2017 Reprint of 1925 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. Although admired by D. H. Lawrence, this modern classic went generally unnoticed during the years after its publication in 1925. Yet it is "a fundamental book, essential if one proposes to come to terms with American literature" (Times Literary Supplement). William Carlos Williams was not a historian, but he was fascinated by the texture of American history. Beginning with Columbus's discovery of the Indies and moving on through Sir Walter Raleigh, Cotton Mather, Daniel Boone, George Washington, Ben Franklin, Aaron Burr, Edgar Allan Poe, and Abraham Lincoln, Williams found in the fabric of familiar episodes new shades of meaning and configurations of character. He brought a poetic imagination to the task of reconstructing a live tradition for Americans, and what results is one of the finest works of prose to have been penned by any writer of the twentieth century.

The Oxford Handbook of Jewish Studies is part of a major new series of Oxford Handbooks. The volume on Jewish Studies reflects the aim of the series to produce distinctive and original surveys of today's interests and directions in the Humanities and Social Sciences. The Handbook covers all the main areas currently taught and researched as part of Jewish Studies in universities throughout the world, especially in Europe, the United States, and Israel. The span of the volume chronologically and geographically is thus enormous, but all contributors have in common their expertise in the study of the history, literature, religion, and culture of the Jews. Jewish Studies is a comparatively young discipline which has grown over the past fifty years in a somewhat undisciplined way. In a period of great upheaval for Jews following the Holocaust, the creation of the State of Israel, the emergence of new forms of dialogue between Jews and Christians, deepening divisions between secular and religious Jews, and unprecedented assimilation by diaspora Jews to the wider culture, the study of Jewish traditions and history has rarely been dispassionate. This is a good time to examine where we are and where the subject is going. There have been some attempts in recent years to encapsulate current conclusions about particular aspects of Jewish Studies, but these other works aim to provide compendia of agreed facts rather than a survey of interests and directions such as is found in the Oxford Handbook. The Handbook begins with an examination of Jewish Studies as an academic discipline in its own right. The first half of the volume is organized chronologically, followed by sections on languages and literature, general aspects of religion, and other branches of Jewish Studies which have each accumulated a considerable corpus of scholarship over the past half-century. This substantial volume of c. 400,000 words reflects the current state of scholarship as analysed by an international team of experts in the different and varied fields represented within contemporary Jewish Studies.

America is a nation making itself up as it goes along--a story of discovery and invention unfolding in speeches and images, letters and poetry, unprecedented feats of scholarship and imagination. In these myriad, multiform, endlessly changing expressions of the American experience, the authors and editors of this volume find a new American history. In more than two hundred original essays, this book brings together the nation's many voices. From the first conception of a New World in the sixteenth century to the latest re-envisioning of that world in cartoons, television, science fiction, and hip hop, the book gives us a new, kaleidoscopic view of what "Made in America" means. Literature, music, film, art, history, science, philosophy, political rhetoric--cultural creations of every kind appear in relation to each other, and to the time and place that give them shape.--From publisher description.

For many, the moon landing was the defining event of the twentieth century. So it seems only fitting that Norman Mailer—the literary provocateur who altered the landscape of American nonfiction—wrote the most wide-ranging, far-seeing chronicle of the Apollo 11 mission. A classic chronicle of America’s reach for greatness in the midst of the Cold War, Of a Fire on the Moon compiles the reportage Mailer published between 1969 and 1970 in Life magazine: gripping firsthand dispatches from inside NASA’s clandestine operations in Houston and Cape Kennedy; technical insights into the magnitude of their awe-inspiring feat; and prescient meditations that place the event in human context as only Mailer could. Praise for Of a Fire on the Moon “The gift of a genius . . . a twentieth-century American epic—a Moby Dick of space.” — New York “Mailer’s account of Apollo 11 stands as a stunning image of human energy and purposefulness. . . . It is an act of revelation—the only verbal deed to be worthy of the dream and the reality it celebrates.” — Saturday Review “A wild and dazzling book.” — The New York Times Book Review “Still the most challenging and stimulating account of [the] mission to appear in print.” — The Washington Post Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.” — The New York Times “A writer of the greatest and most reckless talent.” — The New Yorker “Mailer is indispensable, an American treasure.” — The Washington Post “A devastatingly alive and original creative mind.” — Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.” — The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.” — Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.” — The Cincinnati Post

