught young children in the Yiddish schools of Warsaw. In New York, she supported herself by writing for the Yiddish press and founded a literary journal, Svive (Surroundings), which she edited for nearly thirty years. Briefly during the early 1950s, Molodowsky wrote and edited Yiddish publications in the new state of Israel. She returned there in 1971 to receive the Itzik Manger Prize, the most prestigious award in Yiddish letters.

And the Rat Laughed is a unique book. Unlike other Holocaust-related books that focus on the historical horrific events, this novel deals with the act of remembering them. It resembles a relay race in which the characters transfer memory from one another, while travelling on the axis of time. The book begins in the last day of 1999, when a survivor Grandmother in Tel Aviv shares her tragic life story as a hidden child in a pit, with only a rat for company with her granddaughter. The day after – 2000 already – the granddaughter tells the legend of "Girl and Rat" to her teacher and in 2009 those who heard it through her classmates establish an internet website with poems. From now on this memory is spread all over the world and becomes a myth. In 2099 a future anthropologist discovers it and tries to uncover its mysterious roots. In her research, she reveals the first man who created this myth in the past. Father Stanislaw, a Catholic priest, saved that little Jewish girl (who later became the Grandmother in Tel Aviv) and returned her after the war to her Jewish people. In his personal journal he documented everything, to make sure the world will never forget. The chain of remembearers, therefore, moves from the present to the future and back to the past. The novel is written in 5 genres: story, legend, poems, science fiction and diary, creating a cycle of 150 years. And the Rat Laughed got acclaim for its use of unconventional and original literary devices and became a ground breaker for exploring the act of memory itself. How do we tell our painful story? Does it change while we recall it? How will our next recipient recall it in his own individual way? Is Art the only corridor to transfer emotional memory?

Lars Gustafsson is one of Sweden's leading and most prolific men of letters; a poet, philosopher, and fiction writer with dozens of books to his credit since his literary debut, at the age of twenty, in 1956. Although known in the English-speaking world primarily for his novels, Gustafsson is nevertheless one of the most frequently translated of contemporary Swedish poets. Elegies and Other Poems is a companion volume to The Stillness of the World before Bach (New Directions, 1988). As in that earlier volume, editor Christopher Middleton has made his selection from several of the poet's books and included his own translations as well as those of others, Yvonne Sandstroem, Bill Brookshire, and Philip Martin. Readers of Gustafsson's fiction will recognize in his verse the elegant mix of intellect and sheer play, the ruminations of a mind that apprehends humanity in the riddles of the universe.

The 27th century: beleaguered elites decide to melt the Greenland icecap. Why? - to open up a new continent, for colonisation by the unruly masses. How? - by harvesting the primordial heat of the Earth from Iceland's volcanoes. Nature fights back, and it all goes horribly wrong... In the early 1920s confirmed city-dweller Alfred Doblin - he was 15 before he saw his first cherry tree - became puzzled by a nagging sense of Nature: "I experienced Nature as a secret. Physics as the surface, begging for explanations. Textbooks... knew nothing of the secret. Every day I experienced Nature as the World Being, meaning: weight, colour, light, dark, its countless materials, as a cornucopia of processes that quietly mingle and criss-cross." Readers accustomed to following a story via Plot and Character may at first be disoriented by this epic of the future. Its structure is more symphonic than novelistic, driven by themes and motifs that emerge, fade back, emerge again in new orchestral voicings and new tempi. The prose - supple, rhythmic, harsh, elegiac, tender, unsparing - propels the reader on through scene after vivid scene. Mountains Oceans Giants is a literary counterpart to the painted dreams and nightmares of Hieronymus Bosch, in The Garden of Earthly Delights and The Last Judgement. Alfred Doblin, born in Szczecin in 1878, initially worked as a medical assistant and opened his own practice in Berlin in 1911. Doblin's first novel appeared in 1915/16. His greatest success was the novel Berlin Alexanderplatz published in 1929. In 1933 Doblin emigrated to France and finally to the USA. After the end of the 2nd World War he moved back to Germany, but then moved in 1953 with his family to Paris. He died on June 26, 1957. Berlin Alexanderplatz (translated by Michael Hofman) is published by Penguin in the UK and New York Review Books in the USA.

Humor in Early Islam, first published in 1956, is a pioneering study by the versatile and prolific scholar Franz Rosenthal (1914–2003), who (having published an article on mediaeval Arabic blurbs), should have written this text himself. It contains an annotated translation of an Arabic text on a figure who became the subject of many jokes and anecdotes, the greedy and obtuse Ash?ab, a singer who lived in the eighth century but whose literary and fictional life long survived him. The translation is preceded by chapters on the textual sources and on the historical and legendary personalities of Ash?ab; the book ends with a short essay on laughter. Whether or not the jokes will make a modern reader laugh, the book is a valuable source for those seriously interested in a religion or a culture that all too often but unjustly is associated, by outsiders, with an aversion to laughter.

