A summer in Tarrytown, New York, is a lot of fun for ten-year-old Sheila even though her friends make her face up to some self-truths she does not want to admit.

Nowhere in Africa is the extraordinary tale of a Jewish family who flees the Nazi regime in 1938 for a remote farm in Kenya. Abandoning their once-comfortable existence in Germany, Walter Redlich, his wife Jettel, and their five-year-old daughter, Regina, each deal with the harsh realities of their new life in different ways. Attorney Walter is resigned to working the farm as a caretaker; pampered Jettel resists adjustment at every turn; while the shy yet curious Regina immediately embraces the country—learning the local language and customs, and finding a friend in Owuor, the farm's cook. As the war rages on the other side of the world, the family’s relationships with their strange environment become increasingly complicated as Jettel grows more self-assured and Walter more haunted by the life they left behind. In 1946, with the war over, Regina's fondest dream comes true when her brother Max is born. Walter's decision, however, to return to his homeland to help rebuild a new Germany puts his family into turmoil again. Visit the Web site for the film at www.nowhereinafrica.com

When beautiful Princess Miserella, Plain Jane, and a fairy fall under a sleeping spell, a prince undoes the spell in a surprising way.

"This powerful, meticulously researched novel is a moving tale of one girl's struggle against a world in turmoil. In 1930s Berlin, choked by the tightening of Hitler's fist, the Klein family are gradually losing everything that is precious to them. Their fifteen-year-old daughter, Rosa, slips out of Germany on a Kindertransport train to begin a new life in England. Charged with the task of securing a safe passage for her family, she vows that she will not rest until they are safe. But as war breaks out and she loses contact with her parents, Rosa finds herself wondering if there are some vows that can't be kept ...A sweeping tale of love and loss, with the poignant story of the Kindertransport at its heart, this is an exceptional accomplishment from one of Britain's bravest and most vibrant young writers."

Novel Gazing is the first collection of queer criticism on the history of the novel. The contributors to this volume navigate new territory in literary theory with essays that implicitly challenge the "hermeneutic of suspicion" widespread in current critical theory. In a stunning introductory essay, Eve Kosofsky Sedgwick delineates the possibilities for a criticism that would be "reparative" rather than cynical or paranoid. The startlingly imaginative essays in the volume explore new critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses. Through discussions of a diverse array of British, French, and American novels—including major canonical novels, best-sellers, children’s fiction, and science fiction—these essays explore queer worlds of taste, texture, joy, and ennui, focusing on such subjects as flogging, wizardry, exorcism, dance, Zionist desire, and Internet sexuality. Interpreting the works of authors as diverse as Benjamin Constant, Toni Morrison, T. H. White, and William Gibson, along with canonical queer modernists such as James, Proust, Woolf, and Cather, contributors reveal the wealth of ways in which selves and communities succeed in extracting sustenance from the objects of a culture whose avowed desire has often been not to sustain them. The dramatic reframing that these essays perform will make the significance of Novel Gazing extend beyond the scope of queer studies to literary criticism in general. Contributors . Stephen Barber, Renu Bora, Anne Chandler, James Creech, Tyler Curtain, Jonathan Goldberg, Joseph Litvak, Michael Lucey, Jeff Nunokawa, Cindy Patton, Jacob Press, Robert F. Reid-Pharr, Eve Kosofsky Sedgwick, Melissa Solomon, Kathryn Bond Stockton, John Vincent, Maurice Wallace, Barry Weller

Helene Moglen offers a revisionary feminist argument about the origins, cultural function, and formal structure of the English novel. While most critics and historians have associated the novel's emergence and development with the burgeoning of capitalism and the rise of the middle classes, Moglen contends that the novel principally came into being in order to manage the social and psychological strains of the modern sex-gender system. Rejecting the familiar claim that realism represents the novel's dominant tradition, she shows that, from its inception in the eighteenth century, the English novel has contained both realistic and fantastic narratives, which compete for primacy within individual texts.

City Codes is a study of the representation of the city in the modern novel that takes difference as its point of departure, so that cities are read according to the cultural and social position of the urbanite. City Codes argues that the modern urban novel, in contrast to earlier novels, is characterized by an intersection of public and private space, but that this intersection is mapped differently according to the position of the city dweller in terms of history, politics, nationality, gender, class, and race.

Cover is for the paperback copy, Tight Binding, Limited Chipping or Tears to Edges, No Markings or Creasing, Discoloration to lower parts of pages, back cover is scuffed, stamp on bottom edge of book,

This is a collection of articles, reviews, interviews and essays by the 1990 Cartier Diamond Dagger award winner - critic and writer, Julian Symons. Following an introduction entitled The Crime Story Yesterday, Today, Tommorrow, this book offers a collection of Symons's writing on crime fiction from Britain, the United States and elsewhere, plus a section on real life stories, such as The Hiss Affair and the Yorkshire Ripper.