'You see, if only they didn't speak English in America, then we'd treat it as a foreign country - and probably understand it a lot better' 'the sanest man in America' - Bill Bryson 'Jon Sopel nails it' - Emily Maitlis **With a brand new chapter, charting Trump's first year in power** As the BBC's North America Editor, Jon Sopel has had a pretty busy time of it lately. In the time it's taken for a reality star to go from laughing stock to leader of the free world, Jon has travelled the length and breadth of the United States, experiencing it from a perspective that most of us could only dream of- he has flown aboard Air Force One, interviewed President Obama and has even been described as 'a beauty' by none other than Donald Trump. Through music, film, literature, TV and even through the food we eat and the clothes that we wear we all have a highly developed sense of what America is and through our shared, tangled history we claim a special relationship. But America today feels about as alien a country as you could imagine. It is fearful, angry and impatient for change. In this fascinating, insightful portrait of American life and politics, Jon Sopel sets out to answer our questions about a country that once stood for the grandest of dreams, but which is now mired in a storm of political extremism, racial division and increasingly perverse beliefs.

From the Kingdom of David to the Oslo Accords, Ruth Wisse offers a radical new way to think about the Jewish relationship to power. Traditional Jews believed that upholding the covenant with God constituted a treaty with the most powerful force in the universe; this later transformed itself into a belief that, unburdened by a military, Jews could pursue their religious mission on a purely moral plain. Wisse, an eminent professor of comparative literature at Harvard, demonstrates how Jewish political weakness both increased Jewish vulnerability to scapegoating and violence, and unwittingly goaded power-seeking nations to cast Jews as perpetual targets. Although she sees hope in the State of Israel, Wisse questions the way the strategies of the Diaspora continue to drive the Jewish state, echoing Abba Eban's observation that Israel was the only nation to win a war and then sue for peace. And then she draws a persuasive parallel to the United States today, as it struggles to figure out how a liberal democracy can face off against enemies who view Western morality as weakness. This deeply provocative book is sure to stir debate both inside and outside the Jewish world. Wisse's narrative offers a compelling argument that is rich with history and bristling with contemporary urgency.

Time magazine called Mortimer J. Adler a ''philosopher for everyman.'' In this guide to considering the big questions, Adler addresses the topics all men and women ponder in the course of life, such as ''What is love?'', ''How do we decide the right thing to do?'', and, ''What does it mean to be good?'' Drawing on his extensive knowledge of Western literature, history, and philosophy, the author considers what is meant by democracy, law, emotion, language, truth, and other abstract concepts in light of more than two millennia of Western civilization and discourse. Adler's essays offer a remarkable and contemplative distillation of the Great Ideas of Western Thought.

A narrative of the great figures who have created our cultural heritage, from the pyramid builders to Picasso, enriching our world with architecture, painting, sculpture, music, drama, dance, and literature.

What do Joyce Brothers and Sigmund Freud, Rabbi Harold Kushner and philosopher Martin Buber have in common? They belong to a group of pivotal and highly influential Jewish thinkers who altered the face of modern America in ways few people recognize. So argues Andrew Heinze, who reveals in rich and unprecedented detail the extent to which Jewish values, often in tense interaction with an established Christian consensus, shaped the country's psychological and spiritual vocabulary. Jews and the American Soul is the first book to recognize the central role Jews and Jewish values have played in shaping American ideas of the inner life. It overturns the widely shared assumption that modern ideas of human nature derived simply from the nation's Protestant heritage. Heinze marshals a rich array of evidence to show how individuals ranging from Erich Fromm to Ann Landers changed the way Americans think about mind and soul. The book shows us the many ways that Jewish thinkers influenced everything from the human potential movement and pop psychology to secular spirituality. It also provides fascinating new interpretations of Sigmund Freud, Alfred Adler, and Western views of the psyche; the clash among Protestant, Catholic, and Jewish moral sensibilities in America; the origins and evolution of America's psychological and therapeutic culture; the role of Jewish women as American public moralists, and more. A must-read for anyone interested in the contribution of Jews and Jewish culture to modern America.

What do Joyce Brothers and Sigmund Freud, Rabbi Harold Kushner and philosopher Martin Buber have in common? They belong to a group of pivotal and highly influential Jewish thinkers who altered the face of modern America in ways few people recognize. So argues Andrew Heinze, who reveals in rich and unprecedented detail the extent to which Jewish values, often in tense interaction with an established Christian consensus, shaped the country's psychological and spiritual vocabulary. Jews and the American Soul is the first book to recognize the central role Jews and Jewish values have played in shaping American ideas of the inner life. It overturns the widely shared assumption that modern ideas of human nature derived simply from the nation's Protestant heritage. Heinze marshals a rich array of evidence to show how individuals ranging from Erich Fromm to Ann Landers changed the way Americans think about mind and soul. The book shows us the many ways that Jewish thinkers influenced everything from the human potential movement and pop psychology to secular spirituality. It also provides fascinating new interpretations of Sigmund Freud, Alfred Adler, and Western views of the psyche; the clash among Protestant, Catholic, and Jewish moral sensibilities in America; the origins and evolution of America's psychological and therapeutic culture; the role of Jewish women as American public moralists, and more. A must-read for anyone interested in the contribution of Jews and Jewish culture to modern America.

