"For nearly five decades, Geddy Lee's playing and work as cowriter, vocalist, and keyboardist has been an essential part of the success story of Canadian progressive rock trio Rush. This uniquely poignant memoir is his account of life inside and outside the band. Long before Rush accumulated more consecutive gold and platinum records than any rock band after the Beatles and the Rolling Stones, before the seven Grammy nominations or the countless electrifying live performances across the globe, Geddy Lee was Gershon Eliezer Weinrib, named after his grandfather murdered in the Holocaust. As he recounts the transformation, Lee looks back on his family, in particular his loving parents and their horrific experiences during World War II. He talks candidly about his childhood and the pursuit of music that led him to drop out of high school. He tracks the history of Rush, which, after early struggles, exploded into one of the most beloved bands of all time. He shares intimate stories of his lifelong friendships with bandmates Alex Lifeson and Neil Peart -- deeply mourning Peart's passing -- and reveals his obsessions in music and beyond." --

Collecting material from half a century in comedy, a chronologically arranged selection of favorite skits and memories by the iconic funnyman includes selections from his original "Catch a Rising Star" performance.

One of the most influential, admired, and innovative women of our time: fashion designer, philanthropist, wife, mother, and grandmother, Diane von Furstenberg offers a book about becoming the woman she wanted to be. Diane von Furstenberg started out with a suitcase full of jersey dresses and an idea of who she wanted to be—in her words, “the kind of woman who is independent and who doesn’t rely on a man to pay her bills.” She has since become that woman, establishing herself as a global brand and a major force in the fashion industry, all the while raising a family and maintaining “my children are my greatest creation.” In The Woman I Wanted to Be , von Furstenberg reflects on her extraordinary life—from childhood in Brussels to her days as a young, jet-set princess, to creating the dress that came to symbolize independence and power for an entire generation of women. With remarkable honesty and wisdom, von Furstenberg mines the rich territory of what it means to be a woman. She opens up about her family and career, overcoming cancer, building a global brand, and devoting herself to empowering other women, writing, “I want every woman to know that she can be the woman she wants to be.”

"Award-winning actor, rapper, and producer Ice-T unveils a compelling and astonishing memoir of his early life robbing jewelry stores until he found fame and fortune-while a handful of bad choices sent his former crime partner down an incredibly different path"--

Marilyn Monroe’s final formal photo session and last interview have never been released in their entirety—until now. Completed in July 1962, just a month before her passing, the interview conducted by Richard Meryman was Marilyn at her most open and honest, and the photos by Allan Grant were the only ones ever taken in her home. Now, for the first time, you can read Marilyn in her own words and see her as the world has never seen her before. "A beautifully understated look at an American icon, as she probably wished she could have been seen.” --Library Journal In July 1962, Marilyn Monroe was at a crossroads. At thirty-six years old and embroiled in legal battles with the studio of her current picture, Something’s Gotta Give, she was struggling with fame, age, and a studio system in which she no longer fit. When she sat down to give Richard Meryman an interview, she had a lot to say. Originally intended to be an interview about fame, over the course of four hours Marilyn talked about her entire life. Only a small portion of the interview was published in LIFE Magazine. When she died, just two days after the article was published, Meryman put the full transcript and the original tapes in his files, never to see the light of day. Documenting this landmark interview was iconic photojournalist Allan Grant. His images of Marilyn would be her last formal photo shoot—in her home, in casual clothes, being the glorious, free spirit she was. Grant captured every emotion of the interview in these exquisite images, only eight of which were published alongside the LIFE interview excerpt. Most of the remainder of the images were stored in Allan’s safe, waiting to be rediscovered. Marilyn: The Lost Photographs • The Last Interview is Marilyn Monroe in her own words—words that haven’t been published, until now. In this recently restored and complete transcript, Marilyn candidly talks about her childhood and life, fame, the studio system, her approach to work, celebrity, being a sex symbol, and more. At times joyous, silly, serious, philosophical and pensive, it is a Marilyn that the world has never experienced. Accompanying the interview are more than 400 of Grant’s extraordinary images, most never published until now. This beautifully produced book offers readers a glimpse into Marilyn’s mindset during her final month as she began to assert control of her career and address her relationship with celebrity. Deepening the understanding of Marilyn’s talents, humanity, and true legacy, and the appreciation of her true beauty, this is a fitting tribute to one of the most iconic figures in history.

