Revealing a history of mysterious deaths, shady characters, and moral and political tensions, exposes the inner workings of the Catholic Church to trace how the Vatican evolved from an institution of faith into an extremely wealthy corporate power. --Publisher's description.

After purgatory was officially defined by the Catholic Church in the thirteenth century, its location became a topic of heated debate and philosophical speculation: Was purgatory located on the earth, or within it? Were its fires real or figurative? Diana Walsh Pasulka offers a groundbreaking historical exploration of spatial and material concepts of purgatory, beginning with scholastic theologians William of Auvergne and Thomas Aquinas, who wrote about the location of purgatory and questioned whether its torments were physical or solely spiritual. In the same period, writers of devotional literature located purgatory within the earth, near hell, and even in Ireland. In the early modern era, a counter-movement of theologians downplayed purgatory's spatial dimensions, preferring to depict it in abstract terms--a view strengthened during the French Enlightenment, when references to purgatory as a terrestrial location or a place of real fire were ridiculed by anti-Catholic polemicists and discouraged by the Church. The debate surrounding purgatory's materiality has never ended: even today members of post-millennial ''purgatory apostolates'' maintain that purgatory is an actual, physical place. Heaven Can Wait provides crucial insight into the theological problem of purgatory's materiality (or lack thereof) over the past seven hundred years. --Provided by publisher

Translation, with full explanatory notes, of the two works of Teresa de Cartagena, the fifteenth-century Spanish nun. This affordable, engaging and important translation of Teresa de Cartagena's works significantly expands and enriches the current canon of medieval women writers. ANNE CLARK BARTLETT, DePAUL UNIVERSITY Teresa de Cartagena was born in Burgos in about 1415-20, into a powerful family of Jewish origin. All we know of Teresa comes from her work: she was deaf and not physically strong, she was a nun, and - perhaps the source of her resilience -she was well-educated, above all in religion and moral philosophy. Deaf from early womanhood, her consolatory treatise Grove of the Infirm is a reflection on the spiritual benefits of illness; her second work, Wonder at the Works of God , was apparently written to counter the contention of her critics that a handicapped woman had nothing of value to say. This artful manipulation of the familiar devotional genre of "the treatise of consolation" reveals a woman writer intimately familiar with the cultural practices of her era; overall, both works allow a rare glimpse into the world of women in fifteenth-century Spain. DAYLE SEIDENSPINNER-NUNEZ is Professor in the Department of Romance Languages and Literature at the University of Notre Dame.