One of the deans of literary criticism in America, M. H. Abrams is Class of 1916 Professor of English at Cornell University. He is the author of two landmark books, The Mirror and the Lamp and Natural Supernaturalism, and general editor of the Norton Anthology of English Literature. This volume collects the essays, written over three decades, which—together with his books—testify to his preeminence. The essays examine Wordsworth's and Coleridge's innovations in their theories about the language of poetry; the prevalence, sources, and significance of a key Romantic image, the “correspondent breeze”; the pervasive revolutionary spirit of Romanticism; the defining characteristics and chief exemplars of the most distinctive poetic genre of the age, the “greater Romantic lyric”; the relation of Coleridge and Wordsworth to modernist poetics and literature; the philosophic and scientific backgrounds of Coleridge's thinking; and the numerous manifestations of apocalypticism in the Romantic period.

An examination of how eighteenth century novels described and defined the feminine and feminine life during the rise of the modern novel. Novels discussed include Moll Flanders, La Vie de Marianne, Pamela, Fanny Hill, Manon Lescaut, Clarissa, La Nouvelle Heloise, and Les Laisons Dangereuses.

Double Agent is a watershed in the recent revival of interest in the role of the public critic and intellectual who writes about culture, politics, and the arts for an intelligent general audience. Offering acute portraits of critics both famous and neglected, Dickstein traces the evolution of cultural criticism over the last century from Matthew Arnold to New Historicism. He examines the development of practical criticism, the rise and fall of literary journalism, and the growth of American Studies, and rereads the work of critics like Arnold, Walter Pater, I.A. Richards, Roland Barthes, Edmund Wilson, R.P. Blackmur, Lionel Trilling, Alfred Kazin, and George Orwell. In essays and books that are themselves works of literature, these writers made criticism central to the public sphere, balancing social and literary values, politic commitment and aesthetic judgment. Though marginalized or ignored by academic histories of criticism, their example has proved immensely valuable for younger critics eager to find a personal voice and reach a wider public. Dickstein concludes with a lively and provocative dialogue that weighs the claims of recent literary theory and the importance of renewing public culture.

Through an examination of the English novel in the mid-eighteenth to mid-nineteenth century, this book argues that the emerging pattern of male friendship, mentorship, entitlement, rivalry and hetero- and homosexuality was in an intimate and shifting relation to class and that no element of that pattern can be understood outside of its relation to women and the gender system as a whole.

This edition is designed to meet the special needs of a major authors approach to literature. Included in these two volumes are thirty of the major authors of English literature from Beowulf to Auden.

Explains the relation between literature and society during Victorian era. This book discusses various fundamental aspects of Victorian society: the economic and social framework, government and institutions, the sense of the past, painting and illustration, religion and the role of women.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

""Three Hundred Years of Psychiatry, 1535-1860: A History Presented in Selected English Texts"" is a comprehensive book written by Richard Hunter. The book traces the history of psychiatry from the 16th century to the mid-19th century, focusing on the development of psychiatric theories and practices during this period. The author presents a collection of selected English texts that offer a glimpse into the evolution of psychiatric understanding, including the works of prominent figures such as John Locke, William Cullen, and Philippe Pinel. The book is divided into four parts, each representing a distinct period in the history of psychiatry. Part one covers the period from 1535 to 1700, during which time the concept of madness was still closely tied to religious beliefs. Part two covers the period from 1700 to 1800, during which time the focus shifted towards the medicalization of mental illness. Part three covers the period from 1800 to 1850, during which time the first psychiatric institutions were established and the study of mental illness became more scientific in nature. Part four covers the period from 1850 to 1860, during which time new theories of mental illness emerged, including the idea of moral treatment.Throughout the book, the author provides insightful commentary on the texts and their relevance to the broader history of psychiatry. The book is an essential resource for anyone interested in the history of mental health and the evolution of psychiatric theory and practice.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

'In the later twentieth century Robert Burns was sorely in need of commentators to provide fuller analysis of a figure whose cultural reputation too often overshadowed his literary achievement. The brilliance of David Daiches as a literary critic filled much of the gap. His readings are a cornerstone of modern Burns studies.' Gerry Carruthers, Director, Centre for Robert Burns Studies, University of Glasgow An Edinburgh graduate in the 1930s, the early part of David Daiches' long and distinguished academic career was spent in the United States. However, after spells at Chicago and Cornell Universities, in 1951 he returned to Cambridge as a Lecturer in English. Ten years later he chose to leave Cambridge for the new University of Sussex where he was the first Professor and Dean in the School of English Studies. Retiring in 1977, he returned to Edinburgh where he continued to play an exceptionally active role in Scotland's intellectual and cultural life until his death in 2005. A polymath of English letters, Daiches' scholarly interests ranged extremely widely, but in no field is his influence more creative and enduring than in that of Scottish Literature. Our understanding of Scotland's literary culture in the eighteenth century, of Burns, of Scott, of Stevenson and McDiarmid, was transformed by his work. Originally published in 1951, his Robert Burns is a brilliant example of his ground-breaking scholarship and criticism at its most illuminating.

Since 1941 Michael Hamburger has created a distinctive body of work. Collected Poems 1941-1994 reflects more than half a century's dedication to poetry and a consistent engagement with both the natural and the human world. Michael Hamburger was born in Berlin in 1924, and came to Britain as a child. He has taught widely in America and Britain and is the outstanding contemporary translator and critic of German literature. His awards include the German Federal Republic's Goethe Medal in 1986 for services to German literature. Anvil publishes his critical work The Truth of Poetry and several of his translations, including editions of Goethe , H�lderlin , Rilke and Poems of Paul Celan , which received the EC's European Translation Prize in 1990. His poem-sequence Late appeared in 1997.

Continuing with the theme of his work Renaissance Perspectives in Literature and the Visual Arts , Murray Roston applies to a later period the same critical principle: that for each generation there exists a central complex of inherited ideas and urgent contemporary concerns to which each creative artist and writer responds in his or her own way. Roston demonstrates that what emerges is not a fixed or monolithic pattern for each generation but a dynamic series of responses to shared challenges. The book relates leading English writers and literary modes to contemporary developments in architecture, painting, and sculpture. "A sumptuous book. . . . Clearly and gracefully written and cogently argued, Roston's admirable achievement is of paramount significance to literary studies, to cultural and art history, and to aesthetics. . . . Outstanding."--Choice Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Silent Planet is a love story about our love of stories, a passionate and poetic fable about the power of literature in a world in which the wrong words can get you killed. At the height of the Cold War, dissident writer Gavriil is detained in a Soviet mental prison as a punishment for protesting against the government. His only escape is the prison library, a treasure store of banned literature available to the patients, but off-limits to the prison staff. His interrogator, Yurchak, offers to protect him from torture in exchange for sharing the forbidden stories. Their agreement allows them both a kind of freedom - at the risk of their lives.

Legender Och Visor: Dikter (1891) is a collection of poems by Swedish author Oscar Levertin. The book features a mix of lyrical ballads and legends, drawing inspiration from Nordic mythology and folklore. The poems are written in a traditional style, with a focus on meter and rhyme. Levertin's writing is known for its romanticism and love of nature, and this collection is no exception. The book is a celebration of Swedish culture and tradition, and has been praised for its vivid imagery and powerful emotions. Overall, Legender Och Visor: Dikter is a beautiful and timeless work of poetry that captures the spirit of a bygone era.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.