It is commonly assumed that capitalism has created an a-emotional world dominated by bureaucratic rationality; that economic behavior conflicts with intimate, authentic relationships; that the public and private spheres are irremediably opposed to each other; and that true love is opposed to calculation and self-interest. Eva Illouz rejects these conventional ideas and argues that the culture of capitalism has fostered an intensely emotional culture in the workplace, in the family, and in our own relationship to ourselves. She argues that economic relations have become deeply emotional, while close, intimate relationships have become increasingly defined by economic and political models of bargaining, exchange, and equity. This dual process by which emotional and economic relationships come to define and shape each other is called emotional capitalism. Illouz finds evidence of this process of emotional capitalism in various social sites: self-help literature, women's magazines, talk shows, support groups, and the Internet dating sites. How did this happen? What are the social consequences of the current preoccupation with emotions? How did the public sphere become saturated with the exposure of private life? Why does suffering occupy a central place in contemporary identity? How has emotional capitalism transformed our romantic choices and experiences? Building on and revising the intellectual legacy of critical theory, this book addresses these questions and offers a new interpretation of the reasons why the public and the private, the economic and the emotional spheres have become inextricably intertwined.

Cover -- Title Page -- Copyright -- Dedication -- Contents -- Foreword Tony Kennedy -- Henryk Grossmann and the Theory of Capitalist Collapse Tony Kennedy -- Introduction by Henryk Grossmann -- 1 The Downfall of Capitalism in the Existing Literature -- The point at issue -- The conception of breakdown in the existing literature -- How Kautsky finally abandoned Marx's theory of accumulation and of breakdown -- Notes -- 2 The Law of Capitalist Breakdown -- Is there a theory of breakdown in Marx? -- Preliminary methodological remarks -- The equilibrium theory of the neo-harmonists -- The conditions and tasks of schematic analysis -- Why was classical economy alarmed by the fall in the rate of profit despite an expanding mass of profit? -- The views of classical economists on the future of capitalism (D Ricardo and J S Mill) -- The Marxist theory of accumulation and breakdown -- Marx's theory of breakdown is also a theory of crises -- An anti-critical interlude -- The logical and mathematical basis of the law of breakdown -- Why the Marxist theory of accumulation and breakdown was misunderstood -- The factors of the breakdown and the business cycle -- Crises and the theory of underconsumption -- The elasticity of accumulation -- The restricted development of productive forces under capitalism -- The Marxist theory of imperfect valorisation -- Notes -- 3 Modifying Countertendencies -- Introduction -- Part 1: Countertendencies Internal to the Mechanism of Capital -- Increases in the rate of profit through the expansion of productivity -- Reducing the costs of variable capital through increases in productivity -- Shortening the turnover time and its impact on the rate of surplus value -- The additional money capital required for an expanded scale of production -- The conflict between use value and exchange value

Romantic Anti-capitalism and Nature examines the deep connections between the romantic rebellion against modernity and ecological concern with modern threats to nature. The chapters deal with expressions of romantic culture from a wide variety of different areas: travel writing, painting, utopian vision, cultural studies, political philosophy, and activist socio-political writing. The authors discuss a highly diverse group of figures - William Bartram, Thomas Cole, William Morris, Walter Benjamin, Raymond Williams, and Naomi Klein - from the late eighteenth to the early twenty-first century. They are rooted individually in English, American, and German cultures, but share a common perspective: the romantic protest against modern bourgeois civilisation and its destruction of the natural environment. Although a rich ecocritical literature has developed since the 1990s, particularly in the United States and Britain, that addresses many aspects of ecology and its intersection with romanticism, they almost exclusively focus on literature, and define romanticism as a limited literary period of the late eighteenth and early nineteenth centuries. This study is one of the first to suggest a much broader view of the romantic relation to ecological discourse and representation, covering a range of cultural creations and viewing romanticism as a cultural critique, or protest against capitalist-industrialist modernity in the name of past, pre-modern, or pre-capitalist values. This book will be of great interest to students and scholars of ecology, romanticism, and the history of capitalism.

First published in 1980, The Articulation of Modes of Production is primarily concerned with the concept of articulation of modes of production and with the analysis of a number of different social formations utilizing this concept. The emphasis is on the relationship between capitalist and other modes of production and on accounts of specific social formations which demonstrate the analytical power of the concept, but at the same time reveal a number of as yet unresolved problems. The introduction to the collection takes these problems at its starting point, and through a discussion of the theoretical literature, provides the basis for a more rigorous and complete analysis of social formations. This book will be of interest to students of economics, social policy, and history.

This book breaks new ground in exposing some of the crucial political processes and struggles which shaped the reciprocal development of Apartheid and capitalism in South Africa. The author's compelling analysis debunks the orthodoxy in the literature, which presents apartheid as the product of a single "grand plan" created by the State in response to the pressures of capital accumulation. Using a case study of influx control during the first phase of apartheid (1948-1961), Posel shows that apartheid arose from complex patterns of conflict and compromise within the State in which white capitalists, the black working class, and popular movements exercised varying and uneven degrees of influence. -- Publisher description