AN INSTANT NEW YORK TIMES BESTSELLER "Great playwright and filmmaker, DAVID MAMET, just wrote an incredible new book, The Disenlightenment, Politics, Horror, and Entertainment. David is a special man and talent. Get his book, NOW!" -- President Donald Trump One of America's greatest living literary legends invites you think for yourself in this compelling narrative of manipulation, power, and the human condition. "Government, like Circe, turns men into swine," David Mamet writes in his latest political tour de force. Prepare to be challenged, enlightened, and entertained by The Disenlightenment as Mamet dissects the modern world with enthusiasm, wisdom, and lots of references to movies about the mafia. Once a stalwart of liberal thought, Mamet now turns his penetrating gaze on the cultural milieu that nurtured his artistic growth, revealing how America's elites have twisted our institutions into tools of manipulation. With his one-of-a-kind wit, he exposes the intricate dance between power and myth, unmasking how the elites manipulate media and culture to maintain control. The Disenlightenment fearlessly tackles topics from war to love, success to death, offering a fresh perspective on the human condition. His observations, ranging from the carnival-like nature of politics to the power of language, reflect a society where traditional values are under siege. This book is an opportunity to engage with one of the most provocative and insightful writers of the modern era. Whether you're a long-time Mamet aficionado or new to his work, The Disenlightenment promises to challenge your perceptions, stimulate your mind, and perhaps change how you view the world.

"Before he was producing the musical hits of our generation, Jeffrey was just a kid coming to terms with his adoption, trying to understand his sexuality, and determined to escape his dysfunctional household in a poor neighborhood just outside Detroit. We see him find his voice through musical theater and move to New York, where he is determined to shed his past and make a name for himself on Broadway. But moving to the big city is never easy--especially not at the height of the HIV/AIDS crisis--and Jeffrey learns to survive and thrive in the colorful and cutthroat world of commercial theatre. From his early days as an office assistant, to meeting Jonathan Larson and experiencing the triumph and tragedy of Rent, to working with Lin-Manuel Miranda on In the Heights and Hamilton, Jeffrey completely pulls back the curtain on the joyous and gut-wrenching process of makingnew musicals, finding new audiences, and winning a Tony Award--all the while finding himself"--

"This is the story of three revolutionary American musicians, the maestro jazzmen who orchestrated the chords that throb at the soul of twentieth-century America. Duke Ellington [...], Louis Daniel Armstrong [...], William James Basie [...]. What is far less known about these groundbreakers is that they were bound not just by their music or even the discrimination that they, like nearly all Black performers of their day, routinely encountered. Each defied and ultimately overcame racial boundaries by opening America's eyes and souls to the magnificence of their music. In the process they wrote the soundtrack for the civil rights movement. Based on more than 250 interviews, this exhaustively researched book brings alive the history of Black America in the early- to mid-1900s through the singular lens of the country's most gifted, engaging, and enduring African American musicians." -Från bokens baksida.

