WHEN YOU'VE LOST WHAT MATTERS MOST, HOW DO YOU FIND YOUR WAY BACK HOME? Joy Fonseca is dreading her 13th birthday, dreading being reminded again about her best friend Lukas's senseless death on this day, one year ago -- and dreading the fact he may have heard what she accidentally blurted to him the night before. Or maybe she's more worried he didn't hear. Either way, she's decided: she's going to finally open the first clue to their annual birthday scavenger hunt Lukas left for her the morning he died, hoping the rest of the clues are still out there. If they are, they might lead Joy to whatever last words Lukas wrote, and toward understanding how to grab onto the future that is meant to be hers.

"When a soldier is found stabbed through the heart at a US Army base, there is no doubt that his wife, Luz, is to blame. But was it an act of self-defense? An attempt to save her infant daughter? Or the cold-blooded murder of an innocent man? Ambitious public defender Abby is determined to win at all costs. As a new mother herself, she wants to keep Luz out of prison and with her daughter. But when the surprises stack up and shocking new evidence emerges, Abby realizes the task proves far more difficult than she suspected and will require a terrible sacrifice. As the trial hurtles toward an outcome no one expects, Abby, Luz and a captivated jury are forced to answer the question that will decide everything--what does it mean to be a good mother?"--Provided by publisher

Death and the Idea of Mexico is the first social, cultural, and political history of death in a nation that has made death its tutelary sign. Examining the history of death and of the death sign from the sixteenth-century holocaust to contemporary Mexican American identity politics, anthropologist Claudio Lomnitz’s innovative study marks a turning point in understanding Mexico’s rich and unique use of death imagery. Unlike contemporary Europeans and Americans, whose denial of death permeates their cultures, the Mexican people display and cultivate a jovial familiarity with death. This intimacy with death has become the cornerstone of Mexico’s national identity. It is tempting to view this rich elaboration of death imagery as yet another example of an “invented tradition,” that is, a cult shaped by the modern state’s cultural policies or by the narrow interests of contemporary identity politics. Lomnitz takes a different approach. Rather than flattening out the tradition by insisting only on the ways it is willfully manipulated, this book focuses on the dialectical relationship between dying, killing, and the administration of death, and the very formation of the colonial state, of a rich and variegated popular culture, and of the Mexican nation itself. The elevation of Mexican intimacy with death to the center of national identity is but a moment within that history ― within a history in which the key institutions of society are built around the claims of the fallen. Based on a wide range of sources ― from missionary testimonies to newspaper cartoons, from masterpieces of artistic vanguards to accounts of public executions and political assassinations ― Death and the Idea of Mexico moves beyond the limited methodology of traditional historiographies of death to probe the depths of a people and a country whose fearless acquaintance with death shapes the very terms of their social compact. This work effects a novel turn in the classical historiography of death ― a turn that can be characterized by a move from social and cultural history to political history. The move toward the politics of death gives readers a unique insight into the peculiar story of death in the Americas.

Just One Big Happy Family... That's the way Preston Scott would have described his all-American family. His parents seemed to have everything, including the ideal marriage. But then their perfect life started to unravel. Mr. and Mrs. Scott began to. fight-vicious, hurtful, drawn-out battles that went on day after day. Finally one day Mrs. Scott moved out. And that's when Preston's nightmare began... Now, three years later, Preston's dad is getting out of prison, and Preston is no closer to coming to terms with his feelings about him. Because how can you forgive your father for killing someone...when that someone was your mother? Here is Preston's searing true story about upheaval, growth, faith ... and the power of love. No one has an inkling that handsome, athletic, and talented Preston Scott is carrying a terrible His father was imprisoned three years ago. Now Mr. Scott is coming home to live with Preston and his little brother, Tyler and Preston has yet to come to terms with his feelings about him. Because how can you forgive your father for killing someone . . . when that someone was your mother? This unforgettable novel is a fictionalized account based on the words of the boy who experienced these events firsthand. "Impossible to put down . . . a stunning novel." V. 1992 Best Books for Young Adults (ALA) Children's Choices for 1992 (IRA/CBC) Young Adult Choices for 1993 (IRA) 1992 Outstanding Young Adult Fiction Award (The Southern California Council on Literature) 1993 94 Sequoyah Young Adult Book Award (Oklahoma Library Association)

In recent years there has been a massive upsurge in academic, professional and lay interest in mortality. This is reflected in academic and professional literature, in the popular media and in the proliferation of professional roles and training courses associated with aspects of death and dying. Until now the majority of reference material on death and dying has been designed for particular disciplinary audiences and has addressed only specific academic or professional concerns. There has been an urgent need for an authoritative but accessible reference work reflecting the multidisciplina

Germany's changing historical memory of World War II and its aftermath, as reflected in the official and public remembrance of the German war dead, exposes an unresolved tension between a discourse of guilt and a discourse of national suffering and victimization. In Germany, under the auspices of the Allied occupation, remembrance honored the victims of the Nazis and those who had fought against the regime. After the partition of Germany, a new culture emerged, memorializing the civilian dead and fallen German soldiers. Despite the fierce ideological rivalry between East and West Germany, however, certain similarities existed. The political leaderships who shaped these cultures ceased to confront their citizens with the question of guilt and instead depicted the German people as victims. In Guilt, Suffering, and Memory —whose Israeli edition was awarded the Jacob Bahat Prize for best original book—Gilad Margalit discusses the official remembrance ceremonies for the German war dead, the memorials erected to commemorate them, the public discussions of these disparate cultures, and their treatment in postwar German literature and film.

Moses, at the end of his life, refuses to give up his soul to God, who is forced to take it himself with a single kiss.

A spiritual companion for those grieving infertility, pregnancy loss, or stillbirth, bringing solace from Jewish tradition. "This book begins where the others leave off. While the doctors do what they must do, when it is time for us to wait, or hope, or cry, or sleep, or pray, it is time for this book. The passages found within are drawn from the rich pool of spiritual responses that Judaism possesses. They reach out to us and embolden us to join our voices to the ancient prayers designed to get us through the night."--from the Introduction Enables those frustrated and pained in their attempts at parenthood to mourn the loss of a pregnancy or infertility through the prayers, rituals, and meditations of the Jewish tradition. This new edition--updated and expanded--includes guided questions and pages on which to add personal reflections of your own emotions and experiences along the path toward parenting.