Baseball, Chicago Style explores the exciting, enticing, enduring and frequently frustrating panorama of our national pastime. For the first time the colorful saga of Major League Baseball in Chicago is wrapped between the covers of a single book sure to appeal to both Cubs and White Sox fans. No writers are better suited to survey it than Holtzman, a Hall of Fame member and the first official historian of Major League Baseball, and partner Vass, both of whom covered the teams for many seasons. When it comes to baseball tradition, Chicago is second to none, the sole city to embrace two major league teams without interruption from their founding to the present. The Cubs haven't missed a beat since 1876 as the oldest uninterrupted franchise in all pro sports, while the White Sox have challenged them without letup since 1901 for the backing of Chicago's vast fandom. The Cubs' best known exploit of the last 55 seasons may have been to not win the pennant in 1969, the year of the Great Collapse. Not even division titles in 1984 and 1989, or a "wild card" post-season excursion in 1998, all of which ended in tears, have displaced the sorrow of 1969 in the collective memory of Cubs fans. But those who scoff at Cubs' tradition willfully ignore several glorious periods of their history. It's true they've won only two World Series (1907-08), but they've played in 10, far more than most teams. And their 1906 record of 116-36, for a percentage of .847, is unmatched in major league history. What's best-known nationally about the White Sox is that they "threw" the 1919 World Series to the Cincinnati Reds. The dastardly act, commemorated in history, literature, film and television, transformedtheir previously innocuous nickname of Black Sox, based on the hue of their uniforms in previous seasons, into an invidious epithet which clings to them like a burr to corduroy. The tale of stinginess, greed and the betrayal of "the faith of 50 million people" forms the book's first chapter. It has never been told so fully and objectively without glib sentiment obscuring its uglier aspects. Even if Chicago's teams have waged war by frequently marching to the rear since the White Sox last brought the World Series to the city in 1959, more than four decades ago, they've played the game with a gusto that belongs solely to Baseball, Chicago Style.

A haunting consideration of the extraordinary mind of Saul Bellow's unjustly forgotten friend and literary rival and the extremes of the writing life Born in Chicago in 1918, the prodigiously gifted and erudite Isaac Rosenfeld was anointed a "genius" upon the publication of his "luminescent" novel, Passage from Home and was expected to surpass even his closest friend and rival, Saul Bellow. Yet when felled by a heart attack at the age of thirty-eight, Rosenfeld had published relatively little, his life reduced to a metaphor for literary failure. In this deeply contemplative book, Steven J. Zipperstein seeks to reclaim Rosenfeld's legacy by "opening up" his work. Zipperstein examines for the first time the "small mountain" of unfinished manuscripts the writer left behind, as well as his fiercely candid journals and letters. In the process, Zipperstein unearths a turbulent life that was obsessively grounded in a profound commitment to the ideals of the writing life. Rosenfeld's Lives is a fascinating exploration of literary genius and aspiration and the paradoxical power of literature to elevate and to enslave. It illuminates the cultural and political tensions of post-war America, Jewish intellectual life of the era, and--most poignantly--the struggle at the heart of any writer's life.

The End of Chiraq: A Literary Mixtape is a collection of poems, rap lyrics, short stories, essays, interviews, and artwork about Chicago, the city that came to be known as "Chiraq" ("Chicago" + "Iraq"), and the people who live in its vibrant and occasionally violent neighborhoods. Tuned to the work of Chicago’s youth, especially the emerging artists and activists surrounding Young Chicago Authors, this literary mixtape unpacks the meanings of “Chiraq” as both a vexed term and a space of possibility. "Chiraq" has come to connote the violence—interpersonal and structural—that many Chicago youth regularly experience. But the contributors to The End of Chiraq show that Chicago is much more than Chiraq. Instead, they demonstrate how young people are thinking and mobilizing, engaged in a process of creating a new and safer world for themselves, their communities, and their city. In true mixtape fashion, the book is an exercise in "low end theory" that does not just include so-called underground and marginal voices, but foregrounds them. Edited by award-winning poets, writers, and teachers Javon Johnson and Kevin Coval, The End of Chiraq addresses head-on the troublesome relationship between Chicago and Chiraq and envisions a future in which both might be transformed.