Three plays from one of Britain's leading and best loved literary figures: House of Cowards, The Dogs of Pavlov and Pythagoras (Smith). All previously performed in London, these prize-winning plays originate in Abse's preoccupation with personal and public themes. House of Cowards, which won the Foyle Award for the best play produced outside the West End, concerns the willingness of people to surrender their individuality to a charismatic leader. The Dogs of Pavlov, which the Financial Times described as "a work of exceptional merit" and "a superb creation", explores the conditioning of people to perform un-thinking evil. Pythagoras (Smith), which was awarded a Welsh Arts Council Literature Prize, focuses on the relationship between patient and doctor and of medicine and magic. Dannie Abse (b.1923) was born in Cardiff and studied Medicine at Cardiff, King's College and Westminster Hospital. A poet, novelist, playwright, he has also published diaries and autobiography. He has published eleven volumes of poetry including a Collected Poems.

For more than forty years, Paul Cantor’s Shakespeare’s Rome has been a foundational work in the field of politics and literature. While many critics assumed that the Roman plays do not reflect any special knowledge of Rome, Cantor was one of the first to argue that they are grounded in a profound understanding of the Roman regime and its changes over time. Taking Shakespeare seriously as a political thinker, Cantor suggests that his Roman plays can be profitably studied in the context of the classical republican tradition in political philosophy. In Shakespeare’s Rome , Cantor examines the political settings of Shakespeare’s Roman plays, Coriolanus and Antony and Cleopatra , with references as well to Julius Caesar . Cantor shows that Shakespeare presents a convincing portrait of Rome in different eras of its history, contrasting the austere republic of Coriolanus , with its narrow horizons and martial virtues, and the cosmopolitan empire of Antony and Cleopatra , with its “immortal longings” and sophistication bordering on decadence.

Shylock is one of the great figures of world literature, and of world mythology. Is he villain or victim?; tragic or comic? John Gross traces the elements that made up Shakespeare's portrait, and follows Shylock's fortunes in the theatres and at the hands or writers and critics. He ranges from the Bible to the Venetian ghetto, from Elizabethan money-lenders to Nazi Germany, and from Karl Marx to C.S. Lewis.

Book by Maccoby, Hyam

The cause celebre of the 19th century, the Dreyfus Affair destabilized French society (1894-1906) and reverberated across the world. Its repercussions continue to this day. A deliberate miscarriage of justice, the public degradation of an innocent Jewish officer and his incarceration on Devil's Island, espionage, intrigue, media pressure, vehement antisemitism and political skulduggery--all these elements, based on historical records, are contained in George R. Whyte's trilogy of plays which also focuses on Emile Zola's letter to the President of France, J'Accuse, arguably history's most famous plea for human rights.

Reading Shakespeare Historically is a passionate, provocative book by one of the most renowned and popular Renaissance scholars writing today. Charting ten years of critical development, these challenging, witty essays shed new light on Renaissance studies. It also raises intriguing questions about how the culture and history of the past illuminates the key social and political issues of today. Lisa Jardine re-reads Renaissance drama in its historical and cultural context, from laws of defamation in Othello to the competing loyalties of companionate marriage and male friendship in The Changeling. In doing so she reveals a wealth of new insights, sometimes surprising but always original and engrossing. At the same time, these essays also provide a fascinating account of the rise of feminist scholarship since the 1980s and the diversifying of `new historicist' approaches over the same period. Reading Shakespeare Historically will fascinate and provoke students of shakespeare and his historical age, and general readers with an urge to understand how the culture and history of our past illuminates the key scoial and political issues of today.

Hamlet tells Horatio that there are more things in heaven and earth than are dreamt of in his philosophy. In Double Vision , philosopher and literary critic Tzachi Zamir argues that there are more things in Hamlet than are dreamt of--or at least conceded--by most philosophers. Making an original and persuasive case for the philosophical value of literature, Zamir suggests that certain important philosophical insights can be gained only through literature. But such insights cannot be reached if literature is deployed merely as an aesthetic sugaring of a conceptual pill. Philosophical knowledge is not opposed to, but is consonant with, the literariness of literature. By focusing on the experience of reading literature as literature and not philosophy, Zamir sets a theoretical framework for a philosophically oriented literary criticism that will appeal both to philosophers and literary critics. Double Vision is concerned with the philosophical understanding induced by the aesthetic experience of literature. Literary works can function as credible philosophical arguments--not ones in which claims are conclusively demonstrated, but in which claims are made plausible. Such claims, Zamir argues, are embedded within an experiential structure that is itself a crucial dimension of knowing. Developing an account of literature's relation to knowledge, morality, and rhetoric, and advancing philosophical-literary readings of Richard III, Macbeth, Romeo and Juliet, Othello, Antony and Cleopatra, Hamlet , and King Lear , Zamir shows how his approach can open up familiar texts in surprising and rewarding ways.

In this extensively revised and updated edition of her classic work, Look Back in Gender, Michelene Wandor confirms the symbiotic relationship between drama and gender in a provocative look at key, representative British plays from the last fifty years. Repositioning the text at the heart of hteatre studies, Wandor surveys plays by Ayckbourn, Beckett, Churchill, Daniels, Friel, Hare, Kane, Osborne, Pinter, Ravenhill, Wertenbaker, Wesker and others. Her nuanced argument, central to any analysis of contemporary drama, discusses: *the imperative of gender in the playwright's imagination *the function of gender as a major determinant of the text's structural and narrative drives *the impact of socialism and feminism on post-war British drama, and the relevance of feminist dynamics in drama *differences in the representation of the fmaily, sexuality and the mother, before and after 1968 *the impact of the slogan that the 'personal is political' on contemporary form and content.

A pioneering study of the theatre's treatment of homosexuals and homosexuality from the 1920s to the present day. Only in the 60s did theatres confront heterosexual prejudice and in the wake of AIDS, the issue is once again highly charged.

A study of the theater's treatment of homosexuals and homosexuality from the 1920s to the 1990s.