Why are words so important to so many Jews? Novelist Amos Oz and historian Fania Oz-Salzberger roam the gamut of Jewish history to explain the integral relationship of Jews and words. Through a blend of storytelling and scholarship, conversation and argument, father and daughter tell the tales behind Judaism’s most enduring names, adages, disputes, texts, and quips. These words, they argue, compose the chain connecting Abraham with the Jews of every subsequent generation.Framing the discussion within such topics as continuity, women, timelessness, and individualism, Oz and Oz-Salzberger deftly engage Jewish personalities across the ages, from the unnamed, possibly female author of the Song of Songs through obscure Talmudists to contemporary writers. They suggest that Jewish continuity, even Jewish uniqueness, depends not on central places, monuments, heroic personalities, or rituals but rather on written words and an ongoing debate between the generations. Full of learning, lyricism, and humor, Jews and Words offers an extraordinary tour of the words at the heart of Jewish culture and extends a hand to the reader, any reader, to join the conversation.

"A landmark event: the complete Hebrew Bible in the award-winning translation that delivers the stunning literary power of the original. A masterpiece of deep learning and fine sensibility, Robert Alter's translation of the Hebrew Bible, now complete, reanimates one of the formative works of our culture. Capturing its brilliantly compact poetry and finely wrought, purposeful prose, Alter renews the Old Testament as a source of literary power and spiritual inspiration. From the family frictions of Genesis and King David's flawed humanity to the serene wisdom of Psalms and Job's incendiary questioning of God's ways, these magnificent works of world literature resonate with a startling immediacy. Featuring Alter's generous commentary, which quietly alerts readers to the literary and historical dimensions of the text, this is the definitive edition of the Hebrew Bible." --

Examines the King James translation of the Bible, comparing it with other translations and noting its superiority over previous editions, and highlights the influences of the King James Bible in literature from the Romantic era to today

Acclaimed for its masterful new translation and insightful commentary, The David Story is a fresh, vivid rendition of one of the great works in Western literature. Robert Alter's brilliant translation gives us David, the beautiful, musical hero who slays Goliath and, through his struggles with Saul, advances to the kingship of Israel. But this David is also fully human: an ambitious, calculating man who navigates his life's course with a flawed moral vision. The consequences for him, his family, and his nation are tragic and bloody. Historical personage and full-blooded imagining, David is the creation of a literary artist comparable to the Shakespeare of the history plays.

Presents a modern translation of the Books of Job, Proverbs, and Ecclesiastes in the Old Testament, and provides annotations and commentary for each verse

Compiled by S.Y. Agnon, one of the greatest Hebrew writers of the twentieth century and winner of the 1966 Nobel Prize in Literature, Days of Awe is the long-acknowledged classic companion to the High Holy Days prayerbook. Here in one volume are readings from the meditations from the Bible, the Talmud, the Midrash, and the Zohar, to deepen the spiritual experience of the holiest days of the Jewish year. More than three hundred texts. selected from the vast storehouse of Jewish literature from ancient to modern times, are arranged to follow the order of the synagogue service for the High Holy Days. "From the moment of its appearance," writes Judah Goldin in the Introduction, "[this] volume seemed as though it had always been here, as though it had always been the companion of the holiday prayerbook."

Is the Bible one book or a collection of writings? If it is a book, what kind of book is it and does it stand as a coherent piece of literature? Building on the recently renewed interest in biblical narrative associated with Erich Auerbach, Northrop Frye, and Robert Alter, Gabriel Josipovici here sets out to answer these and other equally fascinating questions. His beautifully written book constitutes a rethinking of the nature of the Bible and our relation to it.Josipovici begins by examining the radically different conceptions of unity that underlie the Hebrew and Christian scriptures. He then analyses what he sees as the Bible's three defining characteristics: its rhythm, manifest in the opening sentence of Genesis and evident throughout both testaments; its attitude to speech; and its conception of character. As his discussion unfolds, another theme emerges: that of conflicts - between views of time and of human character, as well as between views of books as documents to be deciphered or as stories to be lived with and repeated. He also offers insights into such diverse and interesting subjects as the role of memory and genealogy in the Hebrew scriptures, the radical nature of St Paul's conception of human character, and the different responses of Kierkegaard and Thomas Mann to the stories of Genesis. Developing his argument through close textual analysis, Josipovici draws on his deep knowledge and appreciation of medieval and modern art and literature and on his personal understanding of the possibilities of narrative. His book not only lifts literary-biblical criticism to a new level but also makes the Bible accessible again to our secular age.

In this book, biblical translator and literary critic Robert Alter traces some of the fascinating ways that American novelists--from Melville, Hemingway, and Faulkner to Bellow, Marilynne Robinson, and Cormac McCarthy--have drawn on the rich stylistic resources of the canonical English Bible to fashion their own strongly resonant styles and distinctive visions of reality. --from publisher description

In his new book, master Bible scholar and teacher Marc Brettler argues that today's contemporary readers can only understand the ancient Hebrew Scripture by knowing more about the culture that produced it. And so Brettler unpacks the literary conventions, ideological assumptions, and historical conditions that inform the biblical text and demonstrates how modern critical scholarship and archaeological discoveries shed light on this fascinating and complex literature. Brettler surveys representative biblical texts from different genres to illustrate how modern can read these texts. He guides us in reading the Bible as it was read in the biblical period, independent of later religious norms and interpretive traditions. Understanding the Bible this way lets us appreciate it as an interesting text that speaks in multiple voices on profound issues. Although the emphasis of How to Read the Jewish Bible is on showing contemporary Jews, as well as Christians, how they can relate to the Bible in a more meaningful way, readers at any level of religious faith can benefit greatly from this comprehensive but remarkably clear guide to interpreting the Jewish Bible. - Publisher.

In his new book, master Bible scholar and teacher Marc Brettler argues that today's contemporary readers can only understand the ancient Hebrew Scripture by knowing more about the culture that produced it. And so Brettler unpacks the literary conventions, ideological assumptions, and historical conditions that inform the biblical text and demonstrates how modern critical scholarship and archaeological discoveries shed light on this fascinating and complex literature. Brettler surveys representative biblical texts from different genres to illustrate how modern scholars have taught us to "read" these texts. Using the "historical-critical method" long popular in academia, he guides us in reading the Bible as it was read in the biblical period, independent of later religious norms and interpretive traditions. Understanding the Bible this way lets us appreciate it as an interesting text that speaks in multiple voices on profound issues. This book is the first "Jewishly sensitive" introduction to the historical-critical method. Unlike other introductory texts, the Bible that this book speaks about is the Jewish one-with the three-part TaNaKH arrangement, the sequence of books found in modern printed Hebrew editions, and the chapter and verse enumerations used in most modern Jewish versions of the Bible. In an afterword, the author discusses how the historical-critical method can help contemporary Jews relate to the Bible as a religious text in a more meaningful way.

"This book examines the small library of 24 books common to all Jewish and Christian Bibles--books that preserve the efforts of diverse writers over a span of many centuries to make sense of their personal experiences and those of their people, the ancient Israelites. Professor Christine Hayes guides her readers through the complexities of this polyphonous literature that has served as a foundational pillar of Western civilization, underscoring the variety and even disparities among the voices that speak in the biblical texts. Biblical authors wrote in many contexts and responded to a sweeping range of crises and questions concerning issues that were political, economic, historical, cultural, philosophical, religious, and moral. In probing chapters devoted to each of the 24 books of the Hebrew Bible, or Old Testament, Hayes reconstructs the meanings and messages of each book and encourages a deeper appreciation of the historical and cultural settings of ancient biblical literature"--

"An essential exploration of a rich literary tradition from the Bible to modern times, by a "rare literary authority" (New York Times Book Review). Jews have long embraced their identity as "the people of the book." But outside of the Bible, much of the Jewish literary tradition remains little known. The People and the Books shows how central questions and themes of our history and culture are reflected in the Jewish literary canon: the nature of God, the right way to understand the Bible, the relationship of the Jews to their Promised Land, and the challenges of living as a minority in Diaspora. Adam Kirsch explores eighteen classic texts including the biblical books of Deuteronomy and Esther, the philosophy of Maimonides, the autobiography of the medieval businesswoman Gluckel of Hameln, and the Zionist manifestos of Theodor Herzl. From the Jews of ancient Rome to the mystical devotees of Hasidism in Eastern Europe, The People and the Books brings the treasures of Jewish literature to life and offers new ways to think about their enduring power and influence"--

The Bible story is illustrated with 40 reproductions from the Pamplona Bibles, two thirteenth-century illuminated manuscripts.

Extends the feminist examination of western literature to the founding document of patriarchal culture, the Bible. At the same time, it re-thinks certain customary assumptions about feminism and about the Bible, in the light of poetic 'readings' of Biblical texts by 19th and 20th century women writers. It proposes that women writers relate to the Bible in complex ways which both critique biblical misogyny and stem directly from elements of transgressive writing within the Biblical text, suggesting that feminist reinterpretations of the Bible constitute an inevitable consequence of radical spiritual values at the core of scripture itself.

Jews, Christians and Muslims describe elements of their origins with close reference to the narrative of Abraham, including the complex story of Abraham's relations with Hagar. This volume sketches the significance of this narrative in the three traditions.

The world's major religions-Judaism, Christianity, and Islam-find a common root in one man: Abraham. Yet Abraham looms so large in the realm of world religions that he has remained a ward of the Divine rather than a flesh-and-blood citizen of Humanity. In his monumental new book, David Rosenberg provides a long-overdue history of the patriarch; while revealing that the original story embedded in the Bible is actually our oldest historical biography. We also discover that the wandering ascetic of tradition cannot explain our deep-seated feelings for Abraham and his God. The road that Abraham traveled was marked by signs of civilization that we still recognize: libraries, museums, hotels, and houses of worship. He is a sophisticated, educated Sumerian; an artisan who became the first Jew. Moreover, through Rosenberg's audacious translation of the Abraham story from Genesis, we learn that many of the core tenets of the monotheistic tradition-the idea of God's covenant and the soul-are Sumerian in origin. Rosenberg first finds Abraham at his father's workshop in the cosmopolitan city of ancient Ur and follows his journey through what is today the Middle East. What kind of baggage-emotional, material, and spiritual-would Abraham have taken with him on his migration to a new land? Abraham does more than present a founding spiritual figure and his dynamic relationships with father, wife, and son. We witness this man as he transforms his heritage into an anxious embrace of religion with secular culture-the human condition in which we are still enfolded today.

Like much twentieth-century feminist writing today, this book crosses the boundaries of genre. Biblical interpretation combines with fantasy, autobiography, and poetry. Politics joins with eroticism. Irreverence coexists with a yearning for the sacred. Scholarship contends with heresy. Most excitingly, the author continues and extends the tradition of arguing with God that commences in the Bible itself and continues now, as it has for centuries, to animate Jewish writing. The difference here is that the voice that debates with God is a woman's.

New insights into how the Book of Samuel offers a timeless meditation on the dilemmas of statecraft The Book of Samuel is universally acknowledged as one of the supreme achievements of biblical literature. Yet the book's anonymous author was more than an inspired storyteller. The author was also an uncannily astute observer of political life and the moral compromises and contradictions that the struggle for power inevitably entails. The Beginning of Politics mines the story of Israel's first two kings to unearth a natural history of power, providing a forceful new reading of what is arguably the first and greatest work of Western political thought. Moshe Halbertal and Stephen Holmes show how the beautifully crafted narratives of Saul and David cut to the core of politics, exploring themes that resonate wherever political power is at stake. Through stories such as Saul's madness, David's murder of Uriah, the rape of Tamar, and the rebellion of Absalom, the book's author deepens our understanding not only of the necessity of sovereign rule but also of its costs--to the people it is intended to protect and to those who wield it. What emerges from the meticulous analysis of these narratives includes such themes as the corrosive grip of power on those who hold and compete for power; the ways in which political violence unleashed by the sovereign on his own subjects is rooted in the paranoia of the isolated ruler and the deniability fostered by hierarchical action through proxies; and the intensity with which the tragic conflict between political loyalty and family loyalty explodes when the ruler's bloodline is made into the guarantor of the all-important continuity of sovereign power. The Beginning of Politics is a timely meditation on the dark side of sovereign power and the enduring dilemmas of statecraft.

A collection of eighteen stories based on the Bible which tell how angels respond to God's commands to ease the way for Moses and the Israelites as they cross the wilderness after being freed from slavery in Egypt.

The first female Conservative rabbi in the U.S. reflects on ancient Jewish traditions as a guide to reconciliation and peacebuilding in our lives, our communities, and our world.