"Show Boat" stands as one of the most significant and influential works in the history of American musical theater. Born from the collaboration between legendary composer Jerome Kern, lyricist Oscar Hammerstein II, and novelist Edna Ferber, this masterpiece revolutionized the stage by integrating a serious, complex narrative with a sophisticated musical score. Set against the sweeping backdrop of the Mississippi River from the 1880s through the 1920s, the story follows the lives of the performers, stagehands, and dockworkers aboard the 'Cotton Blossom' floating palace. This powerful drama explores enduring themes of racial prejudice, tragic romance, and the evolving landscape of American society. Through iconic compositions such as "Ol' Man River," "Can't Help Lovin' Dat Man," and "Make Believe," "Show Boat" captures the soul of a nation in transition. The work broke new ground by addressing social injustice and systemic inequality with a depth previously unseen in musical comedy, forever changing the trajectory of the Broadway stage. As a cornerstone of the American canon, "Show Boat" remains a poignant and musically rich exploration of love and hardship along the Great River. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The Art of Violin Playing" stands as one of the most influential and comprehensive treatises on violin pedagogy ever written. Authored by the renowned pedagogue and virtuoso Carl Flesch, this seminal work offers an exhaustive exploration of the technical and artistic foundations required for mastery of the instrument. Flesch meticulously dissects every facet of violin performance, from the physical mechanics of the left and right hands to the deeper psychological and aesthetic considerations of interpretation. The text is divided into logical sections that address fundamental techniques such as fingering, bowing, vibrato, and tone production. Beyond mere mechanics, Flesch emphasizes the importance of individuality and musicality, providing guidance on how to develop a unique artistic voice. His analytical approach transformed modern string teaching, making this work an essential resource for advanced students, professional performers, and educators alike. Whether used as a reference for specific technical challenges or read as a philosophical guide to performance, "The Art of Violin Playing" remains a cornerstone of musical literature. Its enduring relevance continues to shape the training of violinists across the globe, preserving the legacy of one of history's greatest teachers. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

(Music Sales America). Buddy Rich's Modern Interpretation of Snare Drum Rudiments contains systematic instruction for the beginner student who wants to learn to play drums. It is also a great value to the teacher and professional drummer who wishes to increase his knowledge of rudiments. In addition to the elementary principles of music, there are 83 lessons of exercises and rudiments, 21 reading exercises, 10 exercises employing rudiments and advanced rhythmic studies. Mr. Rich's ability and genius in the drum world make this tutorial one of the landmarks of drum literature. In this 2-DVD edition, Ted MacKenzie reveals for the first time the Rich-Adler technique as it was intended. Making it accessible to all drummers, beginners and advanced alike. The DVDs include demonstrations of all the basic drum lessons and rudiments. DVD 1 includes the lessons played in non-bounce, matched technique format; DVD 2 includes the lessons played in bounce, traditional technique format.

Cult writer, author, podcaster and preeminent “Weird Al” Yankovic historian Nathan Rabin loves the objectively terrible. He's spent the last quarter century celebrating the spectacular garbage that makes life worth living. Rabin began his obsession with the abysmal at the The A.V. Club in 1996, where he worked for eighteen years, primarily as the site’s head writer. Rabin left The A.V. Club in 2013 to become a staff writer for the short-lived but much loved film website The Dissolve before starting Nathan Rabin’s Happy Place in 2017. The Joy of Trash collects the best pieces from the Happy Place alongside 8 new entries on both seasons of Baywatch Nights, Shasta McNasty, Robert Evans’ Get High On Yourself, Adrien Brody’s ad-libbed introduction for Sean Paul on Saturday Night Live, and more. The Flaming Garbage Fire extended edition of The Joy of Trash combines brand new pieces on the notorious Easy Rider sequel Easy Rider: The Ride Back and the infamous Kelsey Grammer vehicle Gary the Rat with classics from the Happy Place archives on everything from a coffee table book celebrating kiddie cigarette pitchman Joe Camel to John Kricfalusi’s reviled “Adult” Spike TV Ren & Stimpy reboot to a lengthy closing essay that uses an ill-fated Blues Brothers convention to explore multi-generational depression, the blues and the author’s complicated feelings about his hometown of Chicago. The Joy of Trash: Flaming Garbage Fire Extended Edition is an even better book about very bad people and very bad entertainment from a true American original. PRAISE FOR The Joy of Trash “Being somewhat of an expert on Nathan Rabin’s entire body of work, I can honestly say that The Joy of Trash is absolutely one of the best non-weird Al rated books he’s ever written. Terrific.” -“Weird Al” Yankovic “This is not a condemnation, it’s a celebration of how, despite the pop-culture garbage we’re forced to wade through every day, we can still rise above it. And make fun of it. In a celebratory way. I think I mixed up my metaphors here.” - Patton Oswalt “Is anyone as adept at insightful dives into the bizarre avenues of pop culture as Nathan Rabin is with ‘The Joy of Trash’!?!” - Andrew Helm, writer of A Talking Cat!?! “Nathan Rabin does not merely poke fun at bad media. He exactingly, methodically lies each of its sins bare with the thrilling precision of Hercule Poriot revealing the true identity of the murderer. Except instead of explaining how some gardener shot poison through a blowgun he’s dismantling Loqueesha to its atomic components. It’s an incredible spectacle.” - Justin McElroy “Nathan Rabin is one of my favorite pop-culture critics and historians. He takes on the good, the bad, and what some might refer to as the “ugly.” To me, it’s all beautiful. Especially the ugly. Like a crab scuttling along this nation’s depths, he collects forgotten, shimmering, neglected objects and reveals them to a most grateful world." - Mike Sacks “I have been reading Nathan since I was a no-name improvisor riding the L Train. Now I am a no-name podcaster driving a station wagon, and STILL reading him. The Joy of Trash was a fast, funny, eye opening read. A dark trip down an awful memory lane. It seems made for me. I mean the dude even covers Steven Seagal’s book!” - Jon Gabrus “Nathan Rabin is one of the funniest pop-culture writers out there. He engages some truly twisted topics with a mix of humor, insight and true curiosity. Please read this fascinating and hilarious book so that his suffering will not be in vain!” - Jordan Morris