"This is a dazzling performance. It supplies conceptual links between phenomena where historians have often sensed a connection without being able to describe it adequately. . . [Bercovitch] has written intellectual history at the highest level."—Edmund S. Morgan, New York Review of Books

Join Flavia, Jonathan, Nubia, and Lupus as they explore fascinating facets of life in ancient Rome. Evocative text and vivid full-color illustrations bring to life the themes, settings, and personalities in the bestselling series. Topics covered include Flavia on the class system in Roman society, favorite myths and legends, and holidays and celebrations; Jonathan discovering the world of Roman sport and leisure and the different religions; Nubia on animals in Roman times; and Lupus on childhood in Roman times, plus ancient cultures' fascination with number and alphabet puzzles and games.A timeline of key events in Roman history and a map of the Roman Empire are included."

Tradition, by esteemed sociologist Edward Shils, was the first book to fully explore the history, significance, and future of tradition as a whole. Intent on questioning the meaning of the antitraditionalist impulse in today's society, Shils argues here that the tendency to distrust and rebel against tradition is at the heart of tradition itself; only through suspicion and defiance does tradition actually move forward. Revealing the importance of tradition to social and political institutions, technology, science, literature, religion, and scholarship, Tradition remains the definitive work on this vital element of our society.--provided by publisher

For more than twenty years David Brion Davis has been recognized as a leading authority on the moral and ideological responses to slavery in the Western world. From Homicide to Slavery, Davis's first book of collected essays, brings together selections reflecting his wide-ranging interests in colonial history, Afro-American history, the social sciences, and American literature. The essays are interconnected by Davis's central concern with violence, irrationality, and the definition of moral limits during a period when Americans believed they were breaking free from historical constraints and acquiring new powers of self-perfection. Topics range from a socially revealing murder trial in 1843 to debates over capital punishment, movements of counter-subverison, the iconography of race, the cowboy as an American hero, the portrayal of violence in American literature, the historiography of slavery, and the British and American antislavery movements.

Through personal essays and poetry, short fiction and painting, book reviews, interviews, performance pieces, and hybrid creations of text and image, Bridges to Cuba/Puentes a Cuba opens a window onto the meaning of nationality, transnationalism, and homeland in our time. For more than thirty-five years U.S.-Cuban relations have been couched in terms of the Cold War, often pitting Cubans in the diaspora against Cubans who remain in their homeland. Bridges to Cuba/Puentes a Cuba celebrates the informal networks that Cubans in both countries have maintained through artistic, academic, family, and other ties. The book brings together for the first time in English Cuban voices of the second generation, both on the island and in the diaspora. The multivocal and multigenre collection includes both scholarly and creative writing and an impressive range of visual art. The participants are earnest, angry, witty, and hopeful. They are sometimes visionaries, but they are not deluded about Cuban or North American realities. Their voices offer testimony to the continuing efforts of Cubans and Cuban-Americans to look beyond the animosities and failings of their respective societies and find possibilities for personal and international reconciliation, dialogue, and renewal. "Ruth Behar, as editor of Bridges to Cuba/Puentes a Cuba, leaps across conventional intellectual boundaries in an effort to show the complexity of nationhood, exile, and revolution in the Cuban experience of the last thirty years. An important book about the possibility and impossibility of building cultural and political bridges."--Arcadio Díaz-Quiñones, Princeton University "Behar narrows the straits of Florida with a richly textured dialogue of voices in and out of Cuba. Bridges to Cuba is sure to make history."--Liz Balmaseda, Miami Herald "A vital and interesting anthology about contemporary Cuba."--Oscar Hijuelos, author of The Mambo Kings Play Songs of Love " Bridges to Cuba is the first U.S. anthology that looks at Cuban creativity from an integrated perspective, refusing to kneel before the painful and often arbitrary divisions that have split the voices of this passionate culture into forever separate bands. The results are magnificent. Read this book and get a long overdue understanding of contemporary Cuban literature and art."--Margaret Randall, author of Women in Cuba: Twenty Years Later "In order for memory to be recovered, there must be a community that remembers and tells the story. . . . Bridges to Cuba displays a wealth of insights that leave the reader with a sense of having experienced first hand the intricate web of thought and feeling that is Cuban life."--Latino Review of Books "Ruth Behar's anthology represents one of the most important and moving bridges yet published on contemporary Cuba and its condition as the island that is still absent from the Western world. Bridges to Cuba is an extraordinary example of the faith and ability of Latin American intellectuals to cross true bridges, bridges of solidarity."--Marjorie Agosín, Wellesley College Ruth Behar is author of Translated Woman: Crossing the Border with Esperanza's Story and coeditor, with Deborah Gordon, of Women Writing Culture. She has been the recipient of awards from the MacArthur and Guggenheim foundations.