Product description In this book, Dvir Abramovich brings together a batch of timeless classical Hebrew novels, short stories, and poems, and furnishes readers with commentaries and critical readings of each landmark work. The selection of seminal texts include masterpieces from Yehuda Amichai, Haim Gouri, Amos Oz, Dvorah Baron, Shaul Tchernichovsky, Chaim Nachman Bialik, Hanoch Bartov, Shulamit Hareven, and Aharon Megged. Each interpretative essay includes a bio-graphical overview of the author whose opus is explored. This collection will prove exceptionally useful for teachers who wish to introduce their students to the treasures of contemporary Israeli fiction and are searching for reflective analyses and searching insights. Guaranteed to ignite discussion and debate, this informative and entertaining volume, written in an accessible and lively style, will appeal to a general and academic audience and will tempt readers to read or re-read these great works. Review In Hebrew Classics: A Journey Through Israel's Timeless Fiction and Poetry Dvir Abramovich offers us an intimate and delightful tour through the pastures of Hebrew literature. A refreshing meeting awaits us with writers of various generations who had grown up in separate landscapes and some in the midst of diverse languages...One of the unique characteristics of the book is the choice of literary works that it deals with, free of the bonds of genre definitions. We are offered 'delectable meals' that include interpretive studies of poems and stories of various kinds. The common denominator for this selection is the presentation of texts as junctions of flavour and passion within the rich and fascinating history of modern Hebrew literature. This provides the reader with the ability to experience a bird's eye view of these creative works. This book is a tribute to Hebrew literature, written with love and with the wish to share this love. This is obvious both from the detailed and sensitive studies, and from the commendable descriptive, festive and elegant language. (Yigal Schwartz, Professor of Hebrew Literature and Head of Heksherim: The Research Center for Jewish and Israel Culture, Ben-Gurion University of the Negev) Abramovich has done a scrupulous job in scrutinizing these key texts of contemporary Hebrew fiction. The care with which he sets them in their historical and cultural contexts should be instructive for all readers interested in Israel and its predicaments. (Robert Alter, Class of 1937 Professor of Hebrew and Comparative Literature) The next best thing to reading modern Hebrew literature in the original is getting to know it through the eyes of a lover who is willing to share his passion. In Hebrew Classics: A Journey Through Israel's Timeless Fiction and Poetry Dvir Abramovich invites us to get to know its major figures and his introductions to their work make us eager to know them better. A true scholar can do no better. (Ruth Wisse, Martin Peretz Professor of Yiddish Literature and Professor of Comparative Literature) About the Author Dvir Abramovich (PhD University of Melbourne) is director of the University of Melbourne's Centre for Jewish History and Culture and a senior lecturer in Hebrew and Jewish Studies. He was editor of the Australian Journal of Jewish Studies for eight years and president of the Australian Association of Jewish Studies from 2006 to 2010. He has published widely in the area of Israeli and Jewish literature and is co-editor of the book Testifying to the Holocaust (2008) and author of Back to the Future: Israeli Literature of the 1980s and 1990 (2010).

"Good readers will find something that can be found only in great literature, the kind written by real poets, a literature that dares to venture into the dark with open eyes and that keeps its eyes open no matter what . . . . The literature of the twenty-first century will belong to Neuman and a few of his blood brothers."--Roberto Bolaño Playful, philosophizing, and gloriously unpredictable, Andrés Neuman's short stories consider love, lechery, history, mortality, family secrets, therapy, Borges, mysterious underwear, translators, and storytelling itself. Here a relationship turns on a line drawn in the sand; an analyst treats a patient who believes he's the real analyst; a discovery in a secondhand shop takes on a cruel significance; a man decides to go to work naked one day. In these small scenes and brief moments Neuman confounds our expectations with dazzling sleight of hand. With a variety of forms and styles, Neuman opens up the possibilities for fiction, calling to mind other greats of Latin American letters, such as Cortázar, Bolaño, and Bioy Casares. Intellectually stimulating and told with a voice that is wry, questioning, sometimes mordantly funny, yet always generously humane, The Things We Don't Do confirms Neuman's place as one of the most dynamic authors writing today. Andrés Neuman was born in Buenos Aires, and grew up and lives in Spain. He was included in Granta 's "Young Spanish-language Novelists" issue and is the author of almost twenty works, two of which-- Traveler of the Century and Talking to Ourselves -- have been translated into English. Traveler of the Century won the Alfaguara Prize and the National Critics Prize, and was longlisted for the 2013 Best Translated book award, and shortlisted for the 2013 Independent Foreign Fiction Prize and the 2014 International IMPAC Dublin Literary Award. Nick Caistor is a prolific British translator and journalist, best known for his translations of Spanish and Portuguese literature. He is a past winner of the Valle-Inclán Prize for translation and is a regular contributor to BBC Radio 4, Times Literary Supplement , and the Guardian. Lorenza Garcia has lived for extended periods in Spain, France, and Iceland. Since 2007, she has translated over a dozen novels and works of non-fiction from French and Spanish.