"A room of one's own: is there anybody who hasn't at one time or another wished for such a place, hasn't turned those soft words over until they'd assumed a habitable shape?" When writer Michael Pollan decided to plant a garden, the result was an award-winning treatise on the borders between nature and contemporary life, the acclaimed bestseller Second Nature. Now Pollan turns his sharp insight to the craft of building, as he recounts the process of designing and constructing a small one-room structure on his rural Connecticut property--a place in which he hoped to read, write and daydream, built with his two own unhandy hands. Invoking the titans of architecture, literature and philosophy, from Vitrivius to Thoreau, from the Chinese masters of feng shui to the revolutionary Frank Lloyd Wright, Pollan brilliantly chronicles a realm of blueprints, joints and trusses as he peers into the ephemeral nature of "houseness" itself. From the spark of an idea to the search for a perfect site to the raising of a ridgepole, Pollan revels in the infinitely detailed, complex process of creating a finished structure. At once superbly written, informative and enormously entertaining, A Place of My Own is for anyone who has ever wondered how the walls around us take shape--and how we might shape them ourselves. A Place of My Own recounts his two-and-a-half-year journey of discovery in an absorbing narrative that deftly weaves the day-to-day work of design and building--from siting to blueprint, from the pouring of foundations to finish carpentry--with reflections on everything form the power of place to shape our lives to the question of what constitutes "real work" in a technological society. A book about craft that is itself beautifully crafted, linking the world of the body and material things with the realm of mind, heart, and spirit, A Place of My Own has received extraordinary praise: --> From the Trade Paperback edition.

Jon Landau, the Academy Award-winning film producer behind Titanic, Avatar, Alita: Battle Angel, Honey, I Shrunk the Kids, and Dick Tracy, knew two things well: how to tell an unforgettable story and how to find solutions. So, when he found himself confronting his fate, a diagnosis of improbable odds, he began to problem solve, ensuring that everything he learned behind the camera would live on after he was gone.In his retrospective and advice-driven memoir, Landau shares behind-the-scenes stories about some of the greatest movies of our time and advice on how to live well while working in a notoriously all-consuming job by centering the things that mattered to him most--his love for his family and his dedication to his friends and creative partners--turning his own story into another blockbuster hit.The Bigger Picture is at once a deeply poignant memoir, a tribute to storytelling in its many forms, and a celebration of a life well lived, told from the third act. Imbued with Landau's trademark compassion, humanity, and humor, the stories he shares and the wisdom he imparts in The Bigger Picture will inspire, delight, and touch the hearts of readers for years to come.

This is the first book to reproduce the definitive set of 937 rarely seen and classic images of Robert Capa, one of the most influential documentary photographers of the twentieth century. Robert Capa (1913-54), one of the greatest photographers of the twentieth century and a founding member of Magnum photographic agency, had the mind of a passionate and committed journalist and the eye of an artist. His lifework, consisting of more than 70,000 negative frames, constitutes an unparalleled documentation of a crucial 22-year period (1932-54) encompassing some of the most catastrophic and dramatic events of the last century. This book represents the most definitive selection of Capa's work ever published, 937 photographs meticulously selected by his brother, Cornell Capa (himself a noted Life photographer), and his biographer, Richard Whelan. The photographs, arranged in chronological order as stories and accompanied by brief commentaries, reveal the dramatic shifts in location and subject matter that Capa experienced from day to day -- from war-torn Israel to Pablo Picasso on a sunny beach in France and from Ernest Hemingway carousing in London to Capa's historic images of the Allied landing on Omaha Beach in Normandy in 1944.

Really The Blues is the story of a white kid who fell in love with black culture, learning to blow clarinet in the reform schools, brothels and honky-tonks of his youth. Drawn by the revelation of the blues, he followed the music along the jazz avenues of Chicago, New Orleans, and New York, and into the heart of America's soul. Told in the jive lingo of the underground's inner circle, this classic is an unforgettable chronicle of street life, smoky clubs, roadhouse dances, and reefer culture. First published in 1946, Really the Blues was a rousing wake-up call to alienated young whites to explore black culture and the world of jazz, the first music America could call its own. Their spiritual godfather was Mezzrow, jazz cat, bootlegger, and peddler of the finest gauge in Harlem. Above all, Mezz championed the abandon available to those willing to lose their blues. 2009 Edition

The EGOT-winning composer of The Way We Were and A Chorus Line recounts his remarkable life from childhood to Broadway and Hollywood. The son of Jewish Viennese immigrants, six-year-old Marvin Hamlisch's early musical talent and discipline led him to Julliard, where he studied for more than a decade. From there, Hamlisch got his start as a rehearsal pianist for Funny Girl starring Barbra Streisand. He went on to co-create the classic American musical A Chorus Line and wrote the Oscar Award-winning musical score for The Way We Were . Hamlisch is one of only a handful of people to achieve EGOT status--winning an Emmy, a Grammy, an Oscar, and a Tony. In this autobiography, Hamlisch tells the tale of his life and career, revealing personal stories of his childhood, his marriage, and his friendships with stars including Liza Minnelli, Groucho Marx, and others. It offers an intimate view of his life and a compelling portrait of Broadway and Hollywood through the second half of the twentieth century.

More thon forty years ago, Robert Warshow wrote that "the unresolved problem of 'popular culture' . . . has come to be a kind of nagging embarrassment to criticism." Despite the rise of academic trends like cultural studies, we don't have a criticism that speaks to the actual, immediate experience of seeing and responding to popular culture. Warshow argued that the evasion of the popular arts in his time was due to a "disastrous vulgarization of intellectual life" that corrupted American liberalism from the 1930s to the 1950s. Political correctness then, like political correctness since the 1960s, had led to "organized mass disingenuousness" on the part of intellectuals who turned away from developing a vocabulary for describing the immediate, aesthetic experience and used irony instead, even about their own experiences. But, says Warshow, "a whole literature cannot be built on irony." Warshaw died a young man of 37 in 1955, but he left as his legacy a series of essays for The Partisan Review, Commentary, The Nation, and other journals. These writings, the cornerstone of a major account of the role of mass culture in our lives, were first gathered and published as a book in 1962. A number of essays have been anthologized frequently, and the book as a whole has achieved cult status for a number of discerning critics. "A legendary little book, partly because its author died at the age of 37, but mostly because it stands as a virtually unique representative from its period of a consistently open-minded, moral, aesthetic, and political engagement with commercial culture." -Louis Menand

The very first collaboration between visionary director and author Alejandro Jodorowsky and legendary french artist Moebius. In a desolate dreamscape world, a man, a bird, and a cat interact in a unique apocalyptic yet poetic fashion… Alejandro Jodorowsky and Moebius, creators of the Sci-Fi classic "The Incal," weave a tale where words and images alternate in mesmerizing fashion. This epic story is a must have for any comic book afficionado and is now available in softcover for the first time!