The Rites of Assent examines the cultural strategies through which "America" served as a vehicle simultaneously for diversity and cohesion, fusion and fragmentation. Taking an ethnographic, cross-cultural approach, The Rites of Assent traces the meanings and purposes of "America" back to the colonial typology of mission, and specifically (in chapters on Puritan rhetoric, Cotton Mather, Jonathan Edwards, and the movement from Revival to Revolution) to the legacy of early New England.

"Hard to believe but true: - The Passover Seder is a Greco-Roman symposium banquet - The Talmud rabbis presented themselves as Stoic philosophers - Synagogue buildings were Roman basilicas - Hellenistic rhetoric professors educated sons of well-to-do Jews - Zeus-Helios is depicted in synagogue mosaics across ancient Israel - The Jewish courts were named after the Roman political institution, the Sanhedrin - In Israel there were synagogues where the prayers were recited in Greek. Historians have long debated the (re)birth of Judaism in the wake of the destruction of Jerusalem and the Temple cult by the Romans in 70 CE. What replaced that sacrificial cult was at once something new-indebted to the very culture of the Roman overlords-even as it also sought to preserve what little it could of the old Israelite religion. The Greco-Roman culture in which rabbinic Judaism grew in the first five centuries of the Common Era nurtured the development of Judaism as we still know and celebrate it today. Arguing that its transformation from a Jerusalem-centered cult to a world religion was made possible by the Roman Empire, Rabbi Burton Visotzky presents Judaism as a distinctly Roman religion. Full of fascinating detail from the daily life and culture of Jewish communities across the Hellenistic world, Aphrodite and the Rabbis will appeal to anyone interested in the development of Judaism, religion, history, art and architecture. "--

The papers in this book represent a unique integration of Jewish history and classics. They tackle from different angles the extent to which Jews in the Graeco-Roman period differed from other peoples in the Mediterranean region, and how much Jewish evidence can be used for the history of the wider classical world. The authors make extensive use not only of types of evidence familiar to classicists, such as inscriptions and the writings of Josephus, but also Jewish religious literature, including Rabbinic texts. The various studies demonstrate that, although Jews lived to some extent apart from others with distinctive customs, in many ways their history also highlights the cultural presuppositions and preoccupations of their non-Jewish contemporaries. The book aims to encourage wider use of the Jewish evidence by classicists and will be important for all students of the classical world.

In this book, the distinguished historian Carl Schorske--author of the Pulitzer Prize-winning Fin-de-Siécle Vienna --draws together a series of essays that reveal the changing place of history in nineteenth-and twentieth-century cultures. In most intellectual and artistic fields, Schorske argues, twentieth-century Europeans and Americans have come to do their thinking without history. Modern art, modern architecture, modern music, modern science--all have defined themselves not as emerging from or even reacting against the past, but as detached from it in a new, autonomous cultural space. This is in stark contrast to the historicism of the nineteenth century, he argues, when ideas about the past pervaded most fields of thought from philosophy and politics to art, music, and literature. However, Schorske also shows that the nineteenth century's attachment to thinking with history and the modernist way of thinking without history are more than just antitheses. They are different ways of trying to address the problems of modernity, to give shape and meaning to European civilization in the era of industrial capitalism and mass politics. Schorske begins by reflecting on his own vocation as it was shaped by the historical changes he has seen sweep across political and academic culture. Then he offers a European sampler of ways in which nineteenth-century European intellectuals used conceptions of the past to address the problems of their day: the city as community and artifact; the function of art; social dislocation. Narrowing his focus to Fin-de-Siécle Vienna in a second group of essays, he analyzes the emergence of ahistorical modernism in that city. Against the background of Austria's persistent, conflicting Baroque and Enlightenment traditions, Schorske examines three Viennese pioneers of modernism--Adolf Loos, Gustav Mahler, and Sigmund Freud--as they sought new orientation in their fields. In a concluding essay, Schorske turns his attention to thinking about history. In the context of a postmodern culture, when other disciplines that had once abandoned history are discovering new uses for it, he reflects on the nature and limits of history for the study of culture. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. -- "Kirkus Reviews"