Long the standard teaching anthology, the landmark Norton Anthology of Literature by Women has introduced generations of readers to the rich variety of women’s writing in English. Now, the much-anticipated Third Edition responds to the wealth of writing by women across the globe with the inclusion of 61 new authors (219 in all) whose diverse works span six centuries. A more flexible two-volume format and a versatile new companion reader make the Third Edition an even better teaching tool. "As diversity itself has shaped the evolution of feminist criticism, from its early preoccupation with women's shared experiences to its more recent absorption in the complex issues and assumptions informing English-language texts by women writers of diverse geographical, cultural, racial, sexual, religious, and class origins and influences, so diversity has shaped the revisions of this anthology." ―From the Preface

Read by millions of students over seven editions, The Norton Anthology of English Literature remains the most trusted undergraduate survey of English literature available and one of the most successful college texts ever published.

A pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later.

In Alice B.Toklas' only account of her life with Gertrude Stein, she portrays a relationship that spanned two world wars and included friendships with some of the most celebrated literary figures of the time.

In The New Oxford Book of Literary Anecdotes, master anthologist John Gross brings together a delectable smorgasbord of literary tales, offering striking new insight into some of the most important writers in history. Many of the anecdotes here are funny, others are touching, outrageous, sinister, inspiring, or downright weird. They show writers from Chaucer to Bob Dylan acting both unpredictably and deeply in character. The range is wide--this is a book which finds room for Milton and Shakespeare, Mark Twain and Walt Whitman, Kurt Vonnegut and P. G. Wodehouse, Chinua Achebe and Salman Rushdie, James Baldwin and Tom Wolfe. It is also a book in which you can find out which great historian's face was once mistaken for a baby's bottom, which film star experienced a haunting encounter with Virginia Woolf not long before her death, and what Agatha Christie really thought of her popular character Hercule Poirot. It is in short an unrivalled collection of literary gossip offering intimate glimpses into the lives of authors ranging from Shakespeare to Philip Roth--a book not just for lovers of literature, but for anyone with a taste for the curiosities of human nature.

"Taking as his point of departure the authors, the audience, and the texts of Victorian writings on sex in general and of Victorian pornography in particular, Steven Marcus offers a startling and revolutionary perspective on the underside of Victorian culture. The way these subjects were regarded--and the way our notions of the Victorians continue to change, as the efforts of contemporary scholarship restore them to their full historical dimensions--are matters today of some surprise and wonder. Marcus first examines the writings of Dr. William Acton, who may be said to represent the "official views" of sexuality held by Victorian society, and Henry Spencer Ashby, the first and most important bibliographer-scholar of pornography. He then turns to the most significant work of its kind from the period, the eleven-volume anonymous autobiography My Secret Life. There follows an analysis of four pornographic Victorian novels--an analysis that throws an oblique but fascinating light on the classics of Victorian literature--and a review of the odd flood of Victorian publications devoted to flagellation. The books concludes with a chapter propounding a general theory of pornography as a sociological phenomenon. Most of the writers and writing being discussed by Marcus belong to Victorian sub-literature rather than to literature proper; in this way the work remains connected to a consideration of the exotic sub-literature. A brilliantly written book in its own right, this work transformed the study of the Victorian period as did no other." -- Provided by publisher

Life Studies was first published in 1959.'In Life Studies the pathos of the local colour of the past - of the lives and deaths of his father and mother and grandfather and uncle, crammed full of their own varied and placid absurdity - is the background that sets off the desperate knife-edged absurdity of the jailed conscientious objector among gangsters and Jehovah's witnesses, the private citizen returning to his baby, older now, from the mental hospital. He sees things as being part of history; if you say about his poor detailedly eccentric, trust-fund 'but they weren't,' he can 'They are now.'' Randall Jarrell

Captures the opium experience with vivid descriptions.

Lesbian writers include some of the most innovative and adventurous writers of this century, but only recently have they been given their due attention in terms of critical study. This book is the first anthology to discuss the subject of lesbianism as it relates to the critical interaction among readers, writers, and literary critics. It explores lesbian texts in terms of identification, meaning, and interpretation, and examines the complex entanglements of identity, voice, intersubjectivity, textualities, and sexualities. "A wonderful exploration of the varieties of life choices lesbians can and do make. This book once again proves that telling the truth aboutyourself is a revolutionary act." — Rita Mae Brown "They will probably drum Karla Jay and Joanne Glasgow out of the academy for this one...A college text that is witty, literate, interesting, and can be read for fun. What's the world coming to? Lesbian Texts and Contexts : dry title, wonderful book." — Barbara Grier, Editor Naiad Press "To call this collection much-needed or eagerly awaited would be the understatement of the year. It's thrilling ot think of the new readings of classic texts, the new directions for theory, and—maybe best of all—the new range of literary encounters in the classroom, that will be enabled by this radical intervention on the critical scene." — Eve Kosofsky Sedgwick, Duke University "Excellent,...challenging, sexy,...never boring." — Outweek .

Queen Elizabeth I (1533-1603) -- William Shakespeare (1564-1616) -- Scarborough Fair -- Edmund Spenser (1552-1599) -- Christopher Marlowe (1564 - 1593) -- Sir Walter Raleigh (1552-1618) -- Greensleeves -- Francis Bacon (1561-1626) -- John Donne (1572 - 1631) -- Ben Jonson (1573 - 1637) -- Thomas Hobbes (1588-1679) -- King James Bible (1611) -- Robert Herrick (1591 - 1674) -- George Herbert (1593 - 1633) -- Sir Thomas Browne (1605-1682) -- Barbara Allen -- John Milton (1608 - 1674) -- Jeremy Taylor (1613 - 1667) -- The two brothers -- Richard Lovelace (1618-1657) -- Andrew Marvell (1621 - 1678) -- John Bunyan (1628-1688) -- Lord Randal -- John Dryden (1631 - 1700) -- John Locke (1632 - 1704) -- The girl i left behind me -- Isaac Newton (1642 - 1727) -- Our God, our help in ages past -- Joy to the world -- Jonathan Swift (1667 - 1745) -- Alexander Pope (1688 - 1744) -- Rule, Brittania -- John Wesley (1703 - 1791) -- Jesus, lover of my soul -- William Pitt (1708 - 1778) -- Heart of Oak -- Samuel Johnson (1709 - 1784) -- Thomas Gray (1716 - 1771) -- Adam Smith (1723 - 1790) -- God save the queen -- Edmund Burke (1729 - 1797) -- Oliver Goldsmith (1730 - 1774) -- William Cowper (1731 - 1800) -- William Blake (1757 - 1827) -- Mary Wollstonecraft (1859 - 1897) -- Robert Burns (1759 - 1796) -- Auld lang syne -- William Wilberforce (1759 - 1833) -- Amazing Grace -- William Wordsworth (1770 - 1850) -- Sir Walter Scott (1771 - 1832) -- Samuel Taylor Coleridge (1772 - 1834) -- Walter Savage Landor (1775 - 1824) -- William Hazlitt (1778 - 1830) -- Lord Byron (1788 - 1824) -- Percy Bysshe Shelley (1792 - 1822) -- John Clare (1793 - 1864) -- Felicia Hemans (1793 - 1835) -- John Keats (1795 - 1821) -- Thomas Carlyle (1795 - 1881) -- Thomas Hood (1799-1845) -- John Henry Newman (1801 - 1890) -- Elizabeth Barrett Browning (1806 - 1861) -- John Stuart Mill (1806 - 1873) -- Edward Fitzgerald (1809 - 1883) -- Alfred, Lord Tennyson (1809 - 1892) -- Charles Darwin (1809 - 1882) -- Edward Lear (1812 - 1888) -- Robert Browning (1812 - 1889) -- Emily Bronte (1818 - 1848) -- John Ruskin (1819 - 1900) -- Matthew Arnold (1822 - 1888) -- Thomas Henry Huxley (1825 - 1895) -- I know where I'm going -- Walter Bagehot (1826 - 1877) -- Christina Rossetti (1830 - 1894) -- Lewis Carroll (1832 - 1898) -- William Morris (1834 - 1896) -- Walter Pater (1839 - 1894) -- Thomas Hardy (1840 - 1928) -- Algernon Charles Swinburne (1843 - 1909) -- Gerard Manley Hopkins (1844 - 1889) -- W. E. Henley (1849 - 1903) -- The Major General's song -- Robert Louis Stevenson (1850 - 1894) -- Oscar Wilde (1854 - 1900) -- Emmeline Pankhurst (1858 - 1928) -- A. E. Houseman (1859 - 1936) -- David Lloyd George (1863 - 1945) -- There'll always be an England -- Roger Casement (1864 - 1916) -- Rudyard Kipling (1865 - 1936) -- William Butler Yeats (1865 - 1939) -- G. K. Chesterton (1874 - 1936) -- Edward Thomas (1878 - 1917) -- E. M. Forster (1879 - 1970) -- Virginia Woolf (1881 - 1941) -- D. H. Lawrence (1885 - 1930) -- Rupert Brooke (1887 - 1915) -- Keep the home fires burning -- T.S Eliot (1888 - 1965) -- Wilfred Owen (1893 - 1918) -- George Orwell (1903 - 1950) -- W.H. Auden (1907-1973) -- Dylan Thomas (1914-1953) -- Phillip Larkin (1922- 1985) -- Winston Churchill (1874 - 1965).

Each house, like each place, has its own topography, its own lore. A complex history comes down to us, through household jokes and anecdotes, odd family habits and irrational superstitutions, that forever shapes what we see and the way in which we see it. In his book, David Malouf, one of Australia's most prestigious writers, takes an unsentimental journey into his past. Beginning with his childhood home, he moves on to show other landmarks in his life, and the way places and things create our private worlds. Written with humour and uncompromising intelligence, 12 Edmondstone Street is an unforgettable portrait of one man's life.

"The words of Jesus can be as mysterious as they are familiar. For those seeking greater understanding of the Gospels through storytelling and poetry comes this book by Andrew Klavan, who chronicles his own inspiring, late-in-life journey to achieve a fresh perspective and deep connection to Jesus's most well-known and complex biblical passages"--

At the time of its first appearance in 1985 Between Men was viewed as an important intervention into Feminist as well as Gay and Lesbian studies. It was an important book because it argued that "sexuality" and "desire" were not a historical phenomenon but carefully managed social constructs. This insight (that actually originated with Michael Foucault) is often viewed as anti-humanist or post-humanist because it argues that men and women are simply the products of patriarchal power relations over which they have no control. By mobilizing Foucault's theories of the history of sexuality Sedgwick re-fashions Feminism and Gay and Lesbian Studies to make it seem as though Feminism and Gay and Lesbian studies are ideally situated to continue those interventions into the history of sexuality begun by Foucault.

The best-selling author of Vagina, Give Me Liberty, and The End of America illuminates a dramatic buried story of gay history--how a single English law in 1857 led to a maelstrom, with reverberations lasting down to our day.

Booker-winning novelist, playwright, essayist, poet and critic, John Berger has excelled in a variety of literary fields. This collection of essays takes a definitive look at his career. Berger's essays were ground breaking, polemic, reflective, and radically original. Spanning more than 40 years of intellectual enquiry and political engagement, these essays are viewed chronologically to provide a kind of vicarious autobiography and a history of time refracted through the prism of art.

Bergman analyzes the writings of such famous American writers as Walt Whitman, Herman Melville, Tennessee Williams, James Baldwin, F. O. Matthiessen, and Larry Kramer. He considers the entire range of literature, including poetry and drama, and gives attention to African or Native American themes in the work of Alain Locke, Countee Cullen, Francis Grierson, David Plante and others.

In the three decades since her revolutionary and seminal article "The Character of Hamlet's Mother," Carolyn Heilbrun has been a prophet in the field of women and literature, gender and culture. This collection of graceful and uncompromising essays charts her development as a feminist writer and critic, which has culminated in such groundbreaking works as REINVENTING WOMANHOOD and WRITING A WOMAN'S LIFE. Shakespeare's Gertrude was first among many literary figures illuminated by Heilbrun's feminist sensibility. Others include Homer's Penelope -- an archetypal single parent, weaving herself a new life for which she was given no script; Jo in LITTLE WOMEN, a model of autonomy for generations of female readers; Elizabeth Bennet, remarkable for the promise of friendship in her marriage with Darcy; and Harrriet Vane, outrageously unique on many counts. The consistency and clarity of Heilbrun's vision in matched only by its heterogeneity, as she discusses Margaret Mead and Freud's daughters, Virginia Woolf and James Joyce, resistance to feminist studies in academia, mothers and daughters, fiction and myth, tomboys and surrogate sons, and the detective story, of which Heibrun herself (as Amanda Cross) is one of the ablest practitioners. HAMLET'S MOTHER AND OTHER WOMEN will spark recognition, again and again, in readers on their own quest for female redefinition. "[A] witty, learned collection of essays . . . filled with delicate, sometimes startling gems of perception . . . . Provocative." -- New York Newsday

Brings provocative, rigorous and controversial readings of literary and cultural texts to gay critical analysis. Lee Edelman rearticulates the politics of sexuality, addressing some of the most hotly debated issues of our time.