Thomas Harding adapts his adult memoir of the same name for younger readers, tracing the shadow of war as it falls across a one-story cottage and the people who share it.

"To all those who have for several years sought to discredit the new American literature, Lawrence Ferlinghetti has just dealt a most powerful blow," wrote French critic Pierre Lepape in 1961 when Her was published in France as La Quatrième Personne du Singulier. Calling it "a masterpiece of the young American novel," Lepape declared it was "the confirmation of a great American writer who, in the hall of American literary glories, takes the place left vacant by the death of Hemingway." Lepape went on to speak of the "incredible verbal virtuosity" by which the reader is led through this "laby-rêve," and it is this image of the "labyrinth-dream" which relates Her to the anti-novels of the young French school of Robbe-Grillet and Butor. Being thus very far from the kind of novels produced by Ferlinghetti's immediate contemporaries (whether Beat or academic) this book has met with little but bafflement among American critics. With well over 50,000 now in print Her nevertheless continues to make its own way.

Zusammenfassung: Katja Petrowskaja's family story is inextricably entangled with the history of twentieth-century Europe. There is her great-uncle, who shot a German diplomat in Moscow in 1932 and was sentenced to death. There is her Ukrainian grandfather, who disappeared during World War II and reappeared forty years later. And there is her great-grandmother - whose name may or may not have been Esther - who was too old and frail to leave Kiev when the Jews there were rounded up, and was killed by a Nazi outside her house. Taking the reader from Berlin to Warsaw, to Moscow, to Kiev, from Google searches, strange encounters and coincidences to archives, anecdotes and jokes, Katja Petrowskaja undertakes a journey in search of her own place in past and present, memory and history, languages and countries. The result is Maybe Esther - a singular, haunting, unforgettable work of literature.

Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.