The ethics of literature, formalists have insisted, resides in the moral quality of a character, a story, perhaps the relation between author and reader. But in the wake of deconstruction and various forms of criticism focusing on difference, the ethical question has been freshly negotiated by literary studies, and to this approach Adam Newton brings a startling new thrust. His book makes a compelling case for understanding narrative as ethics. Assuming an intrinsic and necessary connection between the two, Newton explores the ethical consequences of telling stories and fictionalizing character, and the reciprocal claims binding teller, listener, witness, and reader in the process. He treats these relations as defining properties of prose fiction, of particular import in nineteenth- and twentieth-century texts. Newton's fresh and nuanced readings cover a wide range of authors and periods, from Charles Dickens to Kazuo Ishiguro and Julian Barnes, from Herman Melville to Richard Wright, from Joseph Conrad and Henry James to Sherwood Anderson and Stephen Crane. An original work of theory as well as a deft critical performance, Narrative Ethics also stakes a claim for itself as moral inquiry. To that end, Newton braids together the ethical-philosophical projects of Emmanuel Levinas, Stanley Cavell, and Mikhail Bakhtin as a kind of chorus for his textual analyses--an elegant bridge between philosophy's ear and literary criticism's voice. His work will generate enormous interest among scholars and students of English and American literature, as well as specialists in narrative and literary theory, hermeneutics, and contemporary philosophy.

Originally published in 1983 and now reissued, a portrayal of middle-class Englishwomen in the interwar period which draws on the work of such novelists as May Sinclair, Rosamond Lehmann and Rebecca West.

Danny Zilber is a world-acclaimed trumpet player. A constant procession of women traipse through his dressing room, yet none can satisfy his need for love. Until, that is, an encounter with a mysterious woman who leaves just as quickly as she drops her panties ... are just some of the means Danny's manager and his compatriots employ in order to safeguard the security of Israel and propagate German guilt. Meanwhile Danny holds dear the sole memento he has of that fateful meeting - the brassiere his 'one and only' left behind. scathingly comic take on Zionist politics and Israeli espionage.

A remarkable insight into Jewish history in Britain, 'My Mother's House' is a poignant story of belonging, nationhood and identity set in Wales, England and Palestine. The first novel from the acclaimed author of Eunice Fleet - a poignant story of belonging, nationhood and identity set in Wales, England and Palestine. First novel from the acclaimed author of EUNICE FLEET a poignant story of belonging, nationhood and identity set in Wales, England and Palestine Simon is a troubled young manborn in Wales, of Jewish heritage, and in love with Englishness and an English heiress. He determines to reject his Jewish and Welsh identity and the industrial valleys he grew up in and seeks to fulfil his ambition to rise in the Civil Service. His experiences in love and his professional life see him reject Edith on discovering that she is not what he believed her to be, and taking up arms in the fight against Englands enemies in the Great War. Ultimately, he must embrace his family and his heritage before he can experience a sense of wholeness. Simons experience raises questions of belonging, language, nationhood and identity that are as relevant now as they were in 1931 when the novel was first published. Lily Tobiass sensitive individual and communal portraits illuminate some of the most topical personal, social and political issues of the twenty-first century.

This series is designed to bring to North American readers the once-unheard voices of writers who have achieved wide acclaim at home, but are not recognized beyond the borders of their native lands. With special emphasis on women writers, Interlink's Emerging Voices series publishes the best of the world's contemporary literature in translation or original English.

"Subversion and Sympathy : Gender, Law, and the British Novel brings new energy and perspective to the law-and-literature movement. Focusing on the position of women in British novels of the eighteenth and nineteenth centuries - a period during which literature played a creative role in legal reform - the book illustrates the many ways in which the investigation of legal matters sheds new light on major literary works. At the same time, it shows that attention to literary representations of legal issues illuminates developments in the law by bringing to life matters at stake in legal reforms. In fourteen essays, the volume spans a range of gender-related issues, including inheritance, money lending, illegitimacy, marriage, and rape. At the same time, it makes a methodological contribution, displaying (and discussing) a range of perspectives that exemplifies the breadth and range of this interdisciplinary area of scholarship, which links history, gender studies, philosophy, literary studies, and law. The volume seeks to reinvigorate the methodology of the law-and-literature movement by provoking a cross-disciplinary conversation among legal scholars, judges, literary scholars, and feminist philosophers. Participants include those already known for their work on law and literature but also, crucially, legal leading lights who have not previously written about literature. Subversion and Sympathy shows that the conversation between law and literature can enrich our understanding not just of the fields in question but also of the deeper human issues at the heart of a given period - and beyond"--Unedited summary from book jacket.

This is the outer and inner journey of Mo Smith, a homeless vagrant who walks northward along the crowded island of Manhattan from the southern tip of Battery. Multiple voices, multiple personas, shifting identities and multiple tales accompany his stubborn journey. This is a novel of our post 9/11 world that looks at ordinary and extraordinary lives that teem in our chaotic times. It also makes the connections, so dramatically relevant now, between America and the Middle East.