Do you know how a poor boy from Brazil who loved fútbol more than anything else became the biggest soccer star the world has ever known? Turn the pages of this book to read the true life story of Pelé, King of Soccer, the first man in the history of the sport to score a thousand goals and become a living legend. Rudy Gutiérrez's dynamic illustrations make award-winning author Monica Brown's story of this remarkable sports hero truly come alive! ¿Sabes cómo un niño brasileño pobre que amaba el fútbol más que nada en el mundo se convirtió en la estrella más importante del deporte? Lee este relato y entérate de la historia de Pelé, El rey del fútbol; el primer hombre en la historia del deporte capaz de marcar mil goles y convertirse en una leyenda viva. Las dinámicas ilustraciones de Rudy Gutiérrez destacan vívidamente los momentos recreados por la escritora premiada Mónica Brown en este extraordinario libro.

"G.H., a well-to-do Rio sculptress, enters her maid's room, sees a cockroach crawling out of the wardrobe, and, panicking, slams the door on it. The sight of the dying insect provokes a mystical crisis, at the height of which comes one of the most famous and genuinely shocking scenes in Latin American literature. Clarice Lispector wrote that of all of her works this novel was the one that "best corresponded to her demands as a writer"--Back cover

Tristes Tropiques was an immensely popular bestseller when it was first published in France in 1955. Claude Levi-Strauss's groundbreaking study of the societies of a number of Amazonian peoples is a cornerstone of structural anthropology and an exploration by the author of his own intellectual roots as a professor of philosophy in Brazil before the Second World War, as a Jewish exile from Nazi-occupied Europe, and later as a world-renowned academic (he taught at New York's New School for Social Research and was French cultural attache to the United States). Levi-Strauss's central journey leads from the Amazon basin through the dense upland jungles of Brazil. There, among the Amerindian tribes - the Caduveo, Bororo, Nambikwara, and Tupi-Kawahib - he found "a human society reduced to its most basic expression". Levi-Strauss's discussion of his fieldwork in Tristes Tropiques endures as a milestone of anthropology, but the book is also, in its brilliant diversions on other, more familiar cultures, a great work of literature, a vivid travelogue, and an engaging memoir - a demonstration of the marvelous mental agility of one of the century's most important thinkers. Presented here is the translation by John and Doreen Weightman of the complete text of the revised French edition of 1968, together with the original photographs and illustrations.

